"Considering the band's entire catalog is built on four or five basic, frequently used rock and blues chords, it is impressive that they've managed to pen [an inventory] that never sound like anyone else while remaining less repetitive than logic would predict . . . AC/DC's contribution to rock is gracefully zen: the band has made, and remade, iconic anthems from the most fundamental ingredients of the genre. They have not reinvented the wheel -- they've just spun it like a motherf***er." -- on pages 4-5
Legendary multi-genre music producer Rick Rubin is quoted at the very beginning of author Bozza's Why AC/DC Matters with the succinct, almost 'fight me' quote of "I'll go on record saying that AC/DC is the greatest rock and roll band of ALL time." This opinion, along with some detailed testimonies from axe-slinger Slash of Guns N' Roses, drummer Tommy Lee of Motley Crue, and . . . Professor Robin Stone of Boston's Berklee College of Music (whoa!) provide a lot of the grist and backbone for this surprisingly informative little book. At a compact 130 pages, Bozza - who had previously penned biographies on the aforementioned Slash and Lee, likely engendering the goodwill that lent to their freewheeling yet sincere praise here for the group - delivers part biography and part fun yet semi-serious musical discussion on the Australian act (although only one of the original and/or long-running members was actually born there) who are still one of the top-selling rock bands of all time, with only the Beatles, Queen, Led Zeppelin, and Pink Floyd standing ahead of them in the same arena. While losing and/or changing a front man would doom lesser groups, AC/DC - founded and anchored by guitarist brothers Angus and Malcolm Young - survived the loss of cheeky Bon Scott by wisely procuring the blistering vocals of Brian Johnson to continue warbling their pounding, party-ready anthemic tunes. Beer-drinking, fist-pumping, head-banging, air guitar-playing and/or highway-driving music of the very best kind (just in my opinion - can you tell that I'm a fan? 😎), their albums - such as Let Their Be Rock, Back in Black, and my favorite Highway to Hell - are core tenants of late 70's / early 80's hard rock. Is it great art? Who cares? For those about to rock, I salute you. 🫡