Nothing overly memorable transpires in Planes, yet it’s a strangely compelling novel that’s hard to put down and that reads with plenty of anticipation like a thriller. The final scenes prove somewhat anticlimactic, yet they offer hope and a sense of healing that is certainly satisfying for this melancholic story of two couples on opposite “planes” of the world.
The first narrative begins in Italy with Amira and Ayoub. Married only a few years, they must endure separation due to Ayoub’s unjust detainment at a CIA Black Site. Providing little information about his whereabouts or his condition, which is frustrating, the novel is most immersive, however, with charting Amira’s struggles to maintain her positivity and sanity. When new hope becomes possible, the novel handles their challenges with tremendous empathy and compassion.
The other narrative examines the marriage of Mel (Melanie) and Art who live in rural North Carolina. She has inexplicably slipped into an affair with one of the town’s affluent citizens, a politically conservative lawyer named Bradley. Two facts complicate their situation: that Mel and Brad have been working on a compromise for the local school board’s budget, and that Brad may or may not know to what purpose a charter airline business, which he manages, is utilized for.
The hardships of Amira and Ayoub come off in much more interesting and touching fashion than the self-made dilemmas of Mel, whose relations with Brad are frustrating to tolerate. Although the characters are each decently drawn, I yearned to see and understand more about Ayoub’s circumstances and more about the impact of Mel’s poor decision. Intrigue over what will happen next kept me gripped to this somber, tepid thriller, but overall the novel feels restrained, and the end result does not generate much more than perhaps wanting more, which is how I felt.