Acquired for Development By is an anthology of fiction, nonfiction and poetry by 25 writers with 25 different perspectives on a rapidly changing area of London. From gentification to supermarket sandwiches, Turkish Alevism to inner city river living, middle-class civil war to pylon romance, this collection captures an alternative, insightful and sometimes bizarre take on modern London life. Featuring work by Lee Rourke, Molly Naylor, Siddartha Bose, Gavin James Bower, Laura Oldfield Ford, Nell Frizzell, Tim Burrows and many more.
Gary Budden writes fiction and creative non-fiction about the intersections of British sub-culture, landscape, psychogeography, hidden history, nature, horror, weird fiction and more.
His collection of uncanny psychogeographies and landscape punk, HOLLOW SHORES, was published by Dead Ink Books in October 2017. His dark fiction novella JUDDERMAN (as D.A. Northwood) is published in 2018 by the Eden Book Society.
He was shortlisted for the 2015 London Short Story Award, and his story ‘Greenteeth’ was nominated for a 2017 British Fantasy Award and adapted into a short film by the filmmaker Adam Scovell.
His work has been published widely, including Black Static, Structo, Elsewhere, Unthology, The Lonely Crowd, Gorse, and Year’s Best Weird Fiction.
Praise for HOLLOW SHORES:
Here are punks, ghosts, vampire-hunters, ancient gods that hate to be neglected. Here is a country and a world teetering on the lip of apocalyptic void. And here are, too, insanities, desperate longings, great loves and rages and beauties. Completely absorbing. — Niall Griffiths, author of Runt
I don't think I've ever read a collection of stories that fitted together so well before, with each one deepening the same themes to make a powerful reading experience about loss, and belonging, and growing. – Aliya Whiteley, author of The Beauty
Quiet, unsettling, and at times, quite beautiful... The overall sense of dissatisfaction (though never angsty) and longing for an ineffable, unattainable ideal in our environmentally ravaged world was authentically and meticulously rendered. – Paul Tremblay, author of A Head Full of Ghosts
Budden’s writing is sparse, terse even, but perfectly suited to the landscapes of dislocation and alienation that are his natural milieu. – Nina Allan, author of The Rift
Like some mythic counterculture coast; The Snow Goose on speed. – Tony White, author of The Fountain in the Forest