Well, now I think we know where Togashi got the inspiration for Palm!
This is another case where, on paper, I shouldn't like what I'm reading. I've never enjoyed stories about crazed girls trying to get a guy to fall in love with her. It's an overdone trope that doesn't sit right with me for some reason. But between the charming writing, stands, and Koichi Goddamn Hirose, I had a lot of fun.
I have a hard time placing it, but there's something so optimistic about this series. I remember reading a quote from Araki that more or less characterized Jojo as a series about having faith in humanity- or the strength of humanity. It wasn't in those exact words, but was something close. But part 4 is really where those feelings manifest. The villains are characters caught up in their own vices. After being defeated, many of them go on to become allies. This hasn't come to pass yet, but it creates the feeling of a unified community within the town. We get to meet so many people and see them grow to varying extents. And almost all of them end up fighting for the good of the town. Or at the very least, they end up making the town a better place sheerly through their presence.
Okuyasu's a great example. He started out as an asshole, but quickly grew into a total bro. Already, I love seeing him hang out with Josuke. They have a charming relationship that feels authentic to how teenage boys relate. I spent the summer last year working as a camp counselor for a group of teenagers, and these characters remind me those days a lot. These characters are just fun to spend time with. They think like teenagers. They are capable of really clever ideas you might not expect, but they can also make some goofy decisions. They can be surprisingly insightful, but also have some comically faulty ways of thinking. I want to read about them hanging out, the misadventures they have with stands, and their eventual quest to rid the town of evil.
Araki's horror sensibilities come into play here as well. When Morioh was first introduced, I was getting some Derry vibes from it. The shot of Yamagishi showing up outside of Koichi's window looked like a panel straight out of Ito's work (even if this comparison is probably an anachronism). And then the hostage situation played out in a way that reminded me of Misery. It just goes to show how borrowing from a variety sources and genres can enrich your writing. I'm sure Rohan would agree.
Quick aside the scene with the girl's hair catching on fire from the furnace brought up memories of Danny. It's been a couple hundred chapters, but damn. That's still too soon.