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REM: Documental

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R.E.M. is arguably one of today's most popular bands. Their string of top hits includes "Fall on Me," "The One I Love," "Stand," "Losing My Religion," "Drive," "Man on the Moon," and "What's the Frequency, Kenneth." From "Chronic Town" to "Monster" provides interesting details about this enigmatic yet potent musical force. Despite the constant intrusion of a voracious press, their aspirations are cloaked in mystery. Arch media manipulator, lead singer-lyricist Michael Stipe reveals the confusion and creative freedom provided by this media frenzy, which allows him and his band to present some of the most provocative music of recent times. As well as tracing the journey from the underground to the international stage, this book digs beneath the convenient stereotypes to portray Stipe and bandmates Bill Berry, Peter Buck, and Mike Mills as individuals and artists who each make important contributions to rock's most vital band.

288 pages, Paperback

First published January 1, 1995

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About the author

Dave Bowler

52 books1 follower

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Displaying 1 - 3 of 3 reviews
Profile Image for Tiffany.
1,023 reviews98 followers
July 4, 2007
This book has a slightly different take on the same events that are discussed in other R.E.M. books, usually a more cynical take on them. It's odd that after so many books reporting the facts one way, this book is the lone one to see the same events from a different angle.

One thing I don't like, and maybe it's just me being extremely picky or touchy, is that the authors seem to give their opinion often, like implying a particular album or song isn't good, or won't stand the test of time. Isn't that a matter of opinion? Just because you didn't like Lifes Rich Pageant doesn't mean it's not someone else's favorite (R.E.M.) album of all time, the one they go back to over and over. hmm...
Profile Image for Ted.
Author 5 books4 followers
August 7, 2008
I dunno what's worse, the fact that you get the feeling the writer didn't like the band, the constant mispellings, incorrect titles for songs, or the fact that it's comprised entirely of quotes from interviews from other sources. I can't believe I read the whole thing.
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