Editor Lin Carter admits in the introduction that allegory is a tough thing to pull off, but optimistically concludes the two novels herein succeed—but he's wrong. Edmund Cooper's "The Firebird" is a fantasy about a young man who spends his entire life pursuing a phoenix, while struggling with a world that (of course) hates and destroys dreamers. "From the World's End" is even less subtle, with author Roger Lancelyn Green obligingly explaining that various characters represent Gross Physical Lust or Passionless Academia, which attempt to lure the protagonist couple off the path to love and marriage.