A fresh edition of the world's most famous shearing song. Click Go the Shears was probably the most wide pread and enduring of the old-time shearers' songs. It was still frequently to be heard in the sheds of the Western Line of NSW in the last half of the twentieth century. the tune came from an American Civil War song, Ring the Bell, Watchman, and was later used for the revival hymn Pull for the Shore, and for a number of temperance anthems, including one from the Salvation Army. the opening verse of Click Go the Shears is a parody of Ring the Bell, written by Henry Lawson, who wrote about the song in his essay 'the Songs they Used to Sing'. Versions don't seem to differ much - the song was first published in written format in 1946 in an article by Percy Jones. the version in this book is as sung by A L Lloyd in the 1950s.
Andrew Barton 'Banjo' Paterson was an Australian poet, ballad writer, journalist and horseman. See also Banjo Paterson.
A. B. 'Banjo' Paterson, known as Barty to his family, was born Andrew Barton Paterson at Narrambla, near Orange on 17 February 1864. His parents, Andrew Bogle and Rose Isabella Paterson were graziers on Illalong station in the Yass district.
Paterson's early education took place at home under a governess and then at the bush school in Binalong, the nearest township. From about the age of ten years he attended the Sydney Grammar School. He lived with his grandmother in Gladesville and spent the school holidays at Illalong station with his family.
After completing school the 16-year-old Paterson was articled to a Sydney firm of solicitors, Spain and Salway. He was admitted as a solicitor in 1886 and formed the legal partnership, Street and Paterson. During these years Paterson began publishing verse in the Bulletin and Sydney Mail under the pseudonyms 'B' and 'The Banjo'.
In 1895, at the age of 31 and still in partnership with Street, Andrew Barton Paterson achieved two milestones in Australian writing. He composed his now famous ballad 'Waltzing Matilda' and his first book, The Man from Snowy River, and other verses, was published by Angus & Robertson, marking the beginning of an epoch in Australian publishing. This hallmark publication sold out its first edition within a week and went through four editions in six months, making Paterson second only to Kipling in popularity among living poets writing in English. His poetry continues to sell well today and is available in many editions, some of which are illustrated.
Paterson travelled to South Africa in 1899 as special war correspondent for The Sydney Morning Herald during the Boer War, and to China in 1901 with the intention of covering the Boxer Rebellion but he arrived after the uprising was over. By 1902 Paterson had left the legal profession. The following year he was appointed Editor of the Evening News (Sydney), a position he held until 1908 when he resigned to take over a property in Wee Jasper.
In 1903 he married Alice Walker in Tenterfield. Their first home was in Queen Street, Woollahra. The Patersons had two children, Grace born in 1904 and Hugh born in 1906.
During World War I Paterson sailed to Europe hoping for an appointment as war correspondent. Instead, during the course of the war he was attached as an ambulance driver to the Australian Voluntary Hospital in France and was commissioned to the 2nd Remount Unit of the AIF. He was eventually promoted to Major.
In Australia again he returned to journalism, retiring in 1930. He was created CBE in 1939. At the time of his death on 5 February 1941 his reputation as the principal folk poet of Australia was secure. His body of work included seven volumes of poetry and prose in many editions, a collection The Collected Verse of A.B. Paterson (1923), a book for children The Animals Noah Forgot (1933), and an anthology The Old Bush Songs (1905), in addition to his many pieces of journalism and reportage.
Paterson's role in Australian culture has been celebrated on the Australian $10 note.
The classic, iconic Australian song, evocatively illustrated by Robert Ingpen. Includes a short introduction to the life of the shearer, a verse and the chorus against the music, and a brief discussion of the song's heritage.
A page that takes this version (as sung by Lloyd) and explains some of the terms.