Abominations

by Paul R. Brenner

Hardcover book

316 pages, Hardcover

First published July 24, 2009

Reviews

[Erastes · Rating 2 out of 5]

It's taken me a while to review this book because I wanted to be as fair as I possibly could be. At first I was mildly excited because although there are a couple of Jesus gay books they are more erotica than historical fiction. Abominations is very "closed bedroom door" which was an approach I liked and would have left room for the plot.

That is, if there had been a plot. I kept reading and reading in the hopes that some kind of plot would manifest itself, but sadly it simply didn't. It's simply a book about a bloke who travels about, meets people and does stuff. Content doesn't equal plot.

It's set about 30 years after Jesus (called Joshua in this) was killed and it covers some of his friends and disciples as they come to terms with his death and how the world is getting to know about him and how everyone has a different take on "who he was." This, I found interesting. Even if Jesus was just a normal person, albiet wise and charismatic, there was going to be some confusion afterwards as gradually more and more people claimed to know who he was and what he stood for. This is illustrated well, as the groups of people grow and split apart as their opinions differ.

There's an awful lot of theology in this, and I'm afraid I know nuffin' about theology and religious history so whether the facts--or even the myths discussed--are accurate, I simply couldn't tell you. I admit that I was taking it all on faith (scuse the pun) that Bremmer knew what he was talking about when a couple of large mistakes hoved into view and then I started to doubt it all. Someone with more knowledge than I would know whether there was a Sacred Community of Men (and one of women) and what they stood for etc. I admit I was a bit lost in this respect.

What jarred me more than anything was the entirely modern feel to the book. Now, I'm not expecting people to be speaking Greek, or Aramaeic or anything like that, but these characters were speaking "2011 San Francisco" as far as I could see, and you could pick any of them up by their "fabulous, darlings!" and transplant them to Castro and they would simply fit right in. No, I didn't want everyone to be thee-ing and thou-ing, but I find it unlikely that everyone would be quite as flaming as they are depicted here.

Everyone is gay, too. Simply everyone. Everyone the narrator meets fancies him, or makes a pass, or leers over him, or offers himself up. He's simply irresistible, it seems. The librarian is gay, all the soldiers they meet, chance encounters on ships and in cafes (in fact there are gay bars, for goodness sake) There's a thriving gay community where everyone seems to know everyone else. It was this very gay community (in Alexandria) that gave me misgivings, because I had read a lot about the Greek attitude to homosexuality and it didn't strike me that it was particularly OKHOMO to this degree. Yes, men were considered to be the best teachers of the young (heaven forbid the women would be allowed to do it, after all as they weren't really allowed out of the house that much) but an erastes/eromenos relationship was pretty unequal when it came down to it, the erastes being older and allegedly wiser. Here the men pair off according to whim and attraction--and love--and live together as easily as... men living in San Francisco. As far as I was aware men did not carry on homosexual relationships with men of equal age, in fact it was quite frowned upon.

The prose is fairly regular througout, despite the modern feel to it which jarred me on a basic level on just about every page. But the first major love-making scene (which, as I said above, are non-explicit) was so bloody hilariously written I ended up snorting tea out of my nose.

Here's a snippet of the first part of it (and it goes on for several pages of my Kindle after this):

...our mouths open to each other, and all that has been

detoured, denied, disrupted,

unspoken, unapproached, untouched, unfilfilled, undone

erupts

in an

enmeshing, entwining, enwrapping, engulfing, enflaming

frenzy

of

touching, tasting, tonguing, teghtening, twisting,

savoring, sucking, swallowing, sliding, squeezing, squishing...

Hmm.

Add to all of this that the author got the erastes and the eromenos muddled up and presents the erastes as the younger partner, rather than the younger plus the fact the sailing ships (in first century AD) had portholes when they weren't invented until the 16th century, - and you'll begin to see why I was doubting the research into the rest of it.

Continuing with the language, the author has attempted to flavour his book by chucking in Greek (and probably other, but it's not explained what language they are) words at a fairly regular rate and at times it was intrusive and annoying, particularly with the over-modern language used throughout, and the "As you know, Bob" translations to phrases spoken. There's quite a lot of "As you know, Bob" throughout as the backstory is explained which made me grind my teeth.

What I did like, though, despite my entire non-belief in the entire affair--was the way it made me think about the way word would have spread about Jesus after his death and how that people would shape the stories around him, even from the word go (let alone how they have been twisted 2000 years later.) It's clear from much of the book -- and from the postscript -- that the author has done a great deal of research, but whether he has actually portrayed first century Alexandria with any conviction, I really don't know. Personally if you have any expertise in the era, I would be very interested to know your view on it, should you read it. It's worth a look, I would say, for its rarity value. But it left me puzzled to be honest.

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[Robert Heylmun · Rating 2 out of 5]

An interesting premise, that Jesus had a boyfriend, but the novel dwells more on the fashions of 1st century Alexandria than it does on the presumed relationship between the narrator and Jesus. Presumably John the beloved disciple arrives in Alexandria, on the lam from the Jews and the Pauline Christians who want to hunt him down and kill him, to write his gay 'gospel'. Why he needs the help of the Alexandria museum and library to do this remains a mystery, but then so does his gospel project. He moves in with the hottest Greek in town and together they have a series of parties under the guise of initiations into "The Way" which are highly sexual and, as I said above, give great details about what everyone is wearing.

The continuity of the novel leaves a lot to be desired, as do the exact locations of various buildings, shops, and houses in Alexandria. We could have done with a good map just to keep us located with the action. There is a Jewish uprising which seems fairly important but which somehow gets shunted aside as other parts of the narrative take over, and we are left wondering what happened exactly. Then at the end of the novel, using a contrivance to end the whole thing, the Roman legion is brought in to wipe out the entire population of the Jewish quarter. The main characters get caught up in that, and John the beloved disciple finally sees Jesus, or a great light, or something, and the novel ends. We never do get that 'gospel'.

Brenner's extensive bibliography suggests that he had in mind weightier ideas than Alexandrian fashions and sex parties, but somehow all of that scholarly reading did little to inform the novel or to guide it along much in the way of intellectual, historical, or theological lines. Disappointing.

What wasn't disappointing were the love scenes between the beloved disciple and his new lover Marcos, as well as a number of other encounters along the way. There is, however, an age-ist feel about the book since all of the sexual participants are young, extremely good looking, muscular and athletic.