Driven by curiosity, the narrator successfully implores a doctor to let him watch the surgery that’ll be performed on Countess Kifune. However, what happens in the surgery room is something no one could’ve ever expected as the aforementioned countess refuses to have the life-saving surgery unless it can be done without anaesthesia — all because she fears anaesthesia will loosen her tongue and spill the secret she has held close to her heart for many years.
This Japanese gothic short story has two parts. The first is set in the mysterious present while the other is set in the past where we gain clues to answer the mystery. Together, it shows us that this tale is one of doomed loved and that it is yet another tragic one in the Maiden’s Bookshelf series.
This is a republishing of a 1895 Japanese gothic tale about a countess wanting to have surgery without anesthesia...for personal reasons! Certified weirdo Kyoka Izumi's writing mixed with pretty impressive fashion illustration makes this small book into a sweet treat. Even the body horror is more beautiful than horrifying.
A rather ambiguous Japanese short story from 1895 that is a tense mystery from beginning to end. Very clearly a product of its time with regards to its perspective on sex workers and lower-class women. While the illustrations were beautiful, they felt a bit disjointed from the actual story and historical context, which I felt didn't allow me to be immersed in the text and setting as much as I would have liked, but beautifully and descriptively written (or at least the translation is).
Out of the three Maiden's Bookshelfs currently released, this would probably be my least favourite, Hell in a Bottle being my favourite thus far. However, this is a beautifully illstrated story, and something I really want to reread from time to time. It's a very short story that from start to finish is engaging. I can't wait for the next two stories to release, as all of these are quality if only for the art alone being stunning.
Obviously the content is not appropriate, but this is structured almost exactly like a children's book, relatively brief text on each page with lavish illustrations. The story is fine, but really, the art carries it, it's strange and often non-literal (e.g. an incision of a scalpel is represented by women, representing the blood, emerging from a crevasse) but very beautiful.
Quite possibly the prettiest Illustrations in this entire series but the story was a bit confusing and I had to read it twice. It was okayish especially compared to the other two.