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Bel’s children struggle against the lives she has scripted for them: Joe, a Jesuit priest, is unsuccessful as a healer of souls; spinster Rita runs off with the love of her life, a gangster who turns state’s evidence; and there’s Gemma, an angry ambitious girl, who enters the Murphys’ magic circle. All three are pilgrims struggling to discard the myths of the past for the comforts and sorrows of the present. Joe’s journey takes him to the war of the gospel in El Salvador; Rita’s to the witness protection program; Gemma’s to problematic fame as a postmodern photographer. The flickering seductions and distortions of private lives play out against the novel’s rich historical awareness.
Darkly comic and truly moving, this is a brilliant exploration of the claims of the past and a passionate bid for freedom. Howard gives us the enduring pleasure of astounding writing and the superb craft of a consummate storyteller.
256 pages, Hardcover
First published August 3, 2004
Silver Screen is Howard's eighth historical novel. Throughout her career, critics have lauded her engaging stream of consciousness style, and Silver Screen is no exception. Most critics are pleased with the tale of Bel Murphy, an actress who opts out of her own career and directs the lives of those around her with varying degrees of success. However, some reviewers found Howard's interweaving timeline disengaging and would have preferred a more direct storyline. Others viewed her seasonal construct unnecessary, and her characters unconvincing. Buck up. After summer, there's always autumn.
This is an excerpt from a review published in Bookmarks magazine.