What do you think?
Rate this book
A Model of Order: Selected Letters on Poetry and Making
- GenresPoetry
Paperback
First published January 1, 2009
12 people want to read
About the author
Ian Hamilton Finlay
246 books15 followersIan Hamilton Finlay was a Scottish poet, writer, artist and gardener. He was educated at Dollar Academy and joined the British Army in 1942.
At the end of the war, Finlay worked as a shepherd, before beginning to write short stories and poems, while living on Rousay, in Orkney. He published his first book, The Sea Bed and Other Stories in 1958 with some of his plays broadcast on the BBC, and some stories featured in The Glasgow Herald.
His first collection of poetry, The Dancers Inherit the Party was published in 1960 by Migrant Press with a second edition published in 1962. In 1963, Finlay published Rapel, his first collection of concrete poetry (poetry in which the layout and typography of the words contributes to its overall effect), and it was as a concrete poet that he first gained wide renown. Much of this work was issued through his own Wild Hawthorn Press, in his magazine Poor.Old.Tired.Horse'.
Later, Finlay began to compose poems to be inscribed into stone, incorporating these sculptures into the natural environment. This kind of 'poem-object' features in the garden Little Sparta that he and Sue Finlay created together in the Pentland Hills near Edinburgh.
At the end of the war, Finlay worked as a shepherd, before beginning to write short stories and poems, while living on Rousay, in Orkney. He published his first book, The Sea Bed and Other Stories in 1958 with some of his plays broadcast on the BBC, and some stories featured in The Glasgow Herald.
His first collection of poetry, The Dancers Inherit the Party was published in 1960 by Migrant Press with a second edition published in 1962. In 1963, Finlay published Rapel, his first collection of concrete poetry (poetry in which the layout and typography of the words contributes to its overall effect), and it was as a concrete poet that he first gained wide renown. Much of this work was issued through his own Wild Hawthorn Press, in his magazine Poor.Old.Tired.Horse'.
Later, Finlay began to compose poems to be inscribed into stone, incorporating these sculptures into the natural environment. This kind of 'poem-object' features in the garden Little Sparta that he and Sue Finlay created together in the Pentland Hills near Edinburgh.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
No one has reviewed this book yet.