Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2018 with the help of original edition published long back [1961]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 200. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.} Complete A touch of magic / drawings by John Gretzer. 1961 Cavanna Betty
American juvenile author (full name: Elizabeth Allen) Betty Cavanna suffered from a crippling disease, infantile paralysis, as a child, which she eventually overcame with treatment and exercise. During her convalescence, attentive adults read to her until she was old enough to read to herself, beginning a long love affair with books.
Cavanna majored in journalism at the New Jersey College for Women in New Brunswick, from where she received the Bachelor of Letters degree in 1929. She also took art classes in New York and Philadelphia. Cavanna's first job was as a reporter for the Bayonne Times. In 1931 she joined the staff of the Westminster Press in Philadelphia and over the next ten years served as advertising manager and art director. She also wrote and sold material to Methodist and Baptist publishing firms. In 1940 she married Edward Talman Headley, with whom she had a son. They moved to Philadelphia. After her husband's death, she married George Russell Harrison, a university dean of science, as well as nonfiction writer, in 1957. He died in 1979.
Cavanna became a full-time writer in 1941. Since then she has written more than seventy books under the name of Betty Cavanna as well as two pseudonyms: Betsy Allen, under which she wrote the "Connie Blair Mystery" series, and Elizabeth Headley, under which she wrote several books, including the Diane stories. As Betty Cavanna she also published the nonfiction "Around the World Today" about young people living in various countries.
Cavanna's juvenile fiction, about the difficulties of adolescenc, appealed to generations of teenage girls. Her characters confronted loneliness, sibling rivalries, divorce, and tense mother-daughter relationships. Her books, although characterized as pleasant, conventional, and stereotyped, have been extremely popular and recommended by critics for their attention to subjects which have reflected girls' interests. Going on Sixteen and Secret Passage were Spring Book Festival honor books in 1946 and 1947.
In the 1970s Cavanna turned to writing mysteries, which she termed "escape fiction," because she said she felt out of sync with the problems of modern teenagers. Two of her books have been runners-up for the Edgar Allan Poe Award: Spice Island Mystery in 1970 and the Ghost of Ballyhooly in 1972.
Oops, not sure how this got on my lists. I'm not interested in YA historical fiction about how young ladies got through the American Revolutionary War. Still, I hope it was widely read in its time, esp. by young teen girls. See the Kirkus review for a reason to consider it yourself.
I found this one much more convincing than Ruffles and Drums. The contrast of simple Quaker life and the frivolous, luxurious life of Philadelphia society high-flyers was well-done. The inclusion of historical fact also naturally flowed within the plot without being dry. Good stuff.