Right from the title, this book got off on the wrong foot. If you want to follow Milne, then you should probably realize that Owl lives in the Hundred Acre Wood (or rather, did, before he lost his house and moved into Piglets, which is mentioned several times in this book as an attempt to reconnect readers with the original stories), and that everyone else lives in the Forest. The only person who could really return to the Hundred Acre Wood would be Owl, then, and he never does in this book.
Benedictus tries really hard to capture the feel of Milne's prose, and in many ways succeeds. Indeed, it was the closeness that made the differences all that much more obvious. He seems to capitalize the wrong words at times, and in my opinion, failed to capture some of the more subtle elements of the characters. There's a couple of scenes that stand out as just being wrong in my mind. There's one with Christopher Robin taking a bath. Now, this is another reminder of a similar scene from the very first chapter of "Winnie-the-Pooh". However, it just feels wrong now. In the original, we knew that it was Milne himself watching his son taking a bath. It's not Milne, this time, but rather Benedictus, and it's kind of creepy. There's another scene were Pooh is depressed, and the only thing for it is to eat. It's a bit disturbing, really.
Much will be said of Lottie the Otter, the new character in the Forest. To me, it seemed like Benedictus was trying to one-up Milne. Lottie is a real animal, like Rabbit and Owl, and therefore superior in intellect to the other animals. Indeed, she appears to be smarter than Rabbit and Owl, more agile than Tigger, and just about the best at everything. What really upsets me, though, is Rabbit has no problems with her. When Kanga and Roo showed up in the Forest, Rabbit schemed to kidnap Roo. When Tigger showed up, Rabbit tried to get him lost in the Forest. There's no issue with Lottie, though, and this represents another situation where Benedictus just didn't get the character right.
If you've got a favorite character and were hoping for more stories featuring him or her, you're in luck. Every character shows up in every chapter (although Lottie doesn't actually appear until chapter four). Owl seems to get far more focus in this book than in the Milne stories, although he's pretty much incapable of doing anything without invoking his Uncle Robert. I missed the stories that focused on just two or three characters, and having every character in every chapter seems like pandering to every audience.
The best thing for me about the whole book was the illustration. Mark Burgess managed to capture the look of Shepard while still maintaining some of his own individuality.
Overall, it's no worse than anything Disney has done to these beloved characters, but the book still stands in the shadow of the originals. I don't see this as earning the love that the original books evoke, and I hope that this puts an end to the Milne and Shepard estates trying to find another golden goose. It says something to me that an attempt like this never occurred while Christopher Milne was still alive. I think the boy and his bear were quite happy with the way things had turned out eighty years ago, and I am too.