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Marcus Didius Falco #12
Ode to a Banker
In the long, hot Roman Summer of AD74, Marcus Didius Falco, private informer and spare-time poet, gives a reading for his family and friends. Things get out of hand as usual.
The event is taken over by Aurelius Chrysippus, a wealthy Greek banker and patron to a group of struggling writers, who offers to publish Falco's work - a golden opportunity that rapidly palls.
A visit to the Chrysippus scriptorium implicates him in a gruesome literary murder so when Petronius Longus, the over-worked vigiles enquiry chief, commissions him to investigate, Falco is forced to accept.
The event is taken over by Aurelius Chrysippus, a wealthy Greek banker and patron to a group of struggling writers, who offers to publish Falco's work - a golden opportunity that rapidly palls.
A visit to the Chrysippus scriptorium implicates him in a gruesome literary murder so when Petronius Longus, the over-worked vigiles enquiry chief, commissions him to investigate, Falco is forced to accept.
384 pages, Paperback
First published January 1, 2000
130 people are currently reading
814 people want to read
About the author
Lindsey Davis
78 books1,493 followersLindsey Davis, historical novelist, was born in Birmingham, England in 1949. Having taken a degree in English literature at Oxford University (Lady Margaret Hall), she became a civil servant. She left the civil service after 13 years, and when a romantic novel she had written was runner up for the 1985 Georgette Heyer Historical Novel Prize, she decided to become a writer, writing at first romantic serials for the UK women's magazine Woman's Realm.
Her interest in history and archaeology led to her writing a historical novel about Vespasian and his lover Antonia Caenis (The Course of Honour), for which she couldn't find a publisher. She tried again, and her first novel featuring the Roman "detective", Marcus Didius Falco, The Silver Pigs, set in the same time period and published in 1989, was the start of her runaway success as a writer of historical whodunnits. A further nineteen Falco novels and Falco: The Official Companion have followed, as well as The Course of Honour, which was finally published in 1998. Rebels and Traitors, set in the period of the English Civil War, was published in September 2009. Davis has won many literary awards, and was honorary president of the Classical Association from 1997 to 1998.
Her interest in history and archaeology led to her writing a historical novel about Vespasian and his lover Antonia Caenis (The Course of Honour), for which she couldn't find a publisher. She tried again, and her first novel featuring the Roman "detective", Marcus Didius Falco, The Silver Pigs, set in the same time period and published in 1989, was the start of her runaway success as a writer of historical whodunnits. A further nineteen Falco novels and Falco: The Official Companion have followed, as well as The Course of Honour, which was finally published in 1998. Rebels and Traitors, set in the period of the English Civil War, was published in September 2009. Davis has won many literary awards, and was honorary president of the Classical Association from 1997 to 1998.
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Displaying 1 - 30 of 125 reviews
March 9, 2019
Another good entry into the Marcus Didius Falco series. In this entry Falco investigates the death of a book publisher as well as some bankers. The lovely Helena continues to act as his second in command and helps resolve the case. This series is a lot of fun, highly recommended.
October 1, 2019
Marcus Didius Falco - an informer/detective of ancient Rome has tricky case. Who killed the scroll-seller? He was so hated that nearly everyone was a suspect.
image:
The reviewer gets Falco's name wrong
The wrong label he gave me in his introduction was about to stick. So much for fame. Your name becomes well known - in some incorrect version. It only happens to some of us. Don't tell me you've ever bought a copy of Julius Castor's Gallician Wars.
Negoitating a book deal
'So I assume you are interested?'
I could see Helena, who was standing behind him, shaking her head passionately, with bared teeth.
'I'm interested.' I smiled blithely. Helena had closed her eyes. 'I would like to see more of what you do, I think.' Where she might have looked relieved at my caution, Helena now acted out manic despair; she knew what I would be like if I was let loose at a scroll-seller's. She read as avidly as I did - though when it came to buying, she did not share my taste. As my taste had until recently depended upon what I could lay hands on in a limited corner of the second- or third-hand market, she was probably right to be sceptical. For most of my life I only ever had parts of scroll sets (unboxed), and I had to swap them once they were read.
'Well, you can come down and see us,' Euschemon conceded grumpily.
'I will,' I said. Helena mimed throwing a large skillet at my head. It was an excellent mime. I could smell the dumplings in the imaginary hot broth and feel the sharp-edged handle rivets dinging my skull.
Pa's auction house
A double-storeyed edifice, set around an open area, where you could buy any kind of junk jewellery and bric-a-brac or be fleeced over furniture and so-called art by masters of the auctioneering fraternity like Pa. Unless you were desperate to acquire a fifth-hand general's fold-up throne with one leg missing, you left your arm-purse at home. On the other hand, if you hankered for a cheap reproduction Venus of Cos with her nose glued on crookedly, this was the place to come. They would even wrap it up for you, and not laugh at your gullibility until you had almost left the shop.
House cleaning tips to remove the victim's blood from a mosaic floor
'Can they take away the body?'
'Once I hear what the household people say. Then they can clear the mess. Mind you, the grout in the lovely mosaic is going to hold those stains.'
'Regrouting with a wash is the answer,' said Fusculus, matching my reflective tone. 'Clean the marble pieces thoroughly, then new cement sluiced all over the lot in a thin mixture, and sponged down.'
'Expensive.'
'Oh, but worth it. They'll be looking at the fellow's gore for ever otherwise.'
The book trade
'So how were sales?' I asked lightly.
Euschemon replied in a dry tone, 'As usual: if you listen to people who commission material, they have a lively stable of writers and are expecting shortly to ruin their competitors. The competitors, however, will accuse them of teetering on the brink of bankruptcy. If you ask the scroll-shops, life is a long struggle; manuscripts are hard to come by at reasonable prices and customers don't want to know. If you look around, people are nonetheless reading - although probably not reading what the critics are praising.'
image:
Tantrums
Little Marcus Baebius was growing frustrated. Junia wanted to berate me, so she had stopped paying attention to him. Gaius tried taking him from Junia, but this produced only paroxysms of fury. In the end, the anguished tot hurled himself face down, beating his head on the floorboards while he yelled and wept in a spectacular fashion.
Julia Junilla, our daughter, sat on Helena's lap behaving perfectly for a change. She was staring at her cousin, obviously taking tantrum lessons. I could see she was impressed.
How to make a minor criminal confess
When I arrived he and Sergius, the punishment man, were teasing a statement out of a recalcitrant victim by the subtle technique of bawling fast questions while flicking him insistently with the end of a hard whip. I winced, and sat out on a bench in the warm evening sun until they tired and shoved their victim into the holding-cell.
'What's he done?'
'He doesn't want to tell us.' That had been obvious.
'What do you think he's done?'
'Run a tunic-stealing racket at the Baths of Calliope.'
'Surely that's too routine to justify the heavy hand?'
'And he poisoned the dog Calliope had brought in to stand guard over the clothes pegs in the changing room.'
'Killed a doggie? Now that's wicked.'
'She bought the dog from my sister,' Sergius broke in angrily. 'My sister took a lot of back-chat for supplying a sick animal.' He went back inside to shout insults through the cell door. I told Petro I still thought they were being too rough on the suspect.
'No, he's lucky,' Petronius assured me. 'Being beaten by Sergius isnothing. The alternative was letting Sergius' sister get to him. She is twice as big' - that must be quite a size, I thought - 'and she's horrible.'
image:
Lindsey Davis describes the city of Rome in such detail that you feel you know the place better than your own home. As usual it is hard to spot the killer in this delightful murder-mystery.
Enjoy!
image:
The reviewer gets Falco's name wrong
The wrong label he gave me in his introduction was about to stick. So much for fame. Your name becomes well known - in some incorrect version. It only happens to some of us. Don't tell me you've ever bought a copy of Julius Castor's Gallician Wars.
Negoitating a book deal
'So I assume you are interested?'
I could see Helena, who was standing behind him, shaking her head passionately, with bared teeth.
'I'm interested.' I smiled blithely. Helena had closed her eyes. 'I would like to see more of what you do, I think.' Where she might have looked relieved at my caution, Helena now acted out manic despair; she knew what I would be like if I was let loose at a scroll-seller's. She read as avidly as I did - though when it came to buying, she did not share my taste. As my taste had until recently depended upon what I could lay hands on in a limited corner of the second- or third-hand market, she was probably right to be sceptical. For most of my life I only ever had parts of scroll sets (unboxed), and I had to swap them once they were read.
'Well, you can come down and see us,' Euschemon conceded grumpily.
'I will,' I said. Helena mimed throwing a large skillet at my head. It was an excellent mime. I could smell the dumplings in the imaginary hot broth and feel the sharp-edged handle rivets dinging my skull.
Pa's auction house
A double-storeyed edifice, set around an open area, where you could buy any kind of junk jewellery and bric-a-brac or be fleeced over furniture and so-called art by masters of the auctioneering fraternity like Pa. Unless you were desperate to acquire a fifth-hand general's fold-up throne with one leg missing, you left your arm-purse at home. On the other hand, if you hankered for a cheap reproduction Venus of Cos with her nose glued on crookedly, this was the place to come. They would even wrap it up for you, and not laugh at your gullibility until you had almost left the shop.
House cleaning tips to remove the victim's blood from a mosaic floor
'Can they take away the body?'
'Once I hear what the household people say. Then they can clear the mess. Mind you, the grout in the lovely mosaic is going to hold those stains.'
'Regrouting with a wash is the answer,' said Fusculus, matching my reflective tone. 'Clean the marble pieces thoroughly, then new cement sluiced all over the lot in a thin mixture, and sponged down.'
'Expensive.'
'Oh, but worth it. They'll be looking at the fellow's gore for ever otherwise.'
The book trade
'So how were sales?' I asked lightly.
Euschemon replied in a dry tone, 'As usual: if you listen to people who commission material, they have a lively stable of writers and are expecting shortly to ruin their competitors. The competitors, however, will accuse them of teetering on the brink of bankruptcy. If you ask the scroll-shops, life is a long struggle; manuscripts are hard to come by at reasonable prices and customers don't want to know. If you look around, people are nonetheless reading - although probably not reading what the critics are praising.'
image:
Tantrums
Little Marcus Baebius was growing frustrated. Junia wanted to berate me, so she had stopped paying attention to him. Gaius tried taking him from Junia, but this produced only paroxysms of fury. In the end, the anguished tot hurled himself face down, beating his head on the floorboards while he yelled and wept in a spectacular fashion.
Julia Junilla, our daughter, sat on Helena's lap behaving perfectly for a change. She was staring at her cousin, obviously taking tantrum lessons. I could see she was impressed.
How to make a minor criminal confess
When I arrived he and Sergius, the punishment man, were teasing a statement out of a recalcitrant victim by the subtle technique of bawling fast questions while flicking him insistently with the end of a hard whip. I winced, and sat out on a bench in the warm evening sun until they tired and shoved their victim into the holding-cell.
'What's he done?'
'He doesn't want to tell us.' That had been obvious.
'What do you think he's done?'
'Run a tunic-stealing racket at the Baths of Calliope.'
'Surely that's too routine to justify the heavy hand?'
'And he poisoned the dog Calliope had brought in to stand guard over the clothes pegs in the changing room.'
'Killed a doggie? Now that's wicked.'
'She bought the dog from my sister,' Sergius broke in angrily. 'My sister took a lot of back-chat for supplying a sick animal.' He went back inside to shout insults through the cell door. I told Petro I still thought they were being too rough on the suspect.
'No, he's lucky,' Petronius assured me. 'Being beaten by Sergius isnothing. The alternative was letting Sergius' sister get to him. She is twice as big' - that must be quite a size, I thought - 'and she's horrible.'
image:
Lindsey Davis describes the city of Rome in such detail that you feel you know the place better than your own home. As usual it is hard to spot the killer in this delightful murder-mystery.
Enjoy!
October 10, 2021
**Should Read as 4.5 Stars!**
Read this book in 2013, and its the 12th volume of the wonderful Marcus Didius Falco series.
In this mystery Falco will enter the world of poetics and banking.
When the rich Greek banker, Aurelius Chrysippus, is found murdered Falco is commissioned by his best friend, Petronius Longus.
Several clues will come into play concerning this murder, and for Falco the task to unravel these clues and come up with the culprit of this terrible murder.
At the same time Falco has domestic problems concerning his mother and sister who are very fond of the Imperial Spy, Anacrites, A Spy Falco distrusts completely, while his wife, Helena Justina, has been busy with renovating their new home.
What is to follow is a witty and exciting Roman mystery, in which Falco will go into any length to identify the murderer of this banker and publisher, and in doing this he'll succeed in the end by sheer determination and grit.
Very much recommended, for this is a captivating Roman mystery which is part of a glorious series, and what this episode is concerned I like to call it: "A Very Exciting Mystery Ode"!
Read this book in 2013, and its the 12th volume of the wonderful Marcus Didius Falco series.
In this mystery Falco will enter the world of poetics and banking.
When the rich Greek banker, Aurelius Chrysippus, is found murdered Falco is commissioned by his best friend, Petronius Longus.
Several clues will come into play concerning this murder, and for Falco the task to unravel these clues and come up with the culprit of this terrible murder.
At the same time Falco has domestic problems concerning his mother and sister who are very fond of the Imperial Spy, Anacrites, A Spy Falco distrusts completely, while his wife, Helena Justina, has been busy with renovating their new home.
What is to follow is a witty and exciting Roman mystery, in which Falco will go into any length to identify the murderer of this banker and publisher, and in doing this he'll succeed in the end by sheer determination and grit.
Very much recommended, for this is a captivating Roman mystery which is part of a glorious series, and what this episode is concerned I like to call it: "A Very Exciting Mystery Ode"!
December 13, 2017
In another mystery relating to the art world, Falco explores the trade in scrolls and plays.
Expect less plot twists that usual, though Felix get emotional as it's his poetry on the line. We get a behind-the-scenes look at the sweatshops of scribes copying scrolls, gruesome murders (naturally), and a ground-level but critical look at the stratified Roman society. Since the publisher was also a financier, we get a look at Rome's banking industry.
Be aware that while it's not necessary to read the books in order, it certainly helps - certainly so far into the series.
--
Assaph Mehr, author of Murder In Absentia: A story of Togas, Daggers, and Magic - for lovers of Ancient Rome, Murder Mysteries, and Urban Fantasy.
Expect less plot twists that usual, though Felix get emotional as it's his poetry on the line. We get a behind-the-scenes look at the sweatshops of scribes copying scrolls, gruesome murders (naturally), and a ground-level but critical look at the stratified Roman society. Since the publisher was also a financier, we get a look at Rome's banking industry.
Be aware that while it's not necessary to read the books in order, it certainly helps - certainly so far into the series.
--
Assaph Mehr, author of Murder In Absentia: A story of Togas, Daggers, and Magic - for lovers of Ancient Rome, Murder Mysteries, and Urban Fantasy.
August 13, 2010
What I want to know, is, where's the wedding? Falco spent 9 books trying to elevate himself to the middle social rank specifically so that he could marry the senator's daughter. Now he's wearing his gold ring, and Helena Justina is expecting again, but there's not the first mention of a wedding. Humph.
Anyway, this is another entertaining Falco book. This time he's investigating the murder of a book publisher/banker, which means the reader gets to hear a little about the Ancient Roman incarnations of those industries. I imagine the author had some fun with this: there's a "strenuous" disclaimer at the beginning: "The scroll shop of Aurelius Chrysippus in the Clivus Publicius bears no relation to my publishers - who are models of editorial judgment, prompt payment, fair dealing, strong marketing, and lunch-buying."
I've never really bought into the idea of Falco as a poet - it doesn't seem to fit his character. So I'm glad that, despite the ground covered in this book, his poetry isn't given much more attention than usual.
While there's nothing particularly outstanding about this series entry, I always enjoy the books that are set in Rome, not least because we get to spend some time with Falco's friend Lucius Petronius Longus and with Falco's indomitable family.
This is a rather slow-moving series: twelve books have covered only about 4 years of Falco's life. There are eight further books already published, and I'm trying not to peek ahead for spoilers.
Anyway, this is another entertaining Falco book. This time he's investigating the murder of a book publisher/banker, which means the reader gets to hear a little about the Ancient Roman incarnations of those industries. I imagine the author had some fun with this: there's a "strenuous" disclaimer at the beginning: "The scroll shop of Aurelius Chrysippus in the Clivus Publicius bears no relation to my publishers - who are models of editorial judgment, prompt payment, fair dealing, strong marketing, and lunch-buying."
I've never really bought into the idea of Falco as a poet - it doesn't seem to fit his character. So I'm glad that, despite the ground covered in this book, his poetry isn't given much more attention than usual.
While there's nothing particularly outstanding about this series entry, I always enjoy the books that are set in Rome, not least because we get to spend some time with Falco's friend Lucius Petronius Longus and with Falco's indomitable family.
This is a rather slow-moving series: twelve books have covered only about 4 years of Falco's life. There are eight further books already published, and I'm trying not to peek ahead for spoilers.
December 25, 2016
Originally published on my blog here in August 2001.
Recent novels in Davis' Falco series have tended to select a particular area of Roman life on which to concentrate; One Virgin Too Many, for example, has several plot strands concerned with religious ritual. In this novel, it is the literary establishment which she satirises. This makes for one of the funniest novels in the series, as Davis works jokes about the clichés of today's publishing world, critics and writers, into her first century setting.
It has already been established that Falco has aspirations as a poet, and at the start of the novel he has been persuaded to join a friend in a public reading. This brings him to the notice of a banker who runs a scriptorium - a sweatshop of slaves copying manuscripts - as a sideline. When this man is eventually murdered, Falco investigates. This is an intricately plotted mystery as well as a humorous historical novel; combining the two this successfully is a considerable achievement. Ode to a Banker is one of the best novels in the series.
Recent novels in Davis' Falco series have tended to select a particular area of Roman life on which to concentrate; One Virgin Too Many, for example, has several plot strands concerned with religious ritual. In this novel, it is the literary establishment which she satirises. This makes for one of the funniest novels in the series, as Davis works jokes about the clichés of today's publishing world, critics and writers, into her first century setting.
It has already been established that Falco has aspirations as a poet, and at the start of the novel he has been persuaded to join a friend in a public reading. This brings him to the notice of a banker who runs a scriptorium - a sweatshop of slaves copying manuscripts - as a sideline. When this man is eventually murdered, Falco investigates. This is an intricately plotted mystery as well as a humorous historical novel; combining the two this successfully is a considerable achievement. Ode to a Banker is one of the best novels in the series.
December 9, 2013
Falco’s on form in this outing, grappling with financiers, patrons of the arts and writers – the first two being the same chap. Davis reminds me that contempt for banker predates the collapse of 2008 as she brings her sharp wit to bear on an, at times, decidedly anachronistic tale of a wise cracking hard boiled loner.
Falco, a little bit V I Warshawski, more than a little Sam Spade and for this outing a dash of Poirot, is dragooned by his old friend and now vigile (aka, police) Petronius Longus, to take on an investigation of the patron of the arts Aurelius Chrysippus – banker, publisher and pompous ass. In doing so he is drawn into the murky world of banking and the murkier world of publishing all the while grappling with the close to impossible to see through world of his family with their tensions, pretentions and yearnings. To top it off, there is more than one murder, a couple of fairly ferocious beatings and a prime role of an adventure story in the Greek style…..
There is plenty of cap doffing to other practitioners of the genre, a good dose of knowledge of Roman history and society and plenty of opportunity for sardonic chuckles. Falco continues to entertain.
Falco, a little bit V I Warshawski, more than a little Sam Spade and for this outing a dash of Poirot, is dragooned by his old friend and now vigile (aka, police) Petronius Longus, to take on an investigation of the patron of the arts Aurelius Chrysippus – banker, publisher and pompous ass. In doing so he is drawn into the murky world of banking and the murkier world of publishing all the while grappling with the close to impossible to see through world of his family with their tensions, pretentions and yearnings. To top it off, there is more than one murder, a couple of fairly ferocious beatings and a prime role of an adventure story in the Greek style…..
There is plenty of cap doffing to other practitioners of the genre, a good dose of knowledge of Roman history and society and plenty of opportunity for sardonic chuckles. Falco continues to entertain.
January 27, 2019
In a hot summer Marcus Didius Falco, private informer and former unrecognized poet gives a reading for family and friends - and also a greek patron who offers Falco to publish his works. The feeling of trimph soon fades and Falco not only find himself sobered but also involved in a quite brutal murder.
The series continues to entertain. Falco is, as always, annoying and funny likewise, his relationship to his loved ones is a source for lots of banter but also quite touching moments and the mystery is a solid one with an ending which reminds me a lot of one of Hercule Poirots gathering of suspects.
The series continues to entertain. Falco is, as always, annoying and funny likewise, his relationship to his loved ones is a source for lots of banter but also quite touching moments and the mystery is a solid one with an ending which reminds me a lot of one of Hercule Poirots gathering of suspects.
June 22, 2009
One of Davis' best offerings in the Falco series. One To A Banker combines all elements that mystery fans would definitely love; a sensational murder, numerous suspects that all seem to be involved in some manner or another and a snarky, world-weary detective who reveals the true culprit of the murder in a manner not unlike Agatha Christie's Hercule Poirot. An exciting mystery that offers the usual, fascinating wealth of information about the Roman world, woven subtly into the plot in a way that would not distract readers new to Roman history.
January 13, 2019
There were things I liked about this number in the series - Petronius getting on with it, the puppy, the scriptorium and details around the publishing and writing world were great - but the unrelenting hatred for Anacrites seems forced after so much has happened. Also - the ‘court room’ drama really wasn’t my thing. But in all, very good.
March 31, 2015
Yes, it’s that time again when I dip into the colourful world of Lindsey Davis’ 1st century Roman informer (Private Detective) Marcus Didius Falco, his high-class wife Helena Justina and their growing family as Falco seeks to move up a class and gain some credibility and standing. This is number twelve in her twenty book series following the demobbed legionary. Just eight to go after this one.
Falco has taken it upon himself to write poetry and some of the early narrative will ring true and amuse writers – the distractions, the lack of free time and the obstacles to the creative process. In fact, it carries on in this manner and the jokes are about writing, creativity and publishing. There is a lot of satire on our art and the industry, including jokes at the expense of publishing houses – especially vanity publishing. Yes, this is the self-parody and the nod to her readers who are also writers and with that, it is one of the funniest books of this hilarious series. Davis’ books have always been funny, but on few occasions have I been so reduced to tears of laughter as I was with this one.
A vanity publisher had been murdered, and after being prime suspect for all of about three pages, Petronius Longus asks for Falco’s help. It is once again down to the Roman world’s most hapless and infamous Informers to find out who did it and why. With cameos from historical figures including the imperial family, Falco grumbles his way through another adventure.
Not wanting to repeat myself on style and flow, after all I have written reviews of all of these so far, I’m just going to say that there’s no change of form here. You know what to expect from the quick wit, colourful range of characters, the edutainment factor and his developing relationship with the regular characters. Anacrites is still lodging with Falco’s mum and you feel that when the time comes, it will not be a pretty ending between them.
I felt a bit thrown into the beginning of this one, there was no reintroduction and subtle reminders as from previous books, Davis just dives in and I felt it a little difficult to adjust, which is odd for a series that has accessibility as one of its core strengths. Thankfully, this last just a couple of chapters and I soon found myself back into the most major characters are reintroduced by about chapter 5.
Great stuff, as ever.
See more book reviews at my blog
Falco has taken it upon himself to write poetry and some of the early narrative will ring true and amuse writers – the distractions, the lack of free time and the obstacles to the creative process. In fact, it carries on in this manner and the jokes are about writing, creativity and publishing. There is a lot of satire on our art and the industry, including jokes at the expense of publishing houses – especially vanity publishing. Yes, this is the self-parody and the nod to her readers who are also writers and with that, it is one of the funniest books of this hilarious series. Davis’ books have always been funny, but on few occasions have I been so reduced to tears of laughter as I was with this one.
A vanity publisher had been murdered, and after being prime suspect for all of about three pages, Petronius Longus asks for Falco’s help. It is once again down to the Roman world’s most hapless and infamous Informers to find out who did it and why. With cameos from historical figures including the imperial family, Falco grumbles his way through another adventure.
Not wanting to repeat myself on style and flow, after all I have written reviews of all of these so far, I’m just going to say that there’s no change of form here. You know what to expect from the quick wit, colourful range of characters, the edutainment factor and his developing relationship with the regular characters. Anacrites is still lodging with Falco’s mum and you feel that when the time comes, it will not be a pretty ending between them.
I felt a bit thrown into the beginning of this one, there was no reintroduction and subtle reminders as from previous books, Davis just dives in and I felt it a little difficult to adjust, which is odd for a series that has accessibility as one of its core strengths. Thankfully, this last just a couple of chapters and I soon found myself back into the most major characters are reintroduced by about chapter 5.
Great stuff, as ever.
See more book reviews at my blog
September 9, 2024
Falco finally gets to.read some.if his poetry at a special showing after which a publisher approaches him offering a publishing contract. Unfortunately after Falco has.paid him a visit the publisher is found dead, murdered quite violently. Falco's friend Petronious (an officer of the local viggilies) hires him to investigate and find the killer and the vigilies are extremely overworked and have no time to investigate themselves. Turns out the murder victim isn't as straightforward as Falco first thnks. He also.owned a bank which specialises in high risk loans, how it if this has any bearing on his murder Fakco.isn't yet sure. One thing is certain however Falco hax.no shortage of suspects from penniless writers to a disgruntled ex wife and debtors in grave financial trouble. Add in its Rome in August and unbearably hot, Falco's sister and mother are the subject of gossip, both rumoured to be involved with the same man and Nix is having pups. Oh let's not forget the builders who STILL have not finished building the new bathhouse on the home Helena Justina bought..............
May 23, 2011
In Ode to a Banker, Lindsey Davis tackles both the publishing and the banking industries in ancient Rome. Aurelius Chrysippus, a tasteless Greek who owns a Scriptorium, approaches Marcus to see if he would like to self-publish his poetic scribblings. Outraged that he would be expected to pay the costs of the “printing” himself (ah, vanity publishing!), Marcus storms away, only to find out that the odious Greek must have outraged someone else that day too. Aurelius Chrysippus’ corpse is discovered beaten to a pulp with the finial of a scroll shoved up his nose, and Petronius Longus (chief of the vigiles) subcontracts Marcus to investigate. As he interviews disgruntled authors, an old first wife, a young second wife, and a spoiled son, Marcus discovers that Chrysippus had fingers in more than one pie. He also owns a bank, entitled the Golden Horse, and his shady business deals there may have run him into more trouble than his lack of literary taste at the publishing house.
August 24, 2021
3.75 Stars
Another fun filled mystery starring Falco and company. Love the stunning description of Rome Lindsey Davies always provides. It makes me want to time travel back to AD 74 Rome but I won't survive long for sure! Falco's interaction with his dysfunctional family is one of the best parts. As Usual this one involves a murder mystery, a publisher, whom no one likes is found dead in his library and Falco is brought in by his friend Patronius Longus to investigate. Tackling family troubles, questioning shady characters Marcus Didius Falco is one hell of a PI.
Another fun filled mystery starring Falco and company. Love the stunning description of Rome Lindsey Davies always provides. It makes me want to time travel back to AD 74 Rome but I won't survive long for sure! Falco's interaction with his dysfunctional family is one of the best parts. As Usual this one involves a murder mystery, a publisher, whom no one likes is found dead in his library and Falco is brought in by his friend Patronius Longus to investigate. Tackling family troubles, questioning shady characters Marcus Didius Falco is one hell of a PI.
July 6, 2018
The usual sarcastic Falco wit. The usual snarky commentary on Roman society. The usual lovely, sensible Helena. Everything was there that I've come to expect in a Falco mystery and it's why I'll always be looking to read more.
July 20, 2017
Another good read from this author.
October 5, 2018
Seems like Falco did what other informers(investigators) do, get all parties in one place and hash out the guilty party(s). A good read.
May 18, 2025
È confortante fare una capatina ogni tanto nella Roma del primo secolo dopo Cristo e ritrovare Marco Didio Falco alle prese con un nuovo caso. Anche se si tratta di omicidi cruenti; anche se nell’estate del 74 d.C. si muore di caldo, esattamente come nel 2012. Falco, con i suoi racconti carichi di ironia, esplora vari aspetti del costume della Roma Imperiale, spostandosi talvolta nel vasto impero governato da Vespasiano e dai suoi figli, Tito e Domiziano. Questa volta, però, il nostro private eye non si muove da Roma e dalla sua modesta casa sull’Aventino, nella Corte della Fontana, che condivide con la moglie, la patrizia Elena Giustina, con la figlia Giulia, di due anni, e con la cagnolina Noce, in dolce attesa. L’investigatore privato questa volta è doppiamente coinvolto nelle indagini: infatti ha appena conosciuto la vittima, Aurelio Crisippo, mecenate delle arti, che gli ha proposto la pubblicazione delle sue poesie… a pagamento!
«Siamo un’organizzazione commerciale» mi spiegò. Poi mi atterrò con la verità: «Non possiamo sovvenzionare dei perfetti sconosciuti. Che cosa resterebbe per noi? Credo veramente che tu sia promettente. Se vuoi avere un pubblico più ampio, posso aiutarti. Ma le condizioni sono che dovrai investire nell’edizione, coprendo i nostri costi di produzione». […] Io pagare loro? Sapevo che questo succedeva, solo che credevo che accadesse soltanto a tristi nullità che scribacchiavano noiosi poemi epici verbosi mentre vivevano ancora a casa con la madre. Non mi aspettavo di trovarmi a che fare con uno sfrontato editore che pubblica opere facendosi pagare dall’autore.
Il suo amico Petronio Longo, capo dei vigili della VII coorte, poi, si trova a corto di personale e lo ingaggia per investigare sul delitto. Ma Aurelio Crisippo, oltre ad essere un editore era anche un banchiere: esploriamo dunque la tecnica bancaria del primo secolo dopo Cristo, le diverse modalità adottate da banchieri greci e romani e le leggi vigenti ai tempi di Vespasiano. Chi sarà il colpevole? Un cliente insolvente della banca o uno scrittore frustrato? La ex-moglie o l’attuale? Con la sua solita ironia, Falco investiga, insinua, scava nel passato dei personaggi. E deve vedersela con vari attentati alla sua stessa vita.
Lindsey Davis, come sempre, traspone vicende e costumi attuali ai tempi dell’imperatore Vespasiano. Una feroce critica all’editoria a pagamento, come abbiamo detto, ma anche vicende storiche recenti che si ‘ripercuotono’ sul passato. Negli intrighi e intrallazzi bancari, infatti, la Davis lascia cadere curiosi riferimenti a vicende molto più vicine a noi. La banca di Aurelio Crisippo si chiama infatti ‘Aureliana’, nome stranamente simile ad ‘Ambrosiano’; dopo la sua morte ci saranno scandali e tracolli. Inoltre, uno dei personaggi sarà ‘vittima’ di un dubbio suicidio che, nella sua modalità, richiama evidentemente la morte di Roberto Calvi, ritrovato impiccato in circostanze molto sospette il 18 giugno 1982, sotto al Blackfriars Bridge sul Tamigi a Londra, con dei mattoni nelle tasche.
«È il primo suicida che abbia mai visto che si è arrampicato sotto un ponte, quando la maggior parte delle persone disperate si butta giù da sopra. Inoltre, non solo si è legato alla pietra in una posizione molto scomoda, ma si è legato addosso un pesante fagotto di tegole per tetti. Ora, potrebbe averlo fatto nel caso gli fosse mancato il coraggio e all’improvviso si fosse voluto tirare nuovamente su…»
Da brava inglese, poi, Lindsey Davis non perde occasione per ricordare ciò che ogni madrelingua anglofono ha nel DNA, ovvero i versi di Shakepeare.
Già nell’indagine Ultimo Atto a Palmira, Marco Didio Falco si è improvvisato commediografo, scrivendo — e recitando — una versione ante-litteram — in versione commedia più che tragedia — dell’Amleto (vi suggerisce niente il titolo “Lo spettro che parlava”?) In questo caso, incentrato proprio sul mondo letterario, non poteva mancare un commediografo. E indovinate le sue origini? Era naturale che Urbanio Trifone provenisse dalla Britannia, anzi da un luogo sospettosamente vicino a Stratford-upon-Avon e che, durante il suo colloquio con Falco ed Elena Giustina, lo scrittore prendesse in considerazione l’idea di creare qualcosa di stranamente familiare, vagamente simile a Sogno di una notte di mezza estate… E la Davis non perde occasione per tirare fuori e criticare le ipotesi e i dubbi sulla paternità delle opere di Shakespeare:
«Perché le idee folli sono prese sempre così seriamente? Oh, naturalmente! Certi individui non accetteranno mai che uno scritto erudito e colto, che sfoggia un linguaggio ardito e che offre una grande vastità di temi e impressioni possa venire dalle province, tanto meno dal centro della Britannia.» […] «E allora io, quest’uomo che ti sta di fronte, chi dovrei essere?» «Il fortunato che conta il denaro al botteghino» ribattei ridacchiando. «Mentre i grandi scrittori che tu “impersoni” ti lasciano spendere i loro diritti d’autore.»
Il narratore dell’intera serie è Falco, il protagonista che, sotto alle sue arie da uomo vissuto e coriaceo, nasconde un cuore tenero e sensibile che lo rende gradito al pubblico femminile. Forse perché c’è un lato femminile molto sviluppato in lui (il che non meraviglia, dato che nasce dalla penna di una donna!). Ancora un caso travolgente per Marco Didio Falco, che i riporta alle forti emozioni dei casi più belli nati dalla mente di Lindsey Davis. E già non vedo l’ora di ritrovarmi ancora sull’Aventino con Falco, Elena, Petronio e compagnia bella.
Potete leggere l'articolo completo QUI
Aggiornamento rilettura 18/05/2025
Romanzo ambientato a Roma nel mondo dell'editoria del tempo (che somiglia pericolosamente a quella di oggi e di sempre). A Falco, dopo una declamazione pubblica organizzata da Rutilio Gallico - un altro scribacchino come lui - viene proposto di pubblicare i suoi versi a pagamento. Poco dopo, l'"editore" che gli ha fatto la proposta, Aurelio Crisippo, che è anche un banchiere, viene trovato morto all'interno della sua biblioteca. Petronio Longo, che è impegnato con i vigiles in altre questioni, affida l'incarico di indagare proprio a Falco, che interrogherà la famiglia e gli schiavi del morto e tutti gli scrittori che gli hanno fatto visita quel giorno.
Questa volta le indagini mi sono sembrate ingarbugliate inutilmente, o forse ero io ad avere la mente altrove, ed è triste quando ho difficoltà persino con quella che è la serie delle serie per me...
P.S.:
Ho appena riletto la mia recensione di qualche anno fa: è ufficiale che sono io che non ci sto più con la testa.
«Siamo un’organizzazione commerciale» mi spiegò. Poi mi atterrò con la verità: «Non possiamo sovvenzionare dei perfetti sconosciuti. Che cosa resterebbe per noi? Credo veramente che tu sia promettente. Se vuoi avere un pubblico più ampio, posso aiutarti. Ma le condizioni sono che dovrai investire nell’edizione, coprendo i nostri costi di produzione». […] Io pagare loro? Sapevo che questo succedeva, solo che credevo che accadesse soltanto a tristi nullità che scribacchiavano noiosi poemi epici verbosi mentre vivevano ancora a casa con la madre. Non mi aspettavo di trovarmi a che fare con uno sfrontato editore che pubblica opere facendosi pagare dall’autore.
Il suo amico Petronio Longo, capo dei vigili della VII coorte, poi, si trova a corto di personale e lo ingaggia per investigare sul delitto. Ma Aurelio Crisippo, oltre ad essere un editore era anche un banchiere: esploriamo dunque la tecnica bancaria del primo secolo dopo Cristo, le diverse modalità adottate da banchieri greci e romani e le leggi vigenti ai tempi di Vespasiano. Chi sarà il colpevole? Un cliente insolvente della banca o uno scrittore frustrato? La ex-moglie o l’attuale? Con la sua solita ironia, Falco investiga, insinua, scava nel passato dei personaggi. E deve vedersela con vari attentati alla sua stessa vita.
Lindsey Davis, come sempre, traspone vicende e costumi attuali ai tempi dell’imperatore Vespasiano. Una feroce critica all’editoria a pagamento, come abbiamo detto, ma anche vicende storiche recenti che si ‘ripercuotono’ sul passato. Negli intrighi e intrallazzi bancari, infatti, la Davis lascia cadere curiosi riferimenti a vicende molto più vicine a noi. La banca di Aurelio Crisippo si chiama infatti ‘Aureliana’, nome stranamente simile ad ‘Ambrosiano’; dopo la sua morte ci saranno scandali e tracolli. Inoltre, uno dei personaggi sarà ‘vittima’ di un dubbio suicidio che, nella sua modalità, richiama evidentemente la morte di Roberto Calvi, ritrovato impiccato in circostanze molto sospette il 18 giugno 1982, sotto al Blackfriars Bridge sul Tamigi a Londra, con dei mattoni nelle tasche.
«È il primo suicida che abbia mai visto che si è arrampicato sotto un ponte, quando la maggior parte delle persone disperate si butta giù da sopra. Inoltre, non solo si è legato alla pietra in una posizione molto scomoda, ma si è legato addosso un pesante fagotto di tegole per tetti. Ora, potrebbe averlo fatto nel caso gli fosse mancato il coraggio e all’improvviso si fosse voluto tirare nuovamente su…»
Da brava inglese, poi, Lindsey Davis non perde occasione per ricordare ciò che ogni madrelingua anglofono ha nel DNA, ovvero i versi di Shakepeare.
Già nell’indagine Ultimo Atto a Palmira, Marco Didio Falco si è improvvisato commediografo, scrivendo — e recitando — una versione ante-litteram — in versione commedia più che tragedia — dell’Amleto (vi suggerisce niente il titolo “Lo spettro che parlava”?) In questo caso, incentrato proprio sul mondo letterario, non poteva mancare un commediografo. E indovinate le sue origini? Era naturale che Urbanio Trifone provenisse dalla Britannia, anzi da un luogo sospettosamente vicino a Stratford-upon-Avon e che, durante il suo colloquio con Falco ed Elena Giustina, lo scrittore prendesse in considerazione l’idea di creare qualcosa di stranamente familiare, vagamente simile a Sogno di una notte di mezza estate… E la Davis non perde occasione per tirare fuori e criticare le ipotesi e i dubbi sulla paternità delle opere di Shakespeare:
«Perché le idee folli sono prese sempre così seriamente? Oh, naturalmente! Certi individui non accetteranno mai che uno scritto erudito e colto, che sfoggia un linguaggio ardito e che offre una grande vastità di temi e impressioni possa venire dalle province, tanto meno dal centro della Britannia.» […] «E allora io, quest’uomo che ti sta di fronte, chi dovrei essere?» «Il fortunato che conta il denaro al botteghino» ribattei ridacchiando. «Mentre i grandi scrittori che tu “impersoni” ti lasciano spendere i loro diritti d’autore.»
Il narratore dell’intera serie è Falco, il protagonista che, sotto alle sue arie da uomo vissuto e coriaceo, nasconde un cuore tenero e sensibile che lo rende gradito al pubblico femminile. Forse perché c’è un lato femminile molto sviluppato in lui (il che non meraviglia, dato che nasce dalla penna di una donna!). Ancora un caso travolgente per Marco Didio Falco, che i riporta alle forti emozioni dei casi più belli nati dalla mente di Lindsey Davis. E già non vedo l’ora di ritrovarmi ancora sull’Aventino con Falco, Elena, Petronio e compagnia bella.
Potete leggere l'articolo completo QUI
Aggiornamento rilettura 18/05/2025
Romanzo ambientato a Roma nel mondo dell'editoria del tempo (che somiglia pericolosamente a quella di oggi e di sempre). A Falco, dopo una declamazione pubblica organizzata da Rutilio Gallico - un altro scribacchino come lui - viene proposto di pubblicare i suoi versi a pagamento. Poco dopo, l'"editore" che gli ha fatto la proposta, Aurelio Crisippo, che è anche un banchiere, viene trovato morto all'interno della sua biblioteca. Petronio Longo, che è impegnato con i vigiles in altre questioni, affida l'incarico di indagare proprio a Falco, che interrogherà la famiglia e gli schiavi del morto e tutti gli scrittori che gli hanno fatto visita quel giorno.
Questa volta le indagini mi sono sembrate ingarbugliate inutilmente, o forse ero io ad avere la mente altrove, ed è triste quando ho difficoltà persino con quella che è la serie delle serie per me...
P.S.:
Ho appena riletto la mia recensione di qualche anno fa: è ufficiale che sono io che non ci sto più con la testa.
Read
September 9, 2024have not been able to open and am not reading?
March 3, 2025
3.5*
Another interesting premise - combining publishing and banking and the actual mystery is well drawn. However the denouement is far too drawn out and pulls too many threads together that I almost lost interest towards the end.
The subplots are interesting as always and moved along nicely But maybe too much inside knowledge made for too much detail as far as the publishing backdrop went? The only minor disappointment in the series so far
Another interesting premise - combining publishing and banking and the actual mystery is well drawn. However the denouement is far too drawn out and pulls too many threads together that I almost lost interest towards the end.
The subplots are interesting as always and moved along nicely But maybe too much inside knowledge made for too much detail as far as the publishing backdrop went? The only minor disappointment in the series so far
May 16, 2022
The Roman Thin Man
I just adore this series. Falco and Helena are an ongoing treat, but as the series goes on the ever-widening cast of associates, friends, and family make these books joyfully unique.
I just adore this series. Falco and Helena are an ongoing treat, but as the series goes on the ever-widening cast of associates, friends, and family make these books joyfully unique.
March 4, 2020
Hobby-Schreiberling Falco bekommt die Gelegenheit, seine Werke bei einer Lesung vorzustellen, und kommt überdies mit dem Scriptoriumsinhaber Chrysippus ins Gespräch, der ihm anbietet, seine literarischen Ergüsse zu vermarkten. So ganz ist Falco mit Chrysippus' Geschäftsgebaren nicht einverstanden, doch bevor er mit ihm über die hohe Eigenbeteiligung und anderes verhandeln kann, wird der Verleger tot in seiner Bibliothek aufgefunden, ziemlich brutal niedergemetzelt.
Versteht sich von selbst, dass Privatschnüffler Falco und Petro, sein alter Kumpel von den Vigiles, die Ermittlungen aufnehmen, und recht bald stellt sich heraus, dass Chrysippus nicht nur im Verlagsgeschäft tätig war, sondern auch ein Bankhaus betrieb. Hat er dort krumme Geschäfte gemacht? Oder hat einer seiner Autoren einen Groll auf ihn?
Während Falco und Petro im Geschäfts- und Privatleben des Verblichenen herumstochern, tut sich auch an privater Front einiges. Besonders die Tatsache, dass sich sein Erzfeind Anacrites auffallend oft in der Nähe seiner Lieblingsschwester Maia herumtreibt, gibt Falco zu denken.
Eigentlich gibt es gar nicht viel Neues zu sagen zu diesem Falco-Krimi. Wie gewohnt malt Lindsey Davis mit spitzer Feder ein frisches, lebendiges Bild des alten Rom, und zwar ganz ohne falschen Respekt vor der altehrwürdigen Antike. Falco und seine pfiffige Freundin Helena, seine chaotische Familie und die anderen "üblichen Verdächtigen" sind in der kompletten Serie runde, liebenswerte Charaktere, die ich immer wieder gerne bei ihren Abenteuern begleite. Ich mag es auch, wie Davis im historischen Gewand Seitenhiebe auf heutige gesellschaftliche Phänomene verteilt. Diesmal kriegen das Verlagswesen und dubiose Finanzdienstleister ihr Fett ab.
Der Fall an sich ist auch wieder spannend und gut konstruiert. Als das Bankwesen ins Spiel kam, habe ich trockene, undurchsichtige Verwicklungen befürchtet, doch die geschilderten Geldgeschäfte habe sogar ich Finanzniete verstand, was einen Extra-Pluspunkt für die Autorin gibt.
Versteht sich von selbst, dass Privatschnüffler Falco und Petro, sein alter Kumpel von den Vigiles, die Ermittlungen aufnehmen, und recht bald stellt sich heraus, dass Chrysippus nicht nur im Verlagsgeschäft tätig war, sondern auch ein Bankhaus betrieb. Hat er dort krumme Geschäfte gemacht? Oder hat einer seiner Autoren einen Groll auf ihn?
Während Falco und Petro im Geschäfts- und Privatleben des Verblichenen herumstochern, tut sich auch an privater Front einiges. Besonders die Tatsache, dass sich sein Erzfeind Anacrites auffallend oft in der Nähe seiner Lieblingsschwester Maia herumtreibt, gibt Falco zu denken.
Eigentlich gibt es gar nicht viel Neues zu sagen zu diesem Falco-Krimi. Wie gewohnt malt Lindsey Davis mit spitzer Feder ein frisches, lebendiges Bild des alten Rom, und zwar ganz ohne falschen Respekt vor der altehrwürdigen Antike. Falco und seine pfiffige Freundin Helena, seine chaotische Familie und die anderen "üblichen Verdächtigen" sind in der kompletten Serie runde, liebenswerte Charaktere, die ich immer wieder gerne bei ihren Abenteuern begleite. Ich mag es auch, wie Davis im historischen Gewand Seitenhiebe auf heutige gesellschaftliche Phänomene verteilt. Diesmal kriegen das Verlagswesen und dubiose Finanzdienstleister ihr Fett ab.
Der Fall an sich ist auch wieder spannend und gut konstruiert. Als das Bankwesen ins Spiel kam, habe ich trockene, undurchsichtige Verwicklungen befürchtet, doch die geschilderten Geldgeschäfte habe sogar ich Finanzniete verstand, was einen Extra-Pluspunkt für die Autorin gibt.
June 4, 2016
Murder in the Slush Pile
This episode in the Roman crime saga takes us back to base in Rome for a romp in the worlds of classical publishing and banking, and of patronage. Those worlds have many similarities with their counterparts in our own time and no doubt draw on the author's own experiences at a time in her writing career when her writing has become successful enough to be financially self-sustaining.
Our hero Marcus Didius is headhunted by a wealthy publisher, but turns the proposed deal down as too exploitative. Shortly afterwards Chrysippus the publisher is found brutally murdered in his library - literally a body in the library, signalling that this is going to be in part a clever Agatha Christie spoof with Falco becoming more Poirot than Marlowe. Chrysippus is a Greek banker as well as a patron of the arts, but who wants him dead? A disgruntled author or a hard-up bank client? Or someone entirely different with a grievance? The Falcon family saga moves on, with cameos from Ma, Pa and bossy sister Junia as well as Maia the Nice One. Anacrites is scheming and romance comes for Petri. There's a nice swipe at writers groups, and a neat joke that you'll miss if you haven't studied Latin concerning the fate of a manuscript submitted by one Martialis.
If you wanted to meet Marcus Didius Falcon for the first time I'd suggest you didn't start here because in so many ways it's not typical. Best to begin at the beginning anyway.
This episode in the Roman crime saga takes us back to base in Rome for a romp in the worlds of classical publishing and banking, and of patronage. Those worlds have many similarities with their counterparts in our own time and no doubt draw on the author's own experiences at a time in her writing career when her writing has become successful enough to be financially self-sustaining.
Our hero Marcus Didius is headhunted by a wealthy publisher, but turns the proposed deal down as too exploitative. Shortly afterwards Chrysippus the publisher is found brutally murdered in his library - literally a body in the library, signalling that this is going to be in part a clever Agatha Christie spoof with Falco becoming more Poirot than Marlowe. Chrysippus is a Greek banker as well as a patron of the arts, but who wants him dead? A disgruntled author or a hard-up bank client? Or someone entirely different with a grievance? The Falcon family saga moves on, with cameos from Ma, Pa and bossy sister Junia as well as Maia the Nice One. Anacrites is scheming and romance comes for Petri. There's a nice swipe at writers groups, and a neat joke that you'll miss if you haven't studied Latin concerning the fate of a manuscript submitted by one Martialis.
If you wanted to meet Marcus Didius Falcon for the first time I'd suggest you didn't start here because in so many ways it's not typical. Best to begin at the beginning anyway.
August 28, 2018
As has been the case with many of the books in this series, this book has a slow start. Not much happens prior to the grisly murder that Falco is called on to solve. By this point in the series the reader is familiar with Falco, his family, and his associates. Davis uses that to develop subplots involving the romantic affairs of Faco's widowed sister, his mother, and the chief spy Anacrites.
Davis is very effective at describing Ancient Rome, and its customs. The geography of the city is very important to the protagonists who must walk from one point to another. However, Davis' modus operendi is to take a stock 1940's detective story and re-imagine it in an ancient setting. The world-weary private eye, becomes Didius the informer, his cop friend becomes Petronius the vigille, a publishing house becomes a scriptorium. The publisher murdered in his library, a motley collection of disgruntled writers are suspects, but there is a banking connection that adds complexity.
There are points in the book where the tension between ancient setting and modern plot becomes a little too great for my taste, once corpses begin to turn up, the plot moves along rapidly, and it becomes a gripping story.
Davis is very effective at describing Ancient Rome, and its customs. The geography of the city is very important to the protagonists who must walk from one point to another. However, Davis' modus operendi is to take a stock 1940's detective story and re-imagine it in an ancient setting. The world-weary private eye, becomes Didius the informer, his cop friend becomes Petronius the vigille, a publishing house becomes a scriptorium. The publisher murdered in his library, a motley collection of disgruntled writers are suspects, but there is a banking connection that adds complexity.
There are points in the book where the tension between ancient setting and modern plot becomes a little too great for my taste, once corpses begin to turn up, the plot moves along rapidly, and it becomes a gripping story.
June 21, 2016
This episode in the career of Falco the Informer sees him tasked with uncovering the murderer of a publisher, who also happened to be a banker. There are any number of potential suspects, and the unraveling of the mystery is therefore quite complicated. This is a good old fashioned murder-mystery, and the denouement even takes place in a library with all the suspects present.
There are also the usual family storylines going on through the book, involving virtually all Falco's extended family, as well as Petro and Anacrites, and their stories interlace with the mystery plot in a nice way.
This is one of my favourite episodes in the series so far. The plot take you into areas - banking and publishing - that are not the normal settings for Roman fiction, and that adds significantly to the interest. The family developments are, as usual, well handled, and the main characters are now whole, well-rounded individuals.
There are also the usual family storylines going on through the book, involving virtually all Falco's extended family, as well as Petro and Anacrites, and their stories interlace with the mystery plot in a nice way.
This is one of my favourite episodes in the series so far. The plot take you into areas - banking and publishing - that are not the normal settings for Roman fiction, and that adds significantly to the interest. The family developments are, as usual, well handled, and the main characters are now whole, well-rounded individuals.
November 1, 2018
Another excellent Falco book. Although Falco still has his official position as keeper of the Imperial geese, that still leaves him time for other pursuits including his love of writing. Given the chance to read his verse in a semi public setting he is then visited by a publisher (Chrysippus) willing to publish his work. On further investigation it turns out that Falco would have to cover all of the costs of printing and of course he passes on that great opportunity. The next day Falco's friend Petro turns up asking about his visit to the publisher because Chrysippus turns up murdered. Petro doesn't really think Falco is involved but he does want Falco to investigate and of course he ends up taking on the case. As usual along with the actual mystery we are entertained with the latest happenings in Falco's family including his mother, father and sisters as well as Anacrites, Emperor's Vespasians Chief Spy and Falco's nemesis.
October 30, 2010
This 12th installment in the series examines the publishing and banking industries of Vespasian's Rome. As usual, Lindsey Davis makes this period come alive. Marcus Didius Falco is investigating the brutal murder of Chrysippus, the owner of a publishing house interested in Falco's satires. Falco discovers Chrysippus also owns the Aurelian Bank which has been involved in some shady investment schemes. Anacrites, the Chief Spy, and erstwhile partner, continues to be a thorn in Falco's flesh as he romances Falco sister, and provides investment advice to Falco's mother. More family problems crop up when Didius Geminus, Falco's father, loses his grip on his business. The involved plot kept me guessing and intrigued!
July 15, 2011
La Davis ama intrecciare problematiche moderne (o senza tempo) con il solido background della sua Antica Roma e anche questo romanzo nella serie di Marco Didio Falco non fa eccezione.
Editoria, editori a pagamento, speculazioni finanziarie, banche senza la minima etica e tanto altro fanno da contorno a questo delitto tanto complicato quanto dalla soluzione semplice e lineare.
L'ironia e il sarcasmo della Davis sono sempre perfetti e accompagnano piacevolmente tutto il romanzo, imperdibile per ogni appassionato delle sorti di Marco Didio, investigatore. (Sarebbe un romanzo imperdibile anche per tutti gli altri, ma magari allora è meglio che inizino dal primo volume della serie, giusto per non perdersi le altre perle della saga).
Editoria, editori a pagamento, speculazioni finanziarie, banche senza la minima etica e tanto altro fanno da contorno a questo delitto tanto complicato quanto dalla soluzione semplice e lineare.
L'ironia e il sarcasmo della Davis sono sempre perfetti e accompagnano piacevolmente tutto il romanzo, imperdibile per ogni appassionato delle sorti di Marco Didio, investigatore. (Sarebbe un romanzo imperdibile anche per tutti gli altri, ma magari allora è meglio che inizino dal primo volume della serie, giusto per non perdersi le altre perle della saga).
July 11, 2019
Another amazing journey through ancient Rome with Falco. I had so much fun with this book. As always I adored Falco's cynicism, this time in the wold of high poetry. I loved the ending, when my favorite detective gathered everyone in one place, and (in the school of Poirot) started to explain who killed.
Also I love all the accompanying characters - Helena and her support for Falco, as well as her loving criticism is always refreshing for me. I also enjoyed all the Falco's family drama that occurred here.
Now I can't wait to get my hands on the next book!
Also I love all the accompanying characters - Helena and her support for Falco, as well as her loving criticism is always refreshing for me. I also enjoyed all the Falco's family drama that occurred here.
Now I can't wait to get my hands on the next book!
November 2, 2009
Good, tight murder mystery. Marcus Didius Falco (private detective in the city of Rome in 74 A.D.) investigates the shocking murder of a well-known publisher. Everyone is a suspect and the story had me enthralled right up to the last few pages. Blended in with the clues are the never-ending tales of Falco's extended family with all of their ups/downs. The books in this series are great for curling up on a cold night with a warm drink and a comfortable chair!
Displaying 1 - 30 of 125 reviews