I grew up reading the funny papers every morning with my dad over breakfast. Garfield was my favorite. Hagar the Horrible was Dad's. I'd skip Prince Valiant and Doonesbury (the former was more of an adventure strip than a comic one, and the latter had people smoking in it -- unacceptable to my five-year-old self!) And I made a point to read Peanuts, even if it did go over my head quite a bit of the time. I just liked the drawings.
So when I saw this book at the library, with the affable everyman Charlie Brown beaming on its front cover, I quickly snatched it up, if for nothing but nostalgia. Once I started reading, I realized how much I liked these characters: Linus, Lucy, Schroeder, Sally, Peppermint Patty, Marcie -- oh, and Snoopy, of course. It was fun reading what their creator had to say about them: how they came to be, how they had evolved over time, how much he relied on their personalities to communicate in just the right way.
The insights into Schulz himself were interesting, as well. He talked a lot about the process and profession of cartooning that I hadn't considered before. I particularly liked this thought:
When they [visitors to his studio:] learn about the six-week daily-strip deadline and the 12-week Sunday-page deadline, a visitor almost never fails to remark: "Gee, you could work real hard, couldn't you, and get several months ahead and then take the time off?"
Being, as I said, a slow learner, it took me until last year to realize what an odd statement that really is. You don't work all of your life to do something so you don't have to do it. (p. 46)
The more I thought about that concept, the more I liked it. There are people who talk about "catching up" on their blog, or on their scrapbook -- I can understand that sentiment, but I don't feel that way; these are my hobbies and I don't do them only to be done with them! Even in my line of "work," I realized, it doesn't make sense to do it only to be done, because there are always more dishes to wash, more clothes to fold, more meals to prepare. There's more time to spend teaching and nurturing. The trick, then, is to enjoy the tasks so they don't feel like work.
Schulz didn't really elaborate in the same way I did, but I appreciated the words that sparked that thought.
Another little gem I found:
I am not concerned with simply surviving. I am very concerned about improving. I start each day by examining yesterday's work and looking for areas where I can improve. I am always trying to draw the characters better, and trying to design each panel somewhat in the manner a painter would treat his canvas. (p. 123)
The book's format makes it easy to pick up; I found it extremely readable, as though I were reading a magazine (which only makes sense, as many of the chapters of this book were originally printed as magazine articles in TV Guide or Sports Illustrated or the like). It's not meant to be heavy, profound, life-changing reading (though I found some nuggets of wisdom, Schulz doesn't elaborate on them much). Instead, it's more of a "comfort read," in the same way we have "comfort food," reminding one of a simpler time, of security, of home. It's a short book you can read finish in an afternoon or two. I liked it.