Experiments Against Reality: The Fate of Culture in the Postmodern Age

by Roger Kimball

Experiments Against Reality displays the sophistication, breadth of knowledge, and clarity of argument that have made Mr. Kimball one of the most trenchant critics of our contemporary culture. He begins by considering the influential poet and theorist T. E. Hulme, and shows how the work of Eliot, Auden, Wallace Stevens, Robert Musil, Elias Canetti, and others can be seen as efforts to articulate a convincing alternative to the intellectual and spiritual desolations of the age. Turning to the philosophical tradition, Mr. Kimball suggests how figures from Mill and Nietzsche to Bertrand Russell, Wittgenstein, Sartre, Heidegger, Foucault, and Roger Scruton have addressed—or in many cases evaded—the defining moral imperatives of modernity. Finally he steps back to consider more generally the career of contemporary culture—the trivializing nature of the contemporary art world; the academic attack on historical truth and scientific rationality; the fate of the two cultures controversy. Experiments Against Reality offers continuing evidence of Mr. Kimball's stature as one of our most important cultural critics. Named an International Book of the Year by Mary Lefkowitz, Times Literary Supplement. A scathing critic but one whose tirades are usually justified.... His intellectual rigor is refreshing. Experiments Against Reality demonstrates what criticism can be if you take away all the theoretical scaffolding inherent in, say, a deconstructionist, structuralist or feminist reading. —Catherine Saint Louis, New York Times Book Review

Genres: Philosophy, Cultural

368 pages, Hardcover

First published January 1, 2000

About the author

American art critic and social commentator. He was educated at Cheverus High School, a Jesuit institution in South Portland, Maine, and then at Bennington College, where he received his BA in philosophy and classical Greek, and at Yale University. He first gained prominence in the early 1990s with the publication of his book, Tenured Radicals: How Politics Has Corrupted Higher Education.

Additionally, he is editor and publisher of The New Criterion magazine and the publisher of Encounter Books. He currently serves on the board of the Manhattan Institute for Policy Research, the board of Transaction Publishers and as a Visitor of Ralston College, a start-up liberal arts college based in Savannah, Georgia. He also served on the Board of Visitors of St. John's College (Annapolis and Santa Fe). His latest book, The Fortunes of Permanence: Culture and Anarchy in an Age of Amnesia, was published by St. Augustine's Press in June of 2012.

Reviews

[Kevin · Rating 1 out of 5]

Utterly poor criticism. The author hardly levels an argument against postmodernism and deconstruction, but rather considers both so patently absurd (and in conflict with his obvious ideological biases) as to merit only snide condescension. This, coupled with some frankly disgusting personal opinions (calling Foucault a "fruity" pervert who deserved to get AIDS), leaves little more than reactionary conservative (in the cultural sense) rhetoric. Much better books exist on the topics Kimball discusses, both pro and con, though sadly not in my county's public library system.

[Bakunin · Rating 3 out of 5]

Roger Kimball is one of few critics who can combine a fine taste with a sceptics view of current trends in literature. Kimballs essays deal mostly with a current trend in the humanities: the disbelief in reality. His essay on TS Eliot is especially illuminating in this regard and certainly wets ones appetite for old possums poetry.

At times I wish that Kimball would try to elucidate and develop his own aesthethic and moral theory of the world instead of hiding behind his scintillating critique of modern artists.

[Steve · Rating 5 out of 5]

All of Kimball's books are well worth reading as he is one of our finest living essayists, and an astute commentator on the times. This volume contains essays on WH Auden, Wallace Stevens, TS Eliot, and baddies such as, Nietzsche Sartre and Foucault.

The essay, "The Trivialisation of Outrage" tells you everything you need to know about what's wrong with modern art.