As I've been working my way through Peter James' pre-Roy Grace novels, I found a rapid improvement as he moved away from fairly generic horror novels into a more chiller-based approach that seemed to suit his writing better and provides more of a hint of what he was to become. What was less than ideal was that as he had become more comfortable as a writer, Peter James tended to write much longer novels, which were still good, but had a little more padding than was entirely necessary.
"Alchemist", the seventh novel I had read, but the twelfth James had published, is initially the story of Dr Dick Bannerman and his daughter Montana, known as Monty. Bannerman is a geneticist who has won a Nobel Prize for his research but due to refusing to patent his work or move to the private sector, he doesn't have a huge amount of money. One day, the Bannermans are approached by a pharmaceutical giant in the form of Bendix Schere, who promise to vastly increase both their remuneration and their available laboratory space.
Despite their facade of being a caring company, Bendix Schere have some restrictive rules for their employees, banning them from drinking and smoking, even outside working hours. They are also very keen on shutting down any kind of dissent, even from within their own business and they will watch carefully over employees who don't seem inclined to do everything without question. The company's professional activities are also raising suspicions, as several women who were taking a fertility drug they produce have had strange symptoms and deformed babies and when Montana is approached by a local news reporter, whose daughter dies giving birth to one of these, she starts trying to find out if it's true.
As with the last novel I had read, "Host", I did feel that the novel went into a little too much detail on occasion. The success of Bendix Schere was a mixture of medical research and Satanic ritual and whenever some of the characters were engaged in either, it went into more detail than was necessary and this slowed the advance of the plot. Some of the computing trickery that was involved in hacking into their systems for information also took too long to get into although, given the age of the novel, they do seem rather simplistic by today's technology. What this also meant was that when the story came to an end, it seemed to finish quite quickly relative to what had gone on before and left the novel as a whole feeling a touch unbalanced.
Whilst the plot was a little lacking in some areas, the characterisation was much better in comparison, at least where the major characters were concerned. It was obvious which side we were supposed to be rooting for, with the good-natured breaking of the rules of the Bannermans and Conor Molloy and the kindly nature of Winston Smith (a name I very much doubt was a random choice) and HUbert Wentworth contrasting nicely with the single-minded drive of Dr Crowe and Major Gunn and the urbane smoothness of Sir Neil Rorke. Some of the minor characters weren't as well-written and some where there simply to be collateral damage later on, only some of which seemed to add much to the plot.
The blurb on the novel suggested that they felt Peter James was finding areas between Michael Crichton and Stephen King with this novel. I would argue at the latter, as the only thing he owes to King was the length of the novel, but the scientific thriller nature did evoke Crichton's "Jurassic Park" in some aspects and "The Andromeda Strain" in others. Whilst "Alchemist" may ultimately be a touch darker than Crichton's work and has a lot more padding, the scientific thriller genre of novel this is certainly bears comparison and whilst it may benefit from a touch more brevity, it's a decent read.