Wow, another absolute wow. The book is deceptively easy to read and holds such a large swathe of indigenous history. Vivre books festival held a workshop by Gina Cole (Na Viro). We had long in-depth discussions about writing about someone else's culture. It was pretty much agreed that you can’t, as a pakeha (white European) write about Te Maori Ora.
And yet Patricia Grace has written a book about a Japanese stowaway, an illegal immigrant and his life with a Maori community. The book starts with 21-year-old Daniel. He’s been sent from a privileged European life to live with his Maori grandmother Oriwai. He hopes to learn to muck in and understand how blessed he is.
As well as learning about his own heritage, he discovers he has a Japanese grandfather Chappie. Daniel interviews his grandmother and his twice-adopted Uncle Aki. He learns his turangawaewae and his family history from the early 1920s until now.
I found this book gripping and read it over one weekend. I lived racism, Maori, Indian, Chinese, German, Japanese and Hawaiian. Grace is a subtle writer who doesn’t hit you over the head. She leaves it up to the reader to determine what is happening.
I adored the Maori heritage, and the wonderful pride Aki has in his family and ancestors. The family plot twists rival The Thorn birds in their complexity. The characters are real, flawed messy and they leave you laughing and weeping in the same breath. All though they feel very, very real.
World War II destroyed and uprooted many families. It is easy to paint the Japanese as the bad guys. If you watch Colin Firth in The Railway Man and take a look at the extended trailers, you learn that Japanese common men were beaten and brutalised into fighting. Chappy is escaping the Japanese invasion of China.
He ends up in New Zealand after stowing away and is rescued by Aki, who takes him home to his whanau. He becomes adopted and marries Oriwai, and has two children. All is well until WWII and the attack on pearl harbour.
There is so much more, but the bit I liked about this book is the magic realism. The Maori and Hawaiian spiritual worlds are woven into the book. Oriwai is pragmatic, but Aki carries sadness with him. We learn about it in time, but the book is full of the wonderful pacific spirituality commonplace.
I love patupaiarehe, taniwha and Moon face carried by his brother. I felt privileged to learn of the way the Hawaiians see the world and how the Americans stole it from them.
Grace cleverly takes us through the depression, NZ white racism, and the loss of ancestral land in Oriwai life. But Oriwai and Aki and their whole family are exactly the way I see the Maori of then and now. Survivors, mercurial business people and thrivers in changing worlds where the odds are not always in their favour.
We also travel the pacific in steamships, live the private life of the Maori and survive the bombing of Pearl Harbour. All of this is the background to Aki, Chappy, Oriwai, and their families' lives. They don’t always get on, but they are family, and slowly Daniel finds a sense of self and connection.
I would use this book as a text to study for national exams. It should be required reading for anyone who wants to come and live in NZ and far more interesting than Man Alone, which we suffered through in my school certificate days.
If you are interested in NZ, like WWII history, want to learn about the Maori people, love Grimms Fairy tales and love reading Phillipa Gregory, then this is for you. Warning, if you pick it up and get past the first two chapters, you may have to give away the rest of the day. It is a page-turner. This is a forever book, and as soon as I have my library back, I will find a copy and put it in there.