The follow-up to Alexi Kaye Campbell's award-winning debut The Pride comes this play about the conflicting demands of fame and family. A disastrous family reunion is the occasion for a sharp and perceptive look at what has happened to the children of '60s idealists.
The current London revival of Campbell's 2009 play impelled me to read this, although I admired his breakthrough piece, The Pride, very much as well. The play seems a mite dated, which is more a factor of the whirlwind changes wrought in the past 8 years (and largely, the past 8 months), than any inherent deficiency. And if the mixed reviews it's garnered can be trusted, it plays as a bit schematic and 'programmed'; characters often appear as mouthpieces for various polemical opinions, rather than flesh-and-blood people. However, I was enormously entertained reading it - it is quite a witty piece of writing, and I would love to see it performed - although I couldn't help thinking Annette Bening would be the ideal choice to play the central mother figure, rather than Stockard Channing. I also found it fascinating that in the current production the two sons (who are very different) are played by the same actor, since they never share the stage at the same time - what a tour de force that would be for any actor.
I'm reading around the London theater scene in preparation for teaching the literature of drama in London in Fall, and this title came up. First performed in 2009, this play is both specific and universal, about ambition and loss, parenting and independence, identity and expectations. I am hoping to take my students to see the play with Stockard Channing in Fall.
It's crazy, I wasn't expecting to be so hooked to this but I literally finished it in less than 24 hours. My only complaint is that the way the lines are written can get a bit weird at times when the characters are meant to be talking over each other. Great play though.