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らんま½ [Ranma ½] #24
Ranma ½, #36
Edición argentina. Corresponde al tomo #24 japonés. Incluye sección de aclaraciones a cargo del traductor.
Incluye la primera parte de la saga de Herb y sus secuaces.
Incluye la primera parte de la saga de Herb y sus secuaces.
200 pages, Paperback
First published January 1, 1993
1 person is currently reading
33 people want to read
About the author
Rumiko Takahashi
1,593 books2,144 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 11 of 11 reviews
April 24, 2022
Das teuflische Trio mag ich sehr. Die Kämpfe sind cool dargestellt und Ranma, Ryoga und Mousse arbeiten endlich mal zusammen.
August 15, 2024
Ok, llegan unos personajes que derrotan a Ryoga, Mousse y Ranma, claro el Ranam acomplejado decide que tiene que ganarles, aunque luego ya aparece una razón, resulta que se quedo atrapado en su versión femenina, y el agua ya no lo transforma en hombre, y esos personajes, justo buscan una tetera que le permitiría transformarse de nuevo.
Todo el volumen y la historia queda en suspenso.
Bastante bien.
5star
Todo el volumen y la historia queda en suspenso.
Bastante bien.
5star
March 8, 2010
Tomo entretenido y emocionante. Lástima que los lectores argentinos tuvimos que esperar más de dos años para que se publicara el tomo siguiente, que tenía la conclusión de la saga. ¡Dos años! Esperemos que falte menos que eso para los 5 tomos que faltan publicar en edición argentina.
November 7, 2019
Unos enemigos muy poderosos llegaran en este tomo y pondrán en dificultades a Ranma, Ryoga y Mousse. Podrá Ranma derrotarlos y regresar a la normalidad?
July 7, 2022
Último tomo publicado en 2006. La saga de Herb que comienza en este volumen, tardaría más de un año en verse publicada al completo.
July 29, 2016
En este tomo finalmente arranca la pospuestísima saga de Herb y sus secuaces, Lime y Mint, en busca de la mítica Kaisuifuu. Este libro fue el primero en editarse tras el Ranma ½ #35 (Ranma 1/2, Tomo 23 japonés), también publicado años antes como Ranma ½ Más allá de la tv #1, único tomo en terminar llevando tal subtítulo.
May 24, 2018
Tomo argentino #36 que traduce el japonés #24.
March 29, 2025
やっとに展開あった！
あかねと欄間の関係がちょっとずつ深くなりそう。
新しいキャラも結構気に入っている。多分この辺に入ってシリーズの人気が上がった。一巻ずっと同じストーリアーク続けて珍しい。前より盛り上がる。
あかねと欄間の関係がちょっとずつ深くなりそう。
新しいキャラも結構気に入っている。多分この辺に入ってシリーズの人気が上がった。一巻ずっと同じストーリアーク続けて珍しい。前より盛り上がる。
January 3, 2025
Ranma, Mousse y Ryoga contra Herb en portada.
September 1, 2025
Ranma ½ 36 argentino. Ranma ½, tomo 24 japonés según la equivalencia.
Tomo ilustrado con una Ranma de pelo naranja claro.
Tomo ilustrado con una Ranma de pelo naranja claro.
Displaying 1 - 11 of 11 reviews