4.5 stars
Edit 11/07: In my warning, I should have added that there may be a few scenes that would not necessarily be considered as politically correct these days anymore, but nothing that I couldn't put in its historical context. Therefore, I had no qualms. Besides, it's a pre-2k book.
****
Two days ago, I decided to re-read this book - after a long, long, very long time. Another keeper of my teenage years and my favourite of the Wind Dancer series. Although, up until now I had no idea a 4th book had been written. That's definitely going to be the next one on my list.
Is it me or are the old romances generally richer in historical atmosphere and the writing more eloquent? That said, I guess it's me, though. I choose to review only a select few of the old books and they're usually the ones that have stayed with me. And this book gave me many, many moments that stayed with me.
I'll never forget the claustrophobic terror and panic the author had created with Storm Winds. Taking place shortly before and during the French Revolution, the bloodthirsty frenzy of the long-oppressed common people is seeping through the pages, seeking justice, but eventually exacting nothing but revenge, and incarcerating and killing anyone who may show royalist sympathies.
In the midst of this murderous mob are Juliette de Clement and Jean Marc Andreas, trying to stay alive, trying to get the Wind Dancer back, trying to flee a country falling into chaos and fanaticism.
The plot is highly complex as it's not only about the romance or the statuette of the Wind Dancer. There's a secondary romance which is poignant and, ultimately, so very emotionally satisfying. I found myself still aching for Catherine and François. Storm Winds goes further into the intrigues of the French Revolution, with Marie Antoinette, Robespierre, Danton and Marat all making appearances. This is still the best book that covers this time period, in my opinion. Also because it doesn't shy away from providing these real characters enough space to breathe life into the French Revolution. History is not used as a wallpaper; it's part of the story and its characters.
With 560 pages, spanning a time of over 4-5 years, it also gives the readers a chance to properly get to know the main protagonists. Juliette, in particular, bears all the marks of a TSTL heroine - rash behaviour and all. But as the reader sees Juliette grow up in her mother's shadow, one of Marie Antoinette's favourites, I got a better grip of her character and those 'Don't do it, Juliette!'-moments don't stem from the author's plot devices, but from a character that has a remarkably practical approach to life. Facing the horrors of mass rape and murder makes her only more determined to survive and she isn't afraid to take risks that would land her - under normal romancelandia circumstances - firmly in the TSTL category. Not so here. She's tenacious, headstrong - a true survivor.
Reading Storm Winds again, I honestly thought that I'd find Juliette too annoying. But no, she may not be the most likable heroine I've come across but definitely one of the strongest.
Her relationship with Jean Marc is - like the whole book - complicated and multi-faceted. Oh, and it's a deliciously slow burning, sensual relationship. Jean Marc fits more the old-school type of heroes, with an unhappy childhood, thanks to a manipulative stepmother. He's fascinated by Juliette right from the start, and his fascination grows believably, the more he sees of her personality. Now, he may be a proper little, broody hero to start with but he has some great moments. Anyone who has read this book may remember the 's'il vous plaît' scene.
At the beginning of my review, I mentioned that there were many moments in this book that have stayed with me over the years. The most poignant one is 'Tutto a te mi guida'. According to this author, the coat of arms of Axel von Fersen and Marie Antoinette's supposed lover. I did a quick research (aka Google check) and there are variations to this particular saying and its background.
"Tutto a te mi guida" means "Everything leads me to you" or "All things lead me to thee". Now, as a teenager with a hidden (sorry, I blame the atrocious covers) obsession for romance novels, I found this saying deeply romantic and wondrous and it has been with me ever since, sappy ol' me. And even now, when I sometimes look at my husband, it crosses my mind. Tutto a te mi guida.
A final word of warning: This book is not for the faint of heart. I did mention mass rape and murder, and though not gratuitous by any means, it's hard to stomach.
But what a hell of a ride this book is.