This book is an explanation, with illustrations, of the cool, simple, linear, rational, geometric, secular, civic moralizing art we call Neo-Classicism (which its contemporaries called the “true” art, reflecting their idealism), and its subsequent downfall with the Revolution, Napoleon and romanticist reaction. Honour writes well and weaves the various talents (architecture, design, painting, sculpture, writing) together seamlessly. I didn’t appreciate many of the black and white reproductions — they were almost indiscernible. And Honour goes too far when he denies a link between David’s early works, such as “Brutus,” and his political writing. On the whole, though, this is a deft description on an art period inseparable from its historical background.