Falling into Theory is a brief and inexpensive collection of essays that asks literature students to think about the fundamental questions of literary studies today.
While I enjoyed Richter's introductions to the different sections of the book, and while there were a few theorists/theories that I enjoyed reading, my overall takeaway from this book is that it is out of date. People working in English studies and/or English education today will probably be familiar with many of the ideas and theories present in this collection, or at the very least will not be surprised by many of the ideas the theorists examine. Granted, when this book was originally published in 2000 English studies was not the same as it is today and academia was reorganizing itself after its theory high. For today's English students and teachers, though, so much of the theory present in this book is already incorporated into English classes and scholarly books, making this book itself fairly superfluous and unnecessary.
What a great collection of essays. I really didn't think I'd enjoy critical theory this much.
That being said... most everything since Matthew Arnold has been wrong and was only written because this field values novelty more than truth or rectitude.
i found the essays i read from this collection to be intriguing. they aren't necessarily good or bad, but they are very thought-provoking arguments about the roles of authors and readers.
The fact that "Conflicting Views" is in the sub-title did not bode well for this book when I began reading it, and it went downhill from there. This book is a self-styled introduction to literary criticism and purports to include an expansive view from the different theories, but it does neither-- at least, not effectively.
The articles are almost entirely chosen for their bent toward Marxist and Feminist theory-- two theories I particularly favor, as I believe they are the most realistically represented in Victorian to Modern literature, but there is nothing from, say, Phenomenological or Russian Formalism. The authors he chose are extremely esoteric and their articles border on pedantry.
Also, every other article nearly 100% disagrees with every other article in the book, with some articles even being completely devoted to disagreeing with absolutely everyone (George Levine, a scholar I particularly adore for his work in Victorian science, so this was a crying shame). By the end, I did not emerge with a better understanding of the modern cannon or of literature, and it felt like a giant waste of time.
Good things: Inexpensive, (mostly) good editing. Best thing I could find that wouldn't break my students' bank accounts for an Intro class.
Cons: It's just so...old. These essays aren't iconic for the most part, so you're left with a tough decision: use this and give students a stale look at the discipline's debates, use an anthology with way more text than you could cover in a semester that costs 3x as much and probably isn't that much more current, or create your own, more current set of readings. I choose a combination of one and three, but it took a lot of prep time.
Bottom line: Gerald Graff, there's gold on the streets waiting to be scooped up. Work out an updated third edition. There's a desperate market for insightful inexpensive essays paired in current conversation.
I have been working through the essays for 2 months now and finally have to return the text to the library. I am reading Toni Morrison's essay on Black Matter(s) in the last section on "How We Read". I have ordered my own copy so that I can continue to work on the essays and reference materials.
My recommendation for anyone that is interested in this book on Literary theory is to read David Richter's essays at the beginning of each section and then chart a path through the text based upon interest that he sparks.
I didn't read every essay in here, but the ones I did read were interesting. Some were very difficult to read because they were really tense. However, some were fairly easy to read.
Interesting book for those interested in different types of literary criticism.