THE DRUCKER PROXY is a genre-defying novel – thriller (techno- and legal) and social commentary, wrapped tightly in the sort of utterly believable near-future science fiction that Lior Samson does perfectly.
In one sense, as an admittedly technology-challenged reader, I'm hardly the best reviewer for this book. I had to take the accuracy of the tech and legal terminology, and the plausibility of the extrapolation of developments in artificial intelligence and related sciences over the next twenty years, on faith. But having read the author's related work – most recently The Intaglio Imprint – I was prepared to do that. Lior Samson's writing and plotting are never careless. And by the time I realized that following this novel's intricate premise and plot was going to require my very close attention (including some reliance on my Kindle's definition function – who knew it could link me to Wikipedia articles?), I was so gripped by the story that I couldn't stop reading.
Moreover, as I read, finding the book's science projected convincingly into the year 2039, I found another, subtler, kind of projection in play. From the central figure, Drucker himself, his first and second wives, his 12-going-on-25-year-old daughter, to the freelance journalist Dana who is the most important character in the book, there's an odd shallowness of affect combined with a strange fluidity of identity. These people live with and interact with "persons" who pretend to be human (think "Alexa" squared) and, as the AI's have become almost human, the humans seem to have become… very close to artificial. This is not accidental, I think. The Drucker Proxy, like all the best science fiction (starting, I'd suggest, with that famous book by Mary Shelley, which kept coming into my mind as I read this one), is a story about the interface between human beings and their creations. It deserves close and thoughtful reading.