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The Four Funerals in Beowulf: and the Structure of the Poem

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The old English poem "Beowulf" begins and ends with funerals and includes the third as a digression part of the way through. Now, for the first time, a fourth funeral—hitherto disguised as poetic imagery—is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built.

256 pages, Hardcover

First published January 1, 2000

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About the author

Gale R. Owen-Crocker

47 books3 followers
For books published in her early career, see also: Gale R. Owen.

Prof. Owen-Crocker's chief research interests are Anglo-Saxon literature and culture and medieval dress/textiles. She has lectured by invitation at universities in Canada, Denmark, Germany, Italy, Spain, Taiwan and the USA. She has advised museums and archaeological units on medieval dress. She appeared in this role on BBC TV's 'Meet the Ancestors' and has broadcast on BBC Radio 4 Woman's Hour and in Radio 3's 'Anglo-Saxon Portraits' series. She is co-founder/editor of the journal Medieval Clothing and Textiles and was Chief Editor of the Brill Encyclopaedia of Medieval Dress and Textiles of the British Isles c. 450-1450 (published 2012) She is Director of the Manchester Centre for Anglo-Saxon Studies, and directs a 5-year AHRC funded project 'The Lexis of Cloth and Clothing' http://lexisproject.arts.manchester.a...

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Profile Image for Neil.
293 reviews55 followers
May 5, 2013
It is observable by even the most casual reader of Beowulf that three of the most important events in the poem are the funerals of Scyd Scefing, the funeral embedded in the Finnesburh section and Beowulf own funeral at the end of the poem.

In this study the author puts forward the idea that there is a fourth funeral embedded in The Lay of the Last Survivor. Owen-Crocker suggests that the man of the ancient race who stores the treasure and then dies is in fact a fourth funeral and that the whole poem is structured around these four sections.

The rest of the book expands on ideas first put forward by Fred C. Robinson in the 1980s in the lecture series published in Beowulf and the Appositive Style.
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