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Existential Criticism: Selected Book Reviews

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In his groundbreaking essay, `Existential Criticism', written in 1959, Colin Wilson argued that:

"No art can be judged by purely aesthetic standards, although a painting or a piece of music may appear to give a purely aesthetic pleasure. Aesthetic enjoyment is an intensification of the vital response, and this response forms the basis of all value judgements. The existentialist contends that all values are connected with the problems of human existence, the stature of man, the purpose of life. These values are inherent in all works of art, in addition to their aesthetic values, and are closely connected with them."

This statement provides a clear insight into his motives when selecting, analysing, assessing and reviewing literature--a position he has maintained consistently for over fifty years. Apart from his classic study The Craft of the Novel (London: Victor Gollancz, 1975) some of the best examples of Colin Wilson's work in this field are contained in the hundreds of book reviews which have lain forgotten for many years among the pages of such journals as Books & Bookmen, The Literary Review, The London Magazine, John O'London's, The Spectator, The Aylesford Review and others.
This volume contains a selection of reviews which provide a refreshingly different slant on the life and works of Kingsley Amis, Emily Brontë, E.M. Forster, Graham Greene, James Joyce, Thomas Mann, Robert Musil, Edgar Allan Poe, George Bernard Shaw, Alexander Trocchi, Oscar Wilde, Henry Williamson and many others.

284 pages, Paperback

First published January 1, 2009

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About the author

Colin Wilson

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Librarian Note: There is more than one author by this name in the Goodreads database.

Colin Henry Wilson was born and raised in Leicester, England, U.K. He left school at 16, worked in factories and various occupations, and read in his spare time. When Wilson was 24, Gollancz published The Outsider (1956) which examines the role of the social 'outsider' in seminal works of various key literary and cultural figures. These include Albert Camus, Jean-Paul Sartre, Ernest Hemingway, Hermann Hesse, Fyodor Dostoyevsky, William James, T. E. Lawrence, Vaslav Nijinsky and Vincent Van Gogh and Wilson discusses his perception of Social alienation in their work. The book was a best seller and helped popularize existentialism in Britain. Critical praise though, was short-lived and Wilson was soon widely criticized.

Wilson's works after The Outsider focused on positive aspects of human psychology, such as peak experiences and the narrowness of consciousness. He admired the humanistic psychologist Abraham Maslow and corresponded with him. Wilson wrote The War Against Sleep: The Philosophy of Gurdjieff on the life, work and philosophy of G. I. Gurdjieff and an accessible introduction to the Greek-Armenian mystic in 1980. He argues throughout his work that the existentialist focus on defeat or nausea is only a partial representation of reality and that there is no particular reason for accepting it. Wilson views normal, everyday consciousness buffeted by the moment, as "blinkered" and argues that it should not be accepted as showing us the truth about reality. This blinkering has some evolutionary advantages in that it stops us from being completely immersed in wonder, or in the huge stream of events, and hence unable to act. However, to live properly we need to access more than this everyday consciousness. Wilson believes that our peak experiences of joy and meaningfulness are as real as our experiences of angst and, since we are more fully alive at these moments, they are more real. These experiences can be cultivated through concentration, paying attention, relaxation and certain types of work.

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