Tom Fidgen is one of those Romantic woodworkers who believes that every wood shaving is sacred and that sawdust has magical powers. He is one of many handtool fetishists who feels that all power tools are demonic and should be avoided at all costs. I have to be honest and say that I'm usually quite receptive to this sort of ballyhoo, but recently I've grown tired of it. It's just not true and is a silly and puerile attitude--as is the case with any kind of puritanical argument. What I find especially annoying about Fidgen is a complaint that I have about many hobbyist woodworkers: their technique is quite sound, but their aesthetics are sub par. Although many people LOVE Fidgen's pieces, I find them quite lacking in pleasing aesthetics and functionality. They have been designed around showcasing his mastery of this or that joint, not whether or not the thing works or looks nice. His small bookcase, for instance, is a monstrosity. It looks like the work of a white man trying desperately to be Japanese--a hodgepodge of conflicting proportions, lines and colors. Nasty.
However, I can't fault Fidgen on technique, and he does a decent job (albeit somewhat patronizing in some sections) of explaining the rudiments of handtool work. I find it particularly strange that Popular Woodworking published this book because it treads the same ground that so many of their other publications do (with less effectiveness). With so many great woodworking books out there, there's no excuse for producing this one.