I decided to read Prince of Ice because I like courtesan - lord pairings. I wasn't quite on board with the paranormal demon lore and yeah, I'm still sitting with it because orientalism.
It's not that there are off-colour jokes that haven't aged well.
But I'm still sitting with the purpose of writing a demon omegaverse series set in an alternative China, and what it actually does for the story.
The demons are basically what we think of as fairies: beautiful people. They also have an advanced society hidden away from humans until recently, and now there are some diplomatic relations between humans and demons, however, the demons look down on the humans. So much so that royal demons who fornicate with humans are literally banished from the capital.
Omegaverse comes from the royal houses that go into heat and can only ejaculate with their mate. When they find their mate, their eyes go black (their mate is often called "the black of their eye"). The men can only find release with their mate, but they can still enjoy physical congress with their pillow girls or pillow boys (courtesans) - it just will be dry.
I didn't read the first Tale of the Demon World series but it's taking and using East Asian concepts for wallpaper decoration. For example, Chi. Human chi is the most irresistible for demons almost akin to blood for vampires. The royals live in the Forbidden City, the costumes are of silk fabric, the men wear queues. Cor, the hero, does martial arts.
But then they are demons. The demons are ostensibly in a kingdom similar to China. Is this fuelling exoticism of East Asia? Is this making you think of China as ancient, as a place that doesn't exist now?
What does it really add that we call human energy "chi"? Because that is what chi comes down and that is really how this book uses it. There is no further exploration or debate about energy so why even pull a different concept except for the sound of it?
It's the thing of hearing anecdotally by authors of East Asian descent who share their challenges in publishing where they are told China fantasy stories do not sell, but then seeing white authors create and publish without pushback.
And it's also the frustration many regency readers bemoan about wallpaper historical fiction where details are missed or not used - if you're not going to care if your hero go to White's or Brook's, why even dump them in this time period?
What about the steam?
Historical erotica authors all must have read the same book or attended the same workshop on what they think a sex scene should be: long, descriptive, and flowery. But it becomes not sexy at all? I've encountered this numerous times when getting into historical eroticas, and it just doesn't do anything for me.
I felt more when I read Cor and Xishi being separated, of Cor's obsession with Xishi. That moment when he enters to choose his pillow girl was so tense! When Cor is jealous, or when Xishi feels she doesn't understand Cor.
I felt much more in those moments because there was passion and development in their relationship than I did when Xishi and Cor are talking about using dildos on him. So at about the 50% mark, there are long, descriptive scenes of a carnal nature, and I started to flip past them to get to the political mystery.
I found out on Twitter that Emma Holly recently passed away, and after learning of her reputation for paranormal erotica, I started to look at her backlist on GoodReads. I wondered why the name was familiar, and I realized I had come across her name under historical erotica lists. I never finished her historical erotica romance, set some time in Regency period, I think.
Overall, I think Emma Holly did a decent job. I was hooked in the beginning, on the fence about the setting, but invested in the MCs. This is ok. I probably won't continue with the series, but I will probably try other works by Emma Holly.