The subtitle is a bit misleading. It implies the focus will be on the late 1920s and the 1930s, yet it covers the twenty-eight actresses’ respective careers in full. I’m not saying this is a bad thing, but I would’ve found it more interesting if the mini-biographies stuck to the above-mentioned timeframe, rather than presenting a brief synopsis of every film each actress appeared in, or in some cases extensive synopses. We do get off-screen recollections, too, but the synopses dominate this tome, and I found it repetitive in nature the more I read on, wishing for something more substantial.
If the author had stuck to the timeframe alluded to in the subtitle, this would’ve left space for more material, perhaps focusing in detail on a few of the most prominent films in each actress’s career whilst analysing their respective acting style and character types.
Of the actresses featured in this book, I was most familiar with Dorothy Revier and Josephine Dunn, having seen both in several films. I’d seen Evelyn Brent in at least two films. I didn’t recognize the names of the other twenty-five, but as I read on, I realised I’d seen some of these actresses before, such as Olga Baclanova and Gail Patrick.
The author is also biased is some respects, which is no sin, but I had a ‘What the heck?’ moment when, in reference to the film ‘Freaks’, starring Olga Baclanova, he stated that its ‘only concession to glamour came in the form of the villainess,’ namely Olga. Yes, she was a fine-looking woman, but the reason I chose to watch ‘Freaks’ a few years prior to reading this book was because of ‘the form of the heroine,’ namely Leila Hyams. We all have our own tastes, but I’m sure I’m not alone in regarding Leila as one of the most glamourous actresses of the 1920s & ’30s.
Overall, I admit to being a little disappointed, but it’s nonetheless worth reading if you’re interested in old Hollywood or like any of the featured actresses.