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Muzaffar Jang #1
The Englishman's Cameo
A poisoned paan, a non-government issue arrow and the cameo of a mysterious Englishman...Muzaffar Jang is that rare creature in Mughal Emperor Shahjahan’s Dilli – an aristocrat with friends in low places. One of whom, Faisal, stands accused of murder. When the body of Mirza Murad Begh is found stabbed in the chest, lying in a water channel in the Qila, poor Faisal is the only one around. But what of the fact that, minutes before his demise, the victim had stepped out of the haveli of Shahjahanabad’s most ravishing courtesan? Could not the sultry Mehtab Banu and her pale, delicate sister, Gulnar have something to do with the murder? Determined to save his friend, Muzaffar decides to investigate, with only a cup now and then of that new-fangled brew – ‘Allah, so bitter’ – called coffee to help him. A trail of clues leads him from Mehtab’s haveli out into the streets of seventeenth-century Dilli – rife with rumours of Dara Shukoh’s strange leanings and Prince Aurangzeb’s rebelliousness – into a conspiracy far more sinister than he had imagined...
281 pages, Paperback
First published January 1, 2009
5 people are currently reading
350 people want to read
About the author
Madhulika Liddle
22 books547 followersMadhulika Liddle is best known for her books featuring the 17th century Mughal detective Muzaffar Jang, although she is also a prolific writer of short fiction, travel writing, and writing related to classic cinema.
The Muzaffar Jang Series: Madhulika’s best-known series of works are historical whodunnits featuring the 17th century Mughal detective, Muzaffar Jang. Till now, four books in the series have been published:
The Englishman’s Cameo (2009)
The Eighth Guest & Other Muzaffar Jang Mysteries (2011),
Engraved in Stone (2012), and
Crimson City (2015).
In October 2021, Madhulika Liddle published The Garden of Heaven, the first novel of a four-novel series called the Delhi Quartet. This is a series of historical novels that will span 800 years of Delhi's history. The Garden of Heaven was long-listed for the Book of the Year (Fiction) Award of the annual Tata Literature Live! literature festival.
In March 2023, Madhulika's The Pledge: Adventures to Sada was released. A fantasy adventure novel, this is the first part of a two-part series called The Mandala Purana, written in collaboration with film-maker Kannan Iyer.
Short stories: Madhulika has written a range of short stories in different genres, including black humour, humour, crime and detection, and social awareness. Several of these have won awards (including the Commonwealth Broadcasting Association’s (CBA) Short Story Competition, for A Morning Swim, in 2003) or have been selected for anthologies. Her story, Poppies in the Snow, was longlisted for the 2015 Sunday Times EFG Short Story Prize.
Short story collections:
My Lawfully Wedded Husband & Other Stories. Black humour shorts, all of which have a twist in the tale.
Woman to Woman: Stories. A collection of twelve women-centric stories.
Madhulika is also known for her travel writing, which has been published in Rough Guides, National Geographic Traveller (India), Lounge (Mint), and other periodicals.
In addition, she is a cinema buff and blogs (mostly about classic cinema) at www.madhulikaliddle.com.
Awards and Recognition:
CBA Short Story Competition – Honourable Mention (2002) for Love and the Papaya Man
CBA Short Story Competition – Overall Winner (2003) for A Morning Swim
Winner of Oxfordbookstore e-Author version 4.0
Sunday Times EFG Short Story Prize (2015) - Longlisted for Poppies in the Snow
Book of the Year Award, Tata Literature Live! (2023) - Longlisted for The Garden of Heaven
Starting 2022, Crimson City (Muzaffar Jang #4) is being taught as an elective to Delhi University students majoring in English
The Muzaffar Jang Series: Madhulika’s best-known series of works are historical whodunnits featuring the 17th century Mughal detective, Muzaffar Jang. Till now, four books in the series have been published:
The Englishman’s Cameo (2009)
The Eighth Guest & Other Muzaffar Jang Mysteries (2011),
Engraved in Stone (2012), and
Crimson City (2015).
In October 2021, Madhulika Liddle published The Garden of Heaven, the first novel of a four-novel series called the Delhi Quartet. This is a series of historical novels that will span 800 years of Delhi's history. The Garden of Heaven was long-listed for the Book of the Year (Fiction) Award of the annual Tata Literature Live! literature festival.
In March 2023, Madhulika's The Pledge: Adventures to Sada was released. A fantasy adventure novel, this is the first part of a two-part series called The Mandala Purana, written in collaboration with film-maker Kannan Iyer.
Short stories: Madhulika has written a range of short stories in different genres, including black humour, humour, crime and detection, and social awareness. Several of these have won awards (including the Commonwealth Broadcasting Association’s (CBA) Short Story Competition, for A Morning Swim, in 2003) or have been selected for anthologies. Her story, Poppies in the Snow, was longlisted for the 2015 Sunday Times EFG Short Story Prize.
Short story collections:
My Lawfully Wedded Husband & Other Stories. Black humour shorts, all of which have a twist in the tale.
Woman to Woman: Stories. A collection of twelve women-centric stories.
Madhulika is also known for her travel writing, which has been published in Rough Guides, National Geographic Traveller (India), Lounge (Mint), and other periodicals.
In addition, she is a cinema buff and blogs (mostly about classic cinema) at www.madhulikaliddle.com.
Awards and Recognition:
CBA Short Story Competition – Honourable Mention (2002) for Love and the Papaya Man
CBA Short Story Competition – Overall Winner (2003) for A Morning Swim
Winner of Oxfordbookstore e-Author version 4.0
Sunday Times EFG Short Story Prize (2015) - Longlisted for Poppies in the Snow
Book of the Year Award, Tata Literature Live! (2023) - Longlisted for The Garden of Heaven
Starting 2022, Crimson City (Muzaffar Jang #4) is being taught as an elective to Delhi University students majoring in English
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January 6, 2025An intriguing mystery set in 17th-century Shahjahanabad. with loads of Mughal atmosphere. Good research lightly worn and a likeable main character. Delighted to see there are more in this series.
July 22, 2012
I wanted to give this book 3.5 stars. I was looking for Indian detective stories/crime fiction when someone on Twitter(I think @calvinator_18) recommended this book. I bought this alongside the Feluda series and a few other books(Vish Puri, Lalli series).
The Englishman's Cameo is about Mujjafar Jang, a nobleman in Shahjahan's times, investigating the murders of Mirza Murad Begh, to help his friend Faisal who's been wrongly accused of the crime. The story then takes you from one character to another, each being a likely suspect. Mujaffar also finds his own Watson I think(though this one is nearly useless) and there is forgotten love thrown in too with a lot of other elements.
This book is a very breezy read, could be finished over a flight or over a few cups of tea. Madhulika's painting of the times and lives during the Mughal rule is succulent and enough to keep you engaged. The only problem with this book is a lack of action(whatever little action there is at places, seems unnecessary and/or forced) and a certain charm that detective fiction has. The sense of mystery evaporates somewhere and it becomes more about finding another suspect and another and another.
But overall, it is a likeable book. I liked it and would recommend it to most people. It is definitely better than the last one I read(The Case of the Missing Servant - Tarquin Hall). I've just ordered the second installment in the Mujaffar Jang series(where I hope she does more justice to Mujaffar's character and tells us what drives Mujaffar - friendship alone or a genuine interest in solving a riddle).
Also, Madhulika does a fair amount of writing and her website also has an old-world charm about it - www.madhulikaliddle.com. Be sure to check it out if you have time to kill, she also blogs about Indian cinema.
The Englishman's Cameo is about Mujjafar Jang, a nobleman in Shahjahan's times, investigating the murders of Mirza Murad Begh, to help his friend Faisal who's been wrongly accused of the crime. The story then takes you from one character to another, each being a likely suspect. Mujaffar also finds his own Watson I think(though this one is nearly useless) and there is forgotten love thrown in too with a lot of other elements.
This book is a very breezy read, could be finished over a flight or over a few cups of tea. Madhulika's painting of the times and lives during the Mughal rule is succulent and enough to keep you engaged. The only problem with this book is a lack of action(whatever little action there is at places, seems unnecessary and/or forced) and a certain charm that detective fiction has. The sense of mystery evaporates somewhere and it becomes more about finding another suspect and another and another.
But overall, it is a likeable book. I liked it and would recommend it to most people. It is definitely better than the last one I read(The Case of the Missing Servant - Tarquin Hall). I've just ordered the second installment in the Mujaffar Jang series(where I hope she does more justice to Mujaffar's character and tells us what drives Mujaffar - friendship alone or a genuine interest in solving a riddle).
Also, Madhulika does a fair amount of writing and her website also has an old-world charm about it - www.madhulikaliddle.com. Be sure to check it out if you have time to kill, she also blogs about Indian cinema.
February 17, 2025
an ok mystery and story, but i loved the historical setting and also the farsi words all through the story and so must say loved it more than i would have without those enticements. i would definitely be reading the second novel (probably not the short stories) sometime.
February 4, 2024
A Tale of Mysteries in Shahjahan's Dilli
In "The Englishman's Cameo," the reader is transported to the opulent and intrigue-laden world of Mughal Emperor Shahjahan's Dilli. The story revolves around Muzaffar Jang, an aristocrat with an unusual circle of friends. When his companion, Faisal, becomes the prime suspect in a murder case involving the stabbing of Mirza Murad Begh, Muzaffar takes it upon himself to unravel the mystery.
The plot thickens as the investigation unfolds, revealing a series of interconnected events and a trail of murders. The narrative skillfully weaves through the streets of seventeenth-century Dilli, immersing the reader in the vibrant and tumultuous atmosphere of the Mughal era. The author's simplistic approach to creating a mystery is commended, providing a refreshing perspective for readers.
For a first-time reader of this author, the experience is marked by a delightful appreciation for the thematic backdrop. The portrayal of the Mughal era, with its vivid descriptions of places and the cultural ambiance, allows readers to vividly imagine the historical setting. Having read too much on the tyranny of the Mughals, I did have trouble accepting them as noble soul.Naah... that didn't work.
The protagonist, Muzaffar Jang, carries the story with his enigmatic presence, reminiscent of characters like Byomkesh Bakshi. The simplicity of the mystery adds to the charm, even though the reader may engage in some speculation and unravel certain aspects through a process of elimination. The thrilling moments are a highlight, keeping the reader engaged throughout the journey of solving the mystery.
Despite some predictability in identifying one culprit, the lingering doubts about the other characters maintain a sense of suspense. The overall reading experience is characterized by the seamless blend of historical elements, mystery, and the exploration of the protagonist's character. "The Englishman's Cameo" emerges as a good read, offering a compelling glimpse into the byzantine intrigues of Shahjahan's Dilli.
In "The Englishman's Cameo," the reader is transported to the opulent and intrigue-laden world of Mughal Emperor Shahjahan's Dilli. The story revolves around Muzaffar Jang, an aristocrat with an unusual circle of friends. When his companion, Faisal, becomes the prime suspect in a murder case involving the stabbing of Mirza Murad Begh, Muzaffar takes it upon himself to unravel the mystery.
The plot thickens as the investigation unfolds, revealing a series of interconnected events and a trail of murders. The narrative skillfully weaves through the streets of seventeenth-century Dilli, immersing the reader in the vibrant and tumultuous atmosphere of the Mughal era. The author's simplistic approach to creating a mystery is commended, providing a refreshing perspective for readers.
For a first-time reader of this author, the experience is marked by a delightful appreciation for the thematic backdrop. The portrayal of the Mughal era, with its vivid descriptions of places and the cultural ambiance, allows readers to vividly imagine the historical setting. Having read too much on the tyranny of the Mughals, I did have trouble accepting them as noble soul.Naah... that didn't work.
The protagonist, Muzaffar Jang, carries the story with his enigmatic presence, reminiscent of characters like Byomkesh Bakshi. The simplicity of the mystery adds to the charm, even though the reader may engage in some speculation and unravel certain aspects through a process of elimination. The thrilling moments are a highlight, keeping the reader engaged throughout the journey of solving the mystery.
Despite some predictability in identifying one culprit, the lingering doubts about the other characters maintain a sense of suspense. The overall reading experience is characterized by the seamless blend of historical elements, mystery, and the exploration of the protagonist's character. "The Englishman's Cameo" emerges as a good read, offering a compelling glimpse into the byzantine intrigues of Shahjahan's Dilli.
March 26, 2012
Liddle does a Heyer for Shahjahanabad. Set in Shahjahanabad, Muzaffar Ali is a detective by a chance. To protect a friend, he is drawn to solve a murder. What I liked it author is indeed well aware of era, the language carefully chosen to create the feel of the period. This, precisely, may be a bane for most readers. Plot is carefully laid out - there are interesting characters and twists and turns you desire in a mystery. Yet where the book lacks is the end. The climax arrives with a whimper and is over too soon. I wish the promising buildup had a deserving finish. Yet, I would pick up second book Muzaffar Ali series.
December 26, 2023
A murder mystery set in Shahjahanabad (Shahjahans Delhi).
Envisioning life in that time period is the best part of the novel. The current ruins come to life.
Envisioning life in that time period is the best part of the novel. The current ruins come to life.
September 18, 2016
Book #3 of my Crime Fiction September, Madhulika Liddle's The Englishman's Cameo has everything that an awesome crime fiction requires. A string of crooked characters, a mystical background theme and a plot so twisted that keeps you hooked till the end of the book. These 250 pages or so unfolded a new chapter of Mughal Era for me, where a nobleman cum detective is constantly at work to catch the real culprit.
The Englishman's Cameo follows the story of Muzaffar Jang, an aristocrat whose friend, Faisal is in jail for the murder of merchant Mirza Murad Begh. Jang is not convinced of his friend's conviction, so he decides to track the murderer himself. The Englishman's Cameo then pulls you into a time warp, where you meet exotic courtesan Mehtab Banu and her step-sister Gulnar. Mehtab Banu was the last person who saw Murad Begh before he was murdered. Then there is Chief Eunuch Nusrat, a conniving and a loyal servant of departed Murad Begh, the bodyguard Shahbaaz, who accompanied Murad Begh everywhere, except the time when he was facing his death.
Then there is another complication which is being faced by Jang, an Englishman, who somehow creeps into the picture, making the situation even more deliciously twisted. Now Jang needs to figure out who is behind the murder of Murad Begh, and what was the motive before people start getting killed, dropping down like dominoes chips.
In the background of Englishman's Cameo, you learn about the rebellious child, Aurangzeb and failing health of his father, Shahjahan. The tumbling Mughal Empire, living on the last of its riches and fighting off enemies within the home. Extensive research and intelligent storytelling skills of Madhulika Liddle have merged both the concepts into an intriguing story that you cannot keep down until the end.
The Englishman's Cameo has now introduced me to a new hero of crime fiction, Muzaffar Jang, The coffee loving detective is persistent in his approach and quick in his skills. He knows where to look for facts and doesn't miss out on any leads, and that's what makes him a commendable detective. A man, I think charmingly too practical and forward for his era. In a conversation with his friend Salim, Jang says
''Just because I haven't married yet doesn't mean I avoid women,'' Muzaffar replied. ''Shouldn't there be a difference between a woman one simply uses for pleasure, and a woman one has to spend the rest of one's life with? A wife shouldn't just be a pretty little ornament to amuse a man. There should be more: there should be substance.''
But it's not just Jang who made this novel interesting for me. The beautiful description of Shahjahan's quaint Delhi will make you fall in love with the city again. From the moonlit banks of Yamuna to Bazaar's of Chandani Chowk around the glorious red fort, Liddle has covered everything about mystical Delhi.
The most striking thing that made me pick up The Englishman's Cameo was the concept, a detective in Mughal Era. The idea is very refreshing for me, someone who has read a lot of books on Mughal Era. And now, Muzaffar Jang comes on top of my list of fictional detectives. Very gracefully, Madhulika Liddle mixed two genres into one in the Englishman's Cameo- One Historical Fiction and one Murder Mystery
After this deliciously twisted concoction of The Englishman's Cameo, I can't wait to devour into the other two books in Jang series. As for other readers, if you are a crime fiction fan, you make sure to pick this series. Otherwise, you are missing out on something really awesome!
The Englishman's Cameo follows the story of Muzaffar Jang, an aristocrat whose friend, Faisal is in jail for the murder of merchant Mirza Murad Begh. Jang is not convinced of his friend's conviction, so he decides to track the murderer himself. The Englishman's Cameo then pulls you into a time warp, where you meet exotic courtesan Mehtab Banu and her step-sister Gulnar. Mehtab Banu was the last person who saw Murad Begh before he was murdered. Then there is Chief Eunuch Nusrat, a conniving and a loyal servant of departed Murad Begh, the bodyguard Shahbaaz, who accompanied Murad Begh everywhere, except the time when he was facing his death.
Then there is another complication which is being faced by Jang, an Englishman, who somehow creeps into the picture, making the situation even more deliciously twisted. Now Jang needs to figure out who is behind the murder of Murad Begh, and what was the motive before people start getting killed, dropping down like dominoes chips.
In the background of Englishman's Cameo, you learn about the rebellious child, Aurangzeb and failing health of his father, Shahjahan. The tumbling Mughal Empire, living on the last of its riches and fighting off enemies within the home. Extensive research and intelligent storytelling skills of Madhulika Liddle have merged both the concepts into an intriguing story that you cannot keep down until the end.
The Englishman's Cameo has now introduced me to a new hero of crime fiction, Muzaffar Jang, The coffee loving detective is persistent in his approach and quick in his skills. He knows where to look for facts and doesn't miss out on any leads, and that's what makes him a commendable detective. A man, I think charmingly too practical and forward for his era. In a conversation with his friend Salim, Jang says
''Just because I haven't married yet doesn't mean I avoid women,'' Muzaffar replied. ''Shouldn't there be a difference between a woman one simply uses for pleasure, and a woman one has to spend the rest of one's life with? A wife shouldn't just be a pretty little ornament to amuse a man. There should be more: there should be substance.''
But it's not just Jang who made this novel interesting for me. The beautiful description of Shahjahan's quaint Delhi will make you fall in love with the city again. From the moonlit banks of Yamuna to Bazaar's of Chandani Chowk around the glorious red fort, Liddle has covered everything about mystical Delhi.
The most striking thing that made me pick up The Englishman's Cameo was the concept, a detective in Mughal Era. The idea is very refreshing for me, someone who has read a lot of books on Mughal Era. And now, Muzaffar Jang comes on top of my list of fictional detectives. Very gracefully, Madhulika Liddle mixed two genres into one in the Englishman's Cameo- One Historical Fiction and one Murder Mystery
After this deliciously twisted concoction of The Englishman's Cameo, I can't wait to devour into the other two books in Jang series. As for other readers, if you are a crime fiction fan, you make sure to pick this series. Otherwise, you are missing out on something really awesome!
March 21, 2020
4 stars . Enthralling read by Madhulika Liddle who has been a friend on GoodReads ( and writes great book reviews ). A classic whodunit set in Mughal Delhi featuring Muzzafar Jang , a nobleman detective. This is the first in the series and loved the way people and places of Dilli of those times have been described . In my opinion, it is difficult to write crime fiction set in those times ( with primitive or almost nonexistent forensics) and the author has done due justice to the plot. The detective primarily relies on talking to people and arriving at his conclusions . Eagerly looking forward to reading remaining books in the series ( which includes a collection of short stories and 2 more novels so far )
August 4, 2015
Really a 3.5. A light, fun read whose strength is the setting and the world building, rather than the mystery itself.
March 13, 2017
A nice little mystery set in Shajahan's Delhi. I have always been fascinated by Mughal empire. The author brings in the atmosphere very well. A satisfying read.
April 22, 2010
The Englishman’s Cameo – A Mughal Murder Mystery
This was one of the books mentioned in the “Page Turners to Pick Up in 2009” which appeared in Hindustan Times. I wrote about it here.Having read some encouraging reviews I decided to pick the book.
What is it all about?
Set in 1656 the book is a murder mystery. Muzaffar Jang is an aristocrat who has friends in unlikely places. By unlikely places I mean people in low places like a boat man, a worker in a jewelry shop etc. H had been leading a peaceful life when one fine day a lady decides to pay visit to him. The lady’s husband Faisal (Muzaffar’s good friend) is accused of murdering Mirza Murad Begh a tax official. Muzaffar Jang takes it on him to solve the murder mystery and get Faisal acquitted of all charges.
What follows next is an encounter with a beautiful courtesan, a trail of murders, some adventure and the solving of the mystery.
What I think about the book!!
I had loads of expectations from the book but it doesn’t rise beyond being a mediocre read. Though the mystery is solved in the end but it leaves you with so many questions
Why would an aristocrat show so much interest in solving a murder mystery? Not only that why would he risk his own life?
It is unbelievable that somebody is so free that he is ready to travel for 3 days to a different city only the basis of a hunch that too in older times when traveling was a pain.
The way Muzaffar Jang shown investigating the case is beyond me. On the basis of the mere fact that his Brother-in-law is a kotwal he manages to get in through everywhere and even people co-operate! Unbelievable!
The escape in the end, the Englishman’s appearance, coincidences, conclusion etc. are all little too convenient & despite the fact that the murder is solved there is a sense of incompletion and the motive behind the whole thing is not strong enough.
There are many more points which I can write here but then the fact is it’s not worth the effort. For me a murder mystery is good only if the motive is strong enough and at the end of the book you should feel “yes it makes sense” and this is where the book lacks hugely. I felt that it has been written for the sake of writing and the passion is missing in here.
I finished the book because all said and done you can not leave a murder mystery in between but it was a half hearted read. I was more interested in finishing this because I wanted to start the next book in line and trust me as I read the last page I was relieved! You can read it if you want to read about Mughal Era Delhi but then I feel even the setting is incidental and doesn't leave you enthralled & nor does it leave you wanting to know more about Delhi.
I would give the book 1.5 stars! A disappointing read because a murder mystery without the chills thrills & correct motive is as bad as Golgappa’s without spice & water ;-)
This was one of the books mentioned in the “Page Turners to Pick Up in 2009” which appeared in Hindustan Times. I wrote about it here.Having read some encouraging reviews I decided to pick the book.
What is it all about?
Set in 1656 the book is a murder mystery. Muzaffar Jang is an aristocrat who has friends in unlikely places. By unlikely places I mean people in low places like a boat man, a worker in a jewelry shop etc. H had been leading a peaceful life when one fine day a lady decides to pay visit to him. The lady’s husband Faisal (Muzaffar’s good friend) is accused of murdering Mirza Murad Begh a tax official. Muzaffar Jang takes it on him to solve the murder mystery and get Faisal acquitted of all charges.
What follows next is an encounter with a beautiful courtesan, a trail of murders, some adventure and the solving of the mystery.
What I think about the book!!
I had loads of expectations from the book but it doesn’t rise beyond being a mediocre read. Though the mystery is solved in the end but it leaves you with so many questions
Why would an aristocrat show so much interest in solving a murder mystery? Not only that why would he risk his own life?
It is unbelievable that somebody is so free that he is ready to travel for 3 days to a different city only the basis of a hunch that too in older times when traveling was a pain.
The way Muzaffar Jang shown investigating the case is beyond me. On the basis of the mere fact that his Brother-in-law is a kotwal he manages to get in through everywhere and even people co-operate! Unbelievable!
The escape in the end, the Englishman’s appearance, coincidences, conclusion etc. are all little too convenient & despite the fact that the murder is solved there is a sense of incompletion and the motive behind the whole thing is not strong enough.
There are many more points which I can write here but then the fact is it’s not worth the effort. For me a murder mystery is good only if the motive is strong enough and at the end of the book you should feel “yes it makes sense” and this is where the book lacks hugely. I felt that it has been written for the sake of writing and the passion is missing in here.
I finished the book because all said and done you can not leave a murder mystery in between but it was a half hearted read. I was more interested in finishing this because I wanted to start the next book in line and trust me as I read the last page I was relieved! You can read it if you want to read about Mughal Era Delhi but then I feel even the setting is incidental and doesn't leave you enthralled & nor does it leave you wanting to know more about Delhi.
I would give the book 1.5 stars! A disappointing read because a murder mystery without the chills thrills & correct motive is as bad as Golgappa’s without spice & water ;-)
February 9, 2022
When I peruse books by Indian authors, decide to pick some after careful assessments, most always fall away from the standard measure for a good book. And then there are books like this one that make me feel that the digging and painstaking search sometimes becomes worth it. It makes me think why such books aren't already bestsellers, why do they stay hidden gems, why aren't they more popular? I sincerely wish that this book would be read by more people. The most recent historical fiction mystery I had read was The Widows of Malabar Hill and it was sorely disappointing. The Englishman's Cameo is the antithesis- every fault that I found in The Widows of Malabar Hill was absent in this one and that made reading it all the more a pleasure.
A mystery set in the 1600s Dilli, the author mounts a portrait of the world in those times very realistically. Her research is thorough and translates beautifully to create the atmosphere, the architecture and the societal hierarchies of the time. I felt like I had travelled back in time to Dilli during Shahjahan's rule. The structure of the mystery is solid (though I had guessed the involvement of some people in the crimes, I didn't mind this), the layers are carefully weaved with a vivid imagery of the city. Though I did feel the characters could have been more psychologically sketched out, since this is a series, I didn't mind waiting for the next book to figure the protagonist's character out and most of the time, was immersed in the story too much. Muzaffar Jang is, as the reader slowly acquaints with him, a misfit in his social class, has eclectic friends, possesses intelligence enough to go off as an amateur detective and is perceptive, thinks quickly on his feet given a sticky situation. Very different than the classic Sherlock Holmes/Poirot, etc I found the character realistic and interesting yet mysterious. The dialogues echo well of the times and never appear stilted and I was grateful for this. I felt that the author let the reader form their opinions along the story, never patronised their intelligence and wrote the story authentically. It felt refreshing and I couldn't wait for the page to turn!
The 'action' element is only twice in the story but the slow build-ups didn't get in the way of the narrative. It felt human and imaginative. I loved the concept of a murder mystery in Dilli of old and felt that the concept has been executed well.
Would definitely recommend this book if you like historical fiction and a mystery rooted in human behaviour!
A mystery set in the 1600s Dilli, the author mounts a portrait of the world in those times very realistically. Her research is thorough and translates beautifully to create the atmosphere, the architecture and the societal hierarchies of the time. I felt like I had travelled back in time to Dilli during Shahjahan's rule. The structure of the mystery is solid (though I had guessed the involvement of some people in the crimes, I didn't mind this), the layers are carefully weaved with a vivid imagery of the city. Though I did feel the characters could have been more psychologically sketched out, since this is a series, I didn't mind waiting for the next book to figure the protagonist's character out and most of the time, was immersed in the story too much. Muzaffar Jang is, as the reader slowly acquaints with him, a misfit in his social class, has eclectic friends, possesses intelligence enough to go off as an amateur detective and is perceptive, thinks quickly on his feet given a sticky situation. Very different than the classic Sherlock Holmes/Poirot, etc I found the character realistic and interesting yet mysterious. The dialogues echo well of the times and never appear stilted and I was grateful for this. I felt that the author let the reader form their opinions along the story, never patronised their intelligence and wrote the story authentically. It felt refreshing and I couldn't wait for the page to turn!
The 'action' element is only twice in the story but the slow build-ups didn't get in the way of the narrative. It felt human and imaginative. I loved the concept of a murder mystery in Dilli of old and felt that the concept has been executed well.
Would definitely recommend this book if you like historical fiction and a mystery rooted in human behaviour!
March 8, 2014
www.avadhutrecommends.wordpress.com
I have always wondered why there are no series by Indian authors that emulate fictional detectives like John Rebus or Martin Beck. Surely India has no dearth of talented authors and with its varied and millennia old culture, vast Diaspora and complex socio-political issues, India is an ideal breeding ground for the kind of mystery as a genre that has virtually exploded in last two decades especially in Scandinavian countries. Therefore, when I read about Madhulika Liddle’s Muzaffar Jung series, I was pleasantly surprised.
Set in 1656, Muzaffar is an aristocrat in Mughal emperor Shahjahan’s court. Unlike other aristocrats, Muzaffar mingles with lower classes and has friends in unlikely places. When one of his friends, Faisal is accused of murder, Muzaffar, convinced of Faisal’s innocence, begins his own amateur investigation.
What I liked about the book –
Liddle has chosen very interesting set up for her series. A Mughal aristocrat turning into an amateur detective is a novel idea. Liddle is certainly enamoured by that period of Indian history and her love for it shows in her writing. Her rendering of times and different classes of people of that era is succulent. Delhi (or Dilli as it is locally called) under Liddle’s pen is alive and throbbing. She describes Dilli’s architecture – its Havelis in minute detail. The lifestyle of ravishing courtesan Mehtab is illustrated with all its glory and grandeur. Her language, laced with lot of Urdu words creates feel of the era. (However, this may be a problem for non-Indian readers)
What I did not like –
The mystery element was weak. There was lot of activity and many red herrings but they did not add to suspense. My biggest complaint is that the motive for murder was not strong enough. Author kept many threads dangling. Everything wraps up conveniently in the end, yet I had a feeling of incompleteness.
Irrespective of my misgivings, The Englishman’s Cameo is a promising beginning. I sincerely hope that next books in the series are as high on mystery quotient as they are on language and setting.
I have always wondered why there are no series by Indian authors that emulate fictional detectives like John Rebus or Martin Beck. Surely India has no dearth of talented authors and with its varied and millennia old culture, vast Diaspora and complex socio-political issues, India is an ideal breeding ground for the kind of mystery as a genre that has virtually exploded in last two decades especially in Scandinavian countries. Therefore, when I read about Madhulika Liddle’s Muzaffar Jung series, I was pleasantly surprised.
Set in 1656, Muzaffar is an aristocrat in Mughal emperor Shahjahan’s court. Unlike other aristocrats, Muzaffar mingles with lower classes and has friends in unlikely places. When one of his friends, Faisal is accused of murder, Muzaffar, convinced of Faisal’s innocence, begins his own amateur investigation.
What I liked about the book –
Liddle has chosen very interesting set up for her series. A Mughal aristocrat turning into an amateur detective is a novel idea. Liddle is certainly enamoured by that period of Indian history and her love for it shows in her writing. Her rendering of times and different classes of people of that era is succulent. Delhi (or Dilli as it is locally called) under Liddle’s pen is alive and throbbing. She describes Dilli’s architecture – its Havelis in minute detail. The lifestyle of ravishing courtesan Mehtab is illustrated with all its glory and grandeur. Her language, laced with lot of Urdu words creates feel of the era. (However, this may be a problem for non-Indian readers)
What I did not like –
The mystery element was weak. There was lot of activity and many red herrings but they did not add to suspense. My biggest complaint is that the motive for murder was not strong enough. Author kept many threads dangling. Everything wraps up conveniently in the end, yet I had a feeling of incompleteness.
Irrespective of my misgivings, The Englishman’s Cameo is a promising beginning. I sincerely hope that next books in the series are as high on mystery quotient as they are on language and setting.
October 12, 2018
This book is great on period setting but has a poor plot. Character development of the main person - the detective - is poor and he is an average joe who is plain lucky. I think Sharath Komarraju and Madhulika Liddle should write a period mystery together. One will provide the historical inputs and the other a great plot. It will be a great book.
November 15, 2020
The book does succed in creating a good image of the mughal era and was somehow able to set a premise to a great mystery but then the unfolding of the events were not that great ! But nice if you want to try a murder mystery by an Indian author that too set up in a mughal era !
May 7, 2010
Very well written.
March 10, 2014
A first of its kind in Indian writing - India's first historical detective. It weaves both historical and detective crime fiction effortlessly and wonderfully. A must read for fans of this genre
January 15, 2022
A light and fun read with a decent recreation of 17th century Delhi.
September 19, 2025
The more I read of Madhulika Liddle, the more I'm coming to admire her, and thinking she has to be one of the most under-rated contemporary Indian authors. My love for the history of Delhi might be colouring my perception, but I'm sure that's only a little, if at all.
This is the first book in the Muzaffar Jang detective series, "that rare creature in Mughal Emperor Shahjahan’s Dilli – an aristocrat with friends in low places" - what could one possibly not like about a character like that?! A fairly classic whodunnit, but steeped in the culture and ethos of 17th century Mughal India, which the author does a good job of evoking. The political layering of the times adds an interesting dimension to the mystery. The dénouement left me a little dissatisfied because I felt some of the pieces of the puzzle were still missing, but overall, it was a very satisfying read.
This is the first book in the Muzaffar Jang detective series, "that rare creature in Mughal Emperor Shahjahan’s Dilli – an aristocrat with friends in low places" - what could one possibly not like about a character like that?! A fairly classic whodunnit, but steeped in the culture and ethos of 17th century Mughal India, which the author does a good job of evoking. The political layering of the times adds an interesting dimension to the mystery. The dénouement left me a little dissatisfied because I felt some of the pieces of the puzzle were still missing, but overall, it was a very satisfying read.
June 27, 2024
Very vivid writing. The writing immerses you in the scenes like a movie. To my knowledge, It is a very historically accurate book. I know this is a series, I've not read the rest of the series but this first book was very s l o w. You barely scratch the surface in 70 pages. It's still nice, but wish that the writing was tighter and flowed quicker, especially as I'm not an avid reader and it felt boring at times with the plot not progressing faster
July 1, 2023
It was a fine book, but most of the mystery and action was forced. The writer had good command on the era and I really liked a few references of the mughal court but overall the plots lacked meaningful interactions. Most the conversations between the characters were forced. The narration of the scene but good but sometimes the use of words and synonyms to complicate sentences was not natural. Overall the writing lacked flair.
I did enjoy the book because my interest in the mughal courts but towards the second half the book was failing to keep me interested.
Lastly, the final dialogue of the story the most mainstream thing one could add. Spoiled my experience of the scene.
I did enjoy the book because my interest in the mughal courts but towards the second half the book was failing to keep me interested.
Lastly, the final dialogue of the story the most mainstream thing one could add. Spoiled my experience of the scene.
November 2, 2016
3.5 stars.
A mellow, leisurely read. It felt as if two books were running side-by-side: a highly descriptive narrative of Delhi in Mughal times, and a cosy little mystery with little at stake.
The former depicts meticulously and in detail the erstwhile Dilli: the city, its bazaars, the people, their customs, clothes, cuisine and the general life during those times. It takes you back in time and is a delight to read, at least for the first half of the book. Then gradually, one grows numb to it, even though the author continues to describe it painstaking. Although nicely written, is flows past you without making as much of an impact as it did in the first half. You get used to the tapestry.
The mystery is a alright for a debut, but unravels rather slowly. The detective is a little amateurish (perhaps deliberately so), and doesn't do very much deduction. Instead, he runs around incessantly, and conversations happen a little too conveniently. I hope he matures in subsequent books. One thing that is missing here is the thrill one usually associates with a murder mystery, and that is possibly the major negative in the book. Nothing much is at stake, as one is invested neither in the character who is falsely accused, nor in the victims. The end is a bit of an anti-climax too, as the solution is easily guessed.
In short, it works well as a historical novel, but falls a little short as a mystery.
Having said this, the book is very nicely written. I liked the author’s style and the detailing of the milieu. Another aspect that was endearing is the absence of posturing and fake tension. Some contemporary crime novels sensationalize their crimes, and introduce unnecessary bizarreness to artificially up the conflict. This, however, is an honest book.
More reviews of Indian books here
A mellow, leisurely read. It felt as if two books were running side-by-side: a highly descriptive narrative of Delhi in Mughal times, and a cosy little mystery with little at stake.
The former depicts meticulously and in detail the erstwhile Dilli: the city, its bazaars, the people, their customs, clothes, cuisine and the general life during those times. It takes you back in time and is a delight to read, at least for the first half of the book. Then gradually, one grows numb to it, even though the author continues to describe it painstaking. Although nicely written, is flows past you without making as much of an impact as it did in the first half. You get used to the tapestry.
The mystery is a alright for a debut, but unravels rather slowly. The detective is a little amateurish (perhaps deliberately so), and doesn't do very much deduction. Instead, he runs around incessantly, and conversations happen a little too conveniently. I hope he matures in subsequent books. One thing that is missing here is the thrill one usually associates with a murder mystery, and that is possibly the major negative in the book. Nothing much is at stake, as one is invested neither in the character who is falsely accused, nor in the victims. The end is a bit of an anti-climax too, as the solution is easily guessed.
In short, it works well as a historical novel, but falls a little short as a mystery.
Having said this, the book is very nicely written. I liked the author’s style and the detailing of the milieu. Another aspect that was endearing is the absence of posturing and fake tension. Some contemporary crime novels sensationalize their crimes, and introduce unnecessary bizarreness to artificially up the conflict. This, however, is an honest book.
More reviews of Indian books here
August 18, 2014
The more modern detective fiction I read, the more I miss Dame Christie! Sigh...I know she wasn't huge on character development but her plotting, pace and the murders themselves more than made up for any faults! Everything I read these days is big on characters and atmosphere but low on a really juicy, interestingly plotted original murder!
I like the premise of The Englishman's Cameo...a Mughal murder mystery the tagline reads, and I'm interested! Muzaffar Jung...a 25 year old nobleman living in Shah Jahan's Dilli, a misfit in his class of society, a man more interested in books than nautch girls seems a promising detective. Liddle does a decent job of describing the city & times as they must have been, of setting the scene as it were. The mystery itself is rather absorbing for the first half or so...and then it all begins to falter with the introduction of Englishmen who cause unnecessary confusion and aren't in the least bit interesting. I got the feeling that they were hastily introduced as a means to wrap up one part of the mystery, but I found the Mughal half to be by far the more entertaining and absorbing...even though I had solved it way before Jung sahib finally did ;)
I get the feeling this could be the beginning of yet another detective series but I'm not holding my breath. I much prefer Tarquin Hall's Vish Puri, which is much pithier in it's style and content. Avoidable.
I like the premise of The Englishman's Cameo...a Mughal murder mystery the tagline reads, and I'm interested! Muzaffar Jung...a 25 year old nobleman living in Shah Jahan's Dilli, a misfit in his class of society, a man more interested in books than nautch girls seems a promising detective. Liddle does a decent job of describing the city & times as they must have been, of setting the scene as it were. The mystery itself is rather absorbing for the first half or so...and then it all begins to falter with the introduction of Englishmen who cause unnecessary confusion and aren't in the least bit interesting. I got the feeling that they were hastily introduced as a means to wrap up one part of the mystery, but I found the Mughal half to be by far the more entertaining and absorbing...even though I had solved it way before Jung sahib finally did ;)
I get the feeling this could be the beginning of yet another detective series but I'm not holding my breath. I much prefer Tarquin Hall's Vish Puri, which is much pithier in it's style and content. Avoidable.
March 15, 2019
A 3-3.5 starrer, the thing that works for this easy, breezy, very light 'murder mystery', is its setting. Madhulika Liddle's research on the Mughal Era, Shahjahanabad, the descriptions of the clothes worn, the beautiful homes, just the overall premise of the story, it is all quite interesting and enjoyable.
What did not work for me is the writing itself, which was dragging and very non-riveting at many places. Also, the murder mystery itself is quite uninteresting. The author just keeps skipping suspects till it all gets pretty muddled somewhere in the middle, enough to make you not care about figuring out the whodunit. The plot is not very well developed and thus, the ending just seemed like a convenient wrap up, though most loose ends do get tied.
So, do not read it for the murder mystery angle or the plot, or even the character development even, because with regards to the protagonist that the reader is invested in, I'd like to know more about what drives him, what doesn't, and so on. But read it for the setting, the description of Mughal Era grandeur, the well researched geography of the time and especially if you are looking for a light, easy, read that you may finish on a flight.
What did not work for me is the writing itself, which was dragging and very non-riveting at many places. Also, the murder mystery itself is quite uninteresting. The author just keeps skipping suspects till it all gets pretty muddled somewhere in the middle, enough to make you not care about figuring out the whodunit. The plot is not very well developed and thus, the ending just seemed like a convenient wrap up, though most loose ends do get tied.
So, do not read it for the murder mystery angle or the plot, or even the character development even, because with regards to the protagonist that the reader is invested in, I'd like to know more about what drives him, what doesn't, and so on. But read it for the setting, the description of Mughal Era grandeur, the well researched geography of the time and especially if you are looking for a light, easy, read that you may finish on a flight.
Read
January 2, 2021Finished reading 'The Englishman's Cameo' by Madhulika Liddle. Even after the 'Epilogue,' comes 'a historical note,' that connects the dots: Shahjahan - Delhi - Red Fort - extravagance - corruption - economy - rebellion - aristocracy - sybaritic existence...
If you like detective genre and history, this book is for you. (I'm sure Vaidehi is going to love reading it). Detective stories are not my cup of tea but I enjoyed reading the book, for the context and historical details. The climax and the breezy denouement worked for me.
Then Madhulika ends with 'Acknowledgements,' where the book connected to my posts when I began to read it. I wrote how I stumbled upon this book while reading on the historical sites: "You never know where your bicycle trips could take you to."
Madhulika writes: "I need to thank my sister, Swapna Liddle...She is also the one who first sparked off my interest in Shahjahanabad by encouraging me to come along on heritage walks through the city. Muzaffar Jang owes his existence largely to the places and stories I discovered as I meandered along on those many walks."
Madhulika found a story. I found that book. As they say, not all who wander are lost.
#bicyclefriends #delhidiaries #reading #books
If you like detective genre and history, this book is for you. (I'm sure Vaidehi is going to love reading it). Detective stories are not my cup of tea but I enjoyed reading the book, for the context and historical details. The climax and the breezy denouement worked for me.
Then Madhulika ends with 'Acknowledgements,' where the book connected to my posts when I began to read it. I wrote how I stumbled upon this book while reading on the historical sites: "You never know where your bicycle trips could take you to."
Madhulika writes: "I need to thank my sister, Swapna Liddle...She is also the one who first sparked off my interest in Shahjahanabad by encouraging me to come along on heritage walks through the city. Muzaffar Jang owes his existence largely to the places and stories I discovered as I meandered along on those many walks."
Madhulika found a story. I found that book. As they say, not all who wander are lost.
#bicyclefriends #delhidiaries #reading #books
January 1, 2017
Madhulika Liddle embarks on a relatively uncommon genre: detective fiction set against a historical backdrop. Muzaffar Jang is the protagonist of the novel set in the period of Mughal emperor Shah Jahan.
The novel is evenly paced and detail oriented; painting a picture of the Delhi of the time. Madhulika takes great efforts to describe the streets, houses and attire of the period. The whodunit gets complex as the novel progress and at times it becomes a bit difficult to keep track of. The language of the novel is more classic than contemporary, in line with the period when it is set.
It was a bit surprising to see many references to Sa'adi, the Persian poet along with a few of his couplets translated.
Overall, an enjoyable read and recommended to those with a liking for historical fiction.
Review also posted on my facebook page https://www.facebook.com/danesh.zaki
The novel is evenly paced and detail oriented; painting a picture of the Delhi of the time. Madhulika takes great efforts to describe the streets, houses and attire of the period. The whodunit gets complex as the novel progress and at times it becomes a bit difficult to keep track of. The language of the novel is more classic than contemporary, in line with the period when it is set.
It was a bit surprising to see many references to Sa'adi, the Persian poet along with a few of his couplets translated.
Overall, an enjoyable read and recommended to those with a liking for historical fiction.
Review also posted on my facebook page https://www.facebook.com/danesh.zaki
April 26, 2018
Impeccable timing, authentic setting, interesting characters covering the broad spectrum of the 'historical time' - what more can one seek in a historical murder mystery? The author weaves an interesting tale through the streets of Shajahanabad and the hinterlands of Mughal Empire. The research for the book is extensive and delivers a fresh perspective of the cliches and trends of the city like the fine details of fashionable attire, life along the Yamuna or the bitter new drink of 'kahwa khanas'. The pace and old world low tech investigative charms may not appeal to all, but the book definitely sets a high bar among Indian thrillers owing to the originality of its concept and the simple, crisp writing style. It was difficult to put it down to focus on other chores and definitely left me wanting to read more.
July 15, 2021
Madhulika Liddle brings Shahjahanabad and it's residents alive in this historical mystery. Though I am not familiar with that part of Delhi, I have read a few other books set in the area, and this seamlessly integrated into them. I particularly loved the descriptions of clothes, objects, buildings and customs and could almost visualise the scenes she painted.
The protagonist was an extremely likable character, which always helps when you are starting out on a series. The only reason I do not give it five stars is because the climax got over in a bit of a whimper.
Am I picking up the next book in the series? Certainly.
The protagonist was an extremely likable character, which always helps when you are starting out on a series. The only reason I do not give it five stars is because the climax got over in a bit of a whimper.
Am I picking up the next book in the series? Certainly.
November 13, 2021
In Muzaffar Jang, Madhulika Liddle has created a delightful sleuth; young, brave, a dyed-in-the-wool "proceduralist" but one who is blessed with intuition. It is a pity that Jang retired in 2015. Dare one hope for a resurrection?
Liddle gets period details right in a multitude of ways. One ends up learning a lot (I had to Google "bachnag," for instance), and the attention to architecture, clothing and jewelry creates an ambience that brings 17th century Delhi to life. Strong female characters add heft to the story.
When the mystery finally resolved itself, I let out a small gasp. That is a true credit to Liddle.
Liddle gets period details right in a multitude of ways. One ends up learning a lot (I had to Google "bachnag," for instance), and the attention to architecture, clothing and jewelry creates an ambience that brings 17th century Delhi to life. Strong female characters add heft to the story.
When the mystery finally resolved itself, I let out a small gasp. That is a true credit to Liddle.
May 28, 2022
There's a fine line between world building and being excessively elaborate. In The Englishman's cameo, Liddle more often than not, jumps the line. The need to describe 17th century India cannot be ignored, but some restraint should have been exercised.
The plot is a murder mystery that soon increases to two people being killed off, with resident detective in the making Muzaffar Jang taking up the reins of solving the case in his hands. There were parts I enjoyed reading, but mostly it felt as though the book could've been more interesting, and ended earlier.
The plot is a murder mystery that soon increases to two people being killed off, with resident detective in the making Muzaffar Jang taking up the reins of solving the case in his hands. There were parts I enjoyed reading, but mostly it felt as though the book could've been more interesting, and ended earlier.
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