Well Helen Keller's inspiring life story has always fascinated me and which is also why I have seen most of the movie adaptations of William Gibson's famous play The Miracle Worker more than once. And indeed, Sarah Miller's Miss Spitfire basically tells the same story as portrayed in the former, as in William Gibson’s play (how Annie Sullivan is able to open Helen Keller's sightless and soundless world to language, to communication and personal interaction), but it is a biographical novel told from Annie Sullivan's perspective, and in her voice.
And for a mostly non-fiction, biographical account, Miss Spitfire is really rather majorly remarkable insofar that the presented narrative reads and flows very much like a novel. Sarah Miller's writing style is outstanding, amazing, superbly capturing (what I would consider) Annie Sullivan's voice, her ideas, her feelings and emotions (which is to say that the first-person narrative feels like it is Annie relating her story and not the author writing as "Annie"). However, Sarah Miller has not only managed to capture her narrator's voice, Annie Sullivan's voice. She has also managed to deliver an authentic, realistic and heartbreaking portrayal of seven year old Helen Keller, of her frustration, anger and isolation (and how her parents' overly tolerant, indulgent but ultimately neglectful and damaging behaviour towards their stricken daughter actually made this frustration much worse, how her parents' actions and indeed often the lack thereof turned an intelligent little girl, frustrated at not being able to communicate, at being isolated by her blindness and deafness, into a wild, seemingly crazed monster of a child).
Now truth be told, Annie Sullivan is able to reach through to Helen Keller because she is equally stubbornly strong-willed and thus with every fibre of herself determined to fight for her pupil (even against Helen's family, even when Helen physically and violently lashes out at her). For in many ways, Annie understands the girl's anger and frustration, as they mirror her own personality, her own background and history, since Miss Spitfire was Annie's nickname at the Perkins Institution for the Blind, where she, a poor half-blind Irish-American orphan was educated. But Miss Spitfire would also have been a good nickname for Helen, at least until Annie is able to break through the barriers of frustration, isolation, and inadequate discipline to "reach" Helen, to teach her the magic of words, of language.
And indeed, I most highly recommend Miss Spitfire for older children, young adults, and really for anyone who enjoys engaging, novelistic biographies (and of course, for anyone interested in the lives of Helen Keller and Annie Sullivan). For Sarah Miller truly has a way with words; Annie and Helen are not just stock characters in an informative non-fiction account of Helen Keller's "awakening" they are living, breathing, emotionally nuanced characters, starring in an inspiring story from despair to hope, frustration to joy, isolation to communication.