For a book which details how a person will respond to evil, there is nothing better.
Adam Kelno, well-known, knighted, accomplished, a brilliant doctor who once worked in a Polish concentration camp, has been libeled by a writer. Accused of performing 'unnecessary' surgeries on hundreds of concentration camp inmates, he retaliates with a lawsuit.
Abraham Cady, writer of both great fiction (and trashy) is the accuser. In his new novel, Holocaust, he mentions, very briefly, that Adam Kelno didn't perform just normal surgeries, but also performed crude, quick, inhumane surgeries on inmates, most of which involved the removal of the sex organs of both men and women, and that these were part of an experiment being performed by other, German (Nazi) doctors.
The setup is brilliant, and though the first third of the book dwells on Kelno's past history, and how he worked in various parts of the world, helping and treating the poor and indigent - and Cady's background, too, and how he went from the quiet son of a boisterous father to writing fame - this is the least interesting part of the book. However, on retrospect, it was necessary to show the background of both major characters.
But the best part of the book? The libel trial itself, held at Queen's Bench, VII. I often find books in which a trial is featured very interesting and this has to be one of the best I've ever read. As the two parties' lawyers battle in court - a very civilized court, by the way, as England is known for - the truth about Adam Kelno's past work in the concentration camps is revealed. It's a riveting story; I carried the book around for two days doing little else but read whenever I had the chance. Leon Uris is a very good writer, excellent with dialogue, detail, narration, all of it, and he writes a solid book about a very sordid time in human history.
One small criticism, both major characters often displayed an impatience, and even general disgust, with the 'younger generation' of the 1960's. It creeps in at the most unusual times when both men lament the lapse in morals, in education, and complain about the protests of the 60's, and even the way young people dress, talk, live - even the music is assailed.
I tend to think this is Leon Uris himself, railing against the 'hippie generation' or the years of protest which infiltrated college campuses, especially in the US. I've seen this in other writers who were born in the 1920's; it's a general dissatisfaction with the young and the direction in which the world is going. I wonder, though, if Uris changed his mind about us - I was a teenager in the late 1960's - and ever got over his fears that we were going to destroy the world and civilization as we know it.
We didn't. We're all aging baby boomers now, who got jobs, had kids, and worry about retirement. Anyhow, that's my one (small) complaint and otherwise, the book is great, absolutely eye-opening in its treatment of both the accused doctor and his accuser.