This is a review for a re-read of Bartle Bull's "The Devil's Oasis."
I have to say it, I have enjoyed Bartle Bull's Anton Rider series much more on a re-read than I did the first time I read it. I've always enjoyed Bull's gift for romantic storytelling of a bygone age of British imperialism in Africa, but when I first read "The White Rhino Hotel," "Cafe on the Nile," and "The Devil's Oasis," I admit that I cringed a bit at books that seemed to be glorious tributes to Rudyard Kipling and other British jingoism. Heroes were heroes, villains were villains, supporting lackeys were supporting lackeys, and over all there loomed the Great White Hero.
I recognize now that I was being spectacularly unfair to Bull and his stories. While these books are clearly romances set in the ultra-romantic era of North Africa in the first half of the 20th century, Bull also injects far more nuance than I gave him credit for.
In "The Devil's Oasis," our heroes have survived the Great War and Italy's Ethiopian campaign. Once again, Anton Rider must suffer as his wife, Gwen, has an affair with a European unworthy of her charms . . . but Rider has earned it with his own failings as husband. Lord Penfold continues to be blissfully maintained by the dwarf master schemer and entrepreneur, Olivio Alavedo, who now has a new hotel on the Nile. And the German Ernst Von Dekken, married to the wealthy American Harriett, gets enlisted by Erwin Rommel into his Afrika Corps at the outset of World War II.
Oh, did I forget to mention - it's now time for the second global conflagration. And the next generation of heroes, including Rider's two sons and Alavedo's five daughters, is now emerging on the scene.
For the squeamish, please note that Bull revels in the sexy and the violent, so prudes will likely not enjoy this book. And if you're looking for revisionist history along the lines of "Django Unchained" (which I loved) so that a native African leads the fight against Rommel, you're not going to find it here.
But upon a re-read, this series is far more human than I had originally given it credit for. There are good people and bad people, but the good people are flawed, and the villains also have their own stories. Bull captures the chaos of war brilliantly, including describing how tough it would have been for a Frenchman in Africa at the outset of World War II - France had fallen and had two governments. What do you do? (Unfortunately for the Frenchman in Bull's novel, he chooses . . . poorly.)
Highly recommended for fans of high adventure.