This book is about Tara Mistri, a stay-at-home mom who takes break from architecture, to take care of her two children. The book beautifully captures the journey of Tara as a stay-at-home mom, her conversations with Yakshi – her own personal spirit, her obsession about Louis Khan’s architecture and Salk Institute, her insecurities when grappling with the tags like housewife and feminist and her conflict of having to choose between motherhood & career.
We see different women owning up to motherhood in their own ways in the book – Tara leaving her career to take care of children, Janet continuing to pursue her career in full swing. In this book we get to see Tara growing as a mother. From her youthful ignorance of deciding not to ever let to babysit her children to her realizing that no matter what she does, her kids are going to outgrow her & judge her for her choices someday. This book captures the essence of motherhood, especially in the moments when Tara admits “nurturing needs replenishment… Need love to give love…”
Even though times have changed for the better and we are progressing towards laws making motherhood easier, Tara’s admission that there cannot be true equality in marriage, if equality means both partners achieving their highest professional potential is real. Janet’s fear of not being able to become principal investigator, if she ever takes a break from her career is real. In this corporate competitive world, is permitting to take maternity leave for a short while enough? Are women constantly struggling to continuously having to choose between their role as a primary care giver and the self esteem they derive from their career? This book forces us to ask such difficult questions.
Though this book opens the minds of readers to the nuances and conflicts of motherhood, it would be an understatement to confine the book to just that. It is also about self discovery – Tara figuring out what she wants from life, about what makes the marriage work or rather what doesn’t and about architecture.
The relation between Tara and her husband, Roshan and how it is being effected by kids is shown subtly in the book. The most vulnerable and yet the strongest moment in their relationship is when Roshan reminds Tara there is so much of him to give and they ought to be asking so much more of each other. May be this is what makes a marriage work.
The author, herself an architect, keeps drawing parallels between life and architecture throughout the book. It is surprising and even liberating to be able to view mundane life experiences through long lasting architectural examples. This makes the book, a gem of a read, especially for architecture students giving them the best of both worlds.
The book spans over a period of few days, when Tara contemplates joining back the workforce and she introspects what she wants from life. Tara realizes she wants to be of value to this world. But she does not stop at that. She questions what is value? The contribution she makes to the world of architecture through her career or her contribution to her kid’s lives as a mother? By the end of the book we understand what one perceive as value is very subjective and personal. With her anecdotes from architecture, she cites Louis Kahn to summarize this tumultuous process of self discovery –
“It is important that you honour the material that you use, instead of shortchanging it or giving it an inferior job to do where it loses it character… For instance you consider the nature of the brick, you say to brick, ‘what do you want brick?’ And the brick says to you, ‘I like an arch.’”
P.S – This book has a straight narrative and yet is slightly deep, as the Tara carves her way to clarity. This book can be liberating for mothers, as they finally find words for the feelings piled up within them. For someone looking to read a book on motherhood or work life balance, it is a good read and is definitely worth the time.