I must admit I didn't even read the first novella. I made it about 30 pages in before the age discrepancies got the best of me. Brian, the main character, is forty when his ninety-four year old grandmother dies. In a flashback a few pages in, thirty-year-old Brian is having a conversation with his seventy-four year old grandmother. There were other age discrepancies with Brian's father and aunt in relation to the grandmother. It might seem like a nit-picky point, but why was age even such an issue in this story? If it wasn't brought up so much, I could have let it go. But there were at least four or five instances of this. If I can do the simple math and figure out what is correct, why couldn't the author, his agent or editor? On top of that, there were too many character names, and the story didn't hook me right away, so I skipped to the second novella.
I liked how "Rare & Endangered Species" had a section from every main (and a few minor!) characters' points of view. It made the whole story seem fuller to have many different outlooks. Starting with an older woman, Andrea, who commits suicide, then peeking into the lives of her husband, son and daughter and their spouses, a casual acquaintance and her daughter. The style seemed a bit stuffy and formal, but it was interesting to read until the end. I thought that everything built towards a much bigger ending than we were given. The story itself was entertaining, but the payoff wasn't enough to have it resonate with me overall.
"Spirits" had me hooked from the start. I thought the characters were the most realistic of the book. While there is the ever-present anger and betrayal between husbands and wives as is typical of Bausch's work, it seemed a little less harsh, which made it easier to believe. A man has taken a new teaching position at a small college where one of his idols works. He gets to know the idol, but not in the usual way you might think. While there are external relationships in this story, and major plot points, I think the most interesting of it all was how we think and what we do when we're alone.