1. Transitions and cultural formations; Kate Macdonald, Ghent University, and Christoph Singer 2. What people really read in 1922: If Winter Comes, the bestseller in the annus mirabilis of modernism; Kirsten MacLeod 3. Public gains and literary a coeval tale of Conrad, Kipling and Francis Marion Crawford; Simon Frost 4. 'To-day has never been 'highbrow'': middlebrow, modernism, and the many faces of To-day; Louise Kane 5. Domesticating modern Charles Marriott (1869-1957) and the art of middlebrow criticism; Rebecca Sitch 6. 'Sentiment wasn't dead': anti-modernism in John Galsworthy's The White Monkey; Alison Hurlburt 7. HG Wells'The Sea Lady and the siren call of the middlebrow; Emma Miller 8. Scottish modernism, Kailyard, and the woman at home; Samantha Walton 9. 'The most thrilling and fascinating book of the century': marketing Gustave Flaubert in late nineteenth-century Britain; Juliette Atkinson 10. Cross-channel Henry-D. Davray and British popular fiction in the Mercure de France; Birgit Van Puymbroeck 11. Middlebrow criticism across national Arnold Bennett and Herman Robbers on literary taste in Britain and the Netherlands; Koen Rymenants 12. Who framed Edgar Wallace? British popular fiction and middlebrow criticism in the Netherlands'; Mathijs Sanders and Alex Rutten Bibliography Index
Kate Macdonald studied at the University of Aberdeen and University College London, and teaches British literary history at Ghent University, Belgium. A former academic editor, she has published books, book chapters and articles on British publishing history in the later Victorian period and the early twentieth century. She is a leading authority on the fiction of John Buchan, and active in the advancement of middlebrow studies, with an interest in the recovery of forgotten authors. She is a series editor for Pickering & Chatto’s monograph series Literary Texts and the Popular Marketplace. Her podcast series on forgotten fiction is at www.reallylikethisbook.com.