I used to read all of Lois Duncan's books back in the day, but this one either hadn't been published in some time or the library didn't stock it, so it completely slipped past me. This was her very first book and the one that won an award and launched her into a very successful, long-lasting writing career. There is an extensive Author's Foreword included in the version I read that I really liked--because Lois Duncan wasn't the sort of author to put an unnecessary Author's Note at the end or beginning of every single book. I still remember that one nonfiction book that was prefaced by the author's extensive listing of his credentials (which we all know already from the biography on the back but he still felt inclined to speak at length about it in the first chapter) as well as that of his son's, which was completely irrelevant to the subject of the book, though I gather the author really wanted to tell everyone.
In any event, some of the other reviews discuss the synopsis of the book pretty well, but I was also interested to know that this book originally started from a short story that Duncan had written and submitted multiple times to a slew of rejections. She finally, on the advice of one rejection letter, turned it into a novel, and I do think that the book worked really well, even to this grand old day in 2020, despite originally published in 1958. It doesn't feel dated at all, and all the same situations still apply.
One of the best things in the entire book is the characterization of everyone, and the development of Lynn, the main character in particular. It's the kind of book that used to be popular back before everyone and anyone could write a YA novel (cough, yes, Stephanie Meyer), by which I mean that there had to be something redeeming about it. There has to be a change that affects our protagonist, a conflict she undergoes, and how she grows as a result of it.
The thing about Lynn was that it was easy to sympathize with her on a superficial level, being left out of your friendship circle in your senior year when everything had been going so swimmingly for her, and the setup was fast in developing--at the end of the first chapter, I already wanted to know how it would resolve itself. At the end of the second chapter, I thoroughly liked both her parents. They were both rich and lived on the Hill (which is the equivalent of being rich and snobby) but the background was laid out quickly and sympathetically. Her father was a good man, and her mother, though originally being one of those rich debutantes before, had chosen him over the objections of her parents. They stood together, but they were not unloving. And Lynn, despite herself, promised her father not to attend even when he was on the cusp of caving.
Nobody is the villain in this story. No other woman (despite there being an obvious other woman who actually does accuse Lynn of aiding and abetting a robbery) is a terrible person. It's a case of misunderstanding, of growing up, of learning more about your younger sister than you originally had. I enjoyed the relationships that Lynn had with her younger sister, who was more textured and layered and complicated than her short screen time demanded, and her boyfriend, Paul, the most popular boy in town (despite that the bad boy calls him wishy-washy), is also not without his depth.
I was most interested in the appearance of the bad boy OM, Dirk Masters, because of how he suddenly appears in the book, and I contrast the way Duncan dealt with his character versus in her later book, Stranger with My Face, in which the protagonist does end up with the OM instead of her original boyfriend. Maybe it was the time (1958) or that it was her first book. Nowadays the lines between bad and good are more blurred, and there's been a shift towards romanticizing the antihero that I'm fully behind. Regardless, I was fascinated by how Dirk Masters leapt off the page and I have to admit that his revelation of his pining for her was very squeal-worthy. It wasn't even that Paul was a bad person; he wasn't, and his ensuing actions showed that he deserved his reputation as the most popular boy in town. It disappointed me slightly that Dirk didn't end up being the hero of the piece, but this all was very realistic given that he had had a fairly sad background.
In the end, it's Lynn who thoroughly wins over the audience, because she takes responsibility for her own actions, in realizing that she'd made a muck of her own school year because of her own moping, and realizing that she knew how to sympathize with the OM rather than blaming her for her own troubles. Lynn then realizes that her worth doesn't lay in what she'd always been rather proud of, of belonging to the Hill, but that there were other people and other things that had more value.
A solid book. Definitely recommend as a YA novel.