Stuff I Read – MPD Psycho Vol 1
From the happy and cheerful writer behind the Kurosagi Corpse Delivery Service, here comes the first volume of another manga that delves into depictions of the dead, of the corpse, in an attempt to redefine what it has come to stand for. At least, that is what the volume itself claims to be aiming for, or at least the writer in the afterward. In a rather thoughtful little section, the writer expresses worry over the current state of corpses in popular culture, and especially in science fiction. It is too easy to overlook the corpse, to take the corpse as a symbol for death and not for death itself. Especially when denied access to the dead body, the full impact of death is lost. And I can say, this volume does not spare the reader the most grisly of views at corpses and near corpses. But the same could be said of Kurosagi Corpse Delivery Service, so it does come up that this manga has to do something different in order to maintain any sort of impact. Yes, there are corpses and torture and all that, but this volume does manage to avoid being just pandering to perverse people wanting to see dead bodies.
It starts out a bit sexist, though, as in this first volume we are presented with just the corpses of women. The psychos of this series, at least to this point, target women foremost, and only the titular character, the multiple personality detective, manages to kill any males, those being the killers of the other women. So I have a little bit of a difficult time contextualizes the violence of the manga, as much of it seems erotically charged. And that, frankly, is rather disturbing, but I think that it is disturbing in a way that challenges the audience, that forces them to see the perversion of the corpse, the fetishistic role that it takes in popular culture. It is so blatant that it avoids being actually offensive. Instead of merely being repulsed at the volume, it forces the audience to think about the way we think about corpses, and the living. How much is popular culture like the psychos of the volume, trying to redefine the corpse to make them into something they can control, striping the power the corpse has over us.
But I suppose I should also talk about the story itself, which is quite a departure from KCDS, as this is not about a group trying to help the dead for profit, but about a detective who has lost his mind. During a particularly gruesome case, his mind fractured and is now made up of at least three personalities. The main one is a bit like the previous personality, and acts as the detective for a freelance firm that is put together to solve cases involving serial murders. However, there is another personality that seems to be in league with the killers, and a final personality (so far) that is a psycho himself and kills the killers. It is an interesting concept, as the detective has fractured at least in part because of his own feelings that he failed his girlfriend and got her killed. And, indeed, it was he that technically killed her. But there is a subplot here that delves into something with an eye bank, where these killers all have barcodes on their eyes. I’m sure that will become the main story at some point, as the detective himself has one of these eyes.
The mystery of this volume surrounds the killings of women who are made into flower pots when they are still alive, where the plants grow out of their brains. It is disturbing and insane and I think capture the author’s purpose very well. The plot itself isn’t too unpredictable, but does throw a few twists along the way, keeping it interesting. Really this seems like it is like the show Dexter that a lot of people have told me to watch, which is about a serial killer who kills serial killers. This acts in rather the same way. Which isn’t a bad thing. At the very least it brings up some interesting things to think about. The characters aren’t bad but they suffered a bit from this being the origin story, as did the overall plot, as the volume was a little cramped. Even so, it did a fine job of introducing the concept and challenging the place corpses occupy in our culture. With all of that, I give this first volume an 8/10.