Reminder excerpt from analysis for HIST 400
Fugitive Landscapes, by Samuel Truett, is a historical examination of the US-Mexico borderlands through a lens of the appropriation of space and landscapes. The book is structured in chapter-stories that follow the story of one town through its history, then shift to another landscape in the next chapter. The US-Mexico borderlands were constantly shifting in the American perception as well as in reality. Truett calls attention to the idea that borders seem fixed and divisive today, but the history of the US-Mexico border is one of transnational cooperation and development. Modern Americans see distinct nations and states, not connections and gray areas that the borderlands invariably have been throughout history.
Truett argues his case through the examination of border landscapes. He follows the history of Sonora on the western coast of Mexico and north into Arizona from the Spanish and Jesuit colonization and conversion to through its development as a mining and ranching area in the mid-1800s, to its boom and bust in the late 1800s. Then he turns to other areas in the “copper borderlands.” He first defines fugitive landscapes in the prologue: “This is the story of what actually happened. Corporations, states and regional entrepreneurs hoped to domesticate and modernize a fugitive landscape - what they saw as a wild and barbaric frontier - but it continually slipped out of their grasp.”1 He borrows the term from historian Raymond Craib, who wrote Cartographic Mexico: A History of State Fixation and Fugitive Landscapes, about the Mexican obsession with turning local places into national spaces to implement development, uniformity and political control.2 Towns like Tombstone, Brisee, Douglas, Naco, Agua Prieta and Cananea exemplify the “fugitive landscapes” that American and Mexican governments tried to rein in under the law, the state and the nation. Fugitive landscapes tie together the book and his argument; they are landscapes that defy categorization and norms, rolling through history in cycles of boom and bust, modernization and lawlessness, definition and shades of gray that transcend cultures and borders...