“[This] is the story of a family of immensely strong women, beginning with Marie Antoinette’s formidable mother, the empress Maria Theresa, one of the most remarkable leaders Europe has ever produced, and three of her daughters, of whom the notorious queen of France was but the youngest. Her talented older sister, Maria Chrstina, governor-general of the Austrian Netherlands, too, fought the dangers and intrigues unleased by the revolutionary frenzy in France, while Maria Carolina, the astoundingly courageous queen of Naples, survived the first wave of terror only to be then forced to face the cyclone of Napoleon. Their reigns, like Marie Antoinette’s, were packed with splendor and suspense; their adventures informed each other’s stories and today illuminate the extraordinary century in which they lived…”
- Nancy Goldstone, In the Shadow of the Empress: The Defiant Lives of Maria Theresa, Mother of Marie Antoinette, and Her Daughters
Maria Theresa is one of the most fascinating leaders in history. Not only was she the only woman to rule over the Habsburg Empire in her own right, she did so successfully, which cannot be consistently said of this dynasty. She had to navigate the obstacles of endless wars, endless court intrigues, and Frederick the Great, all while carving a place for herself in a male-dominated world. Along the way, she managed to give birth to sixteen children, including Marie Antoinette, the ill-starred Queen of France whose fame has far surpassed that of her more-successful mother.
Nancy Goldstone’s In the Shadow of the Empress attempts to convey the life of Maria Theresa, as well as three of her eleven daughters: the aforementioned Marie Antoinette; Maria Christina, who served as Governor-General of the Austrian Netherlands with her husband; and Maria Carolina, the Queen of Naples and Sicily.
This is, of course, far too much material to be contained within a single volume, even one that is almost 550 pages long. Nevertheless, In the Shadow of the Empress is energetically written, wildly entertaining, and – apparently – extremely controversial in its assertions and portrayals.
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In the Shadow of the Empress is divided into three sections.
The first begins with Maria Theresa, the oldest surviving child of Holy Roman Emperor Charles VI. Able to focus on just one person, this opening act operates as a fairly standard biography, covering Maria Theresa’s lineage, her upbringing, and her ascension to power. Much of the early drama revolves around the so-called Pragmatic Sanction, issued by Charles – who had no sons – to ensure that his daughter would inherit the Habsburg domains undivided. Goldstone also spends a lot of time on Maria Theresa’s confrontations with Frederick of Prussia, who had an insatiable appetite for Habsburg-controlled territory.
The second section of In the Shadow of the Empress gets a bit more complicated, as the tale expands to include Maria Theresa’s large brood, and in particular, Maria Christina, Maria Carolina, and Marie Antoinette. In order to better focus on her subjects, Goldstone eschews chronology, and alternates chapters that follows the different journeys of each of these women. As the book progresses, it requires a bit of mental gymnastics to keep everything straight, especially as Maria Theresa’s daughters are sent to different corners of Europe. There is some repetition, along with skipping backwards and forward through time. For example, Maria Theresa dies in one chapter, and then is back alive in the next. There is also the name issue, given that all the women are either Maria or Marie, which Goldstone tries to alleviate by using the nicknames of Maria Christina (Mimi) and Maria Carolina (Charlotte).
The final section is a historical thriller, as Maria Theresa’s progeny attempt to handle the convulsions of the French Revolution, followed by Hurricane Napoleon. While the entirety of the book is fast-paced, the final third is especially eventful, and hard to put down.
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Though Goldstone runs the story through her four protagonists, she does not neglect the other players. There are plenty of crisp portraits of well-known figures, such as Frederick and Louis XVI, as well as lesser-knowns, such as Maria Theresa’s son Joseph, an enlightened despot who hamstrung his progressive domestic instincts with a reckless foreign policy.
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History is seldom boring. If a history book feels tedious, it’s generally because of the writing, not the material. Goldstone is a fantastic writer, and In the Shadow of the Empress overflows with energy, wit, and strong opinions. She is clearly passionate about Maria Theresa and her daughters, to the extent that she takes it almost personally when she perceives them to be wronged.
Obviously, this is not an academic history. It’s written in a novelistic style that places an emphasis on the human dimension, rather than larger social or geopolitical factors. In the Shadow of the Empress is not interested in parsing the intricacies of the intractable game of kings in eighteenth century Europe, which can boggle the mind to the point of numbness. This is pop-history, meant for a general readership, and does not require detailed foreknowledge of every micro-kingdom and principality on the crazy-quilt map.
In other words, this is simplified, boiled down to its base elements, and is directed as much to the heart as the brain.
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As much as I liked this, I found it quite flawed. Goldstone occasionally attempts to psychoanalyze people who’ve been dead for over 200 years, which is always a fraught proposition. Her conclusion that Louis XVI was autistic is especially inappropriate, given the spectrum that entails, and the difficulty in diagnosing the living, much less those in the remote past. In addition, Goldstone has an annoying habit of refusing to name people. For instance, when the French capture Prague, Goldstone repeatedly refers to “the French commanding general,” rather than identifying the individual by name. This drove me a little nuts, and once I started noticing the habit, I couldn’t stop. I assume she was trying to excise minutiae, but it’s a needless dumbing-down that detracts from the trustworthiness of In the Shadow of the Empress.
And as we’ll see below, trustworthiness is a big dark cloud that hangs over everything.
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In the Shadow of the Empress has been sharply criticized for its veracity. I’m not going to list all the perceived transgressions, but many of them center on Goldstone’s handling of Marie Antoinette, specifically the allegations that the Queen of France had a sexual affair with Count Axl von Fersen, and that Fersen fathered Louis XVII.
Of this, I’ll say only a few quick things.
First, the existence of “objective” fact in history is actually pretty rare. That is, beyond names and dates and places, it is difficult to find unassailable truths. Almost every so-called “fact” is actually a compilation of inconsistent eyewitness reports baked together with hearsay, rumor, and speculation. I’m not an expert in this area, but as a lawyer, I’m comfortable proposing that no two witness stories are ever the same (unless they have been concocted jointly, as I found out while losing a murder trial). In many cases, we’re not really arguing about facts qua facts, but interpretations based on mixed evidence.
Second, this is a narrative history, a literary form in which the author takes competing versions of events and picks the one they find closest to the truth. Yes, Goldstone could – and should – have done a better job acknowledging that some of her statements are hotly-contested, instead of presenting them as settled. In this, she exhibits a confidence bordering on arrogance. That said, there is circumstantial evidence of – for example – Marie Antoinette and Count Fersen’s relationship.
Finally, Goldstone does show her work. There are endnotes, and she quotes heavily from primary sources, some of which she had translated for this book. Should you cite to In the Shadow of the Empress for your doctoral dissertation on Maria Carolina’s reign over the Two Sicilies? No. But will this suffice if you are going to the beach, and you want to learn about some kickass women battling the French, the Prussians, and the patriarchy, instead of reading the latest James Patterson? Absolutely.
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The one thing we all share is that we have twenty-four hours in a day. Eight to twelve of those hours are usually devoted to work, with another six to eight given over to sleep. The remainder of the day is further eroded by familial duties, social obligations, and household chores. When all is said and done, a rather pitiful fraction of “free” time remains. Depending on how you spend that allotment, In the Shadow of the Empress may or may not be right for you.
If you are intensely serious about this slice of European history, or if you have devoted yourself to studying the Habsburgs, or if you are a Maria Antoinette stan, you’ll probably want to pass. On the other hand, if you just want a glimpse of this period as you move through this brief life, In the Shadow of the Empress – with its emphasis on storytelling over analysis – will probably not disappoint.