Well well well, we’re back on track, aren’t we?
At least for the time being.
After skimming ahead to the point in Bodysnatchers where we encounter the ever endearing George Litefoot, I’ll admit I had to shake myself from reading on out of a Labrador like combination of curiosity and commitment, but I’ve resolved to go back to it when the dust has settled, and I feel more secure in the world of the Eighth Doctor. And frankly I was rewarded immediately, from the moment I began reading Genocide I was reminded how fun a good Who novel can be. Paul Leonard’s writing (in my experience) has always been hallmarked by a commitment to the minor characters, the innocent bystanders, to be blunt the cannon fodder, those who die cruelly and often pointlessly, cheated by fate. Time is taken to endear us to these bit players, to let us know that they were people. This, most of all for me, distinguishes literature from pulp fiction and trash, an especially fine line in the world of scifi.
As for the plot of the book, it’s an interesting one. I enjoy stories in which time travel proves an important part of the plot, rather than a framing device, and this is my first Who novel in which this has been the case (barring The Eight Doctors I guess), and any concerns that I only enjoy contemporary-set stories have been beaten back, if not yet vanquished. The moral issue at the heart of the story is also unusual, and whilst i’ll admit it didn’t exactly probe me into wondering if the human race ought to be sterilized for the good of the marshlands and such, it was still a well presented issue, with many subtle shades of grey. You could seem the emotional weight, and conviction that brought Sam to her (ill thought out) conclusions. Even the maniac Hynes bordered on the sympathetic, frustrated with ineffectual environmentalist new-agers. He was, in fact, an excellent character, his clearly cracked mind teetering on the brink of being quite endearing, but ultimately coming down on the side of unnerving instead. In the end it’s a little sad that the moral question is marginalized by the paradox it necessitates, and the lesson becomes ‘Time travel is dangerous’, rather than ‘Genocide is never justified, even if it builds a cleaner world’. But paradoxes happen.
The world/character building with regards to the Tractites (as individuals and as a race) was superb, and I think without it the whole novel would have felt much more hollow. Mauvril was both endearing and unnerving, and Kitig had much solemn dignity. Gavril never got fleshed out really, the explanation for his presence was only mentioned in passing, and he didn’t get any resolution (is he still wandering around 90’s Tanzania?) but then you can’t catch every thread. Actually, speaking of loose threads, Jo’s plot never got a proper conclusion, no tearful second goodbye with The Doctor, just a little argument and then cut to epilogue really. That’s a shame, it feels an odd thing to leave out, and something of a downbeat note to end on. but I’m unphased, because as far as I’m concerned The Doctor (perhaps because he felt she’d lost her way) did what he could to realign her timeline and keep her marriage afloat. Sadly erasing his only encounter with her ‘til her 60s from her memory. Heartbreaking.
Last but not least, Sam & Doctor Watch (diddle-diddle-deee): Well, I think that the Eighth Doctor was excellently portrayed in this adventure, sweet, sad, so young and yet so old, and every inch the Time Lord sensing temporal chaos like smoke in the air, and tracking it to source quite easily. I’m starting to realize i’m going to be with him for the long haul, and I’ll know him very well by the end. As for Sam… she was Sam. Very much the same young lady from Vampire Science; forthright, contrary, unsure of herself, but more sure of her instincts than of The Doctor’s. It’s frustrating to see her mistrust him, there’s a sense of betrayal, but since I have some sympathy for her reasoning she’s yet to go in my bad books. But I’m yet to read a compelling story in which she and The Doctor aren’t at loggerheads, and I don’t know how soon I will.
So all in all an excellent novel with good writing, characters, and plot. And it’s mention of little allusions to it’s predecessors finally give the impression of a story that’s content not to be the first EDA.