Hidden away in a mother and baby home in northern England in the 60s, a group of pregnant teenagers await the day they can return to regular life. In this cocoon time, they wrestle with the big dreams of futures that cannot coexist, of motherhood and social security, and are moved by that instinctual habit girls have to befriend, tell stories, nurture, and sing pop songs with each other. In brief sharp strokes, Whittington sketches a quiet tragedy about girls failed by poor education and sexual inequality. The characters surrounding these girls, who could easily be the villains with a slap of easy dialogue, are irrefutably motivated by care and compassion. And without the casual cruelty of mothers and matrons, the spotlight falls full force on the systemic injustice.