Profiles the influential Hollywood figure of the 1920s and 1930s, from his role in the creation of Metro-Goldwyn-Mayer, through his contributions to Hollywood history, to his untimely death at the age of thirty-seven. 15,000 first printing. National ad/promo.
When this book concentrates on the movie business and Thalberg's remarkable part in the history of filmmaking, it's brilliant. I was totally swept away by the story of this brilliantly focused man.
But (there's usually a 'But' isn't there?), the writer too often focuses on Thalberg's love life (or lack of). Much of it is speculation written as fact, and that was boring and eye rolling.
At one point, there is a suggestion that Thalberg and his wife, Norma Shear, were sexual inactive, yet the paragraph ends with a comment about a heavily pregnant Shear.
But let's focus on the positives:
The book casts an illuminating eye on the 1920s/30s movie business, and it has a wonderful cast of heroes, villains, and wannabes. If you read it for this and ignore the attempts at salaciousness, then this is a very worthy read.
Just a tremendous biography of a creative genius who knew his time was short and decided not to sit around and mope about it, but went out and lived life to it's very fullest, thereby changing an industry. I really like the author's focus on Thalberg's greatest achievement, his work in film. There would seem to be nothing else to focus on, but the writer really delves deep into the inner workings of Thalberg's work. A reader can telly get the feeling of someone, like Thalberg,that runs hard with a weak constitution.
I comboed this with reading 'The Last Tycoon' by F. Scott Fitzgerald. Fitzgerald based his main character Monroe Stahr on Thalberg and Fitzgerald's dealing with him and the Mayer studio system. The two authors either were both accurate in their portrayals or both way off. Reading both at the same time really fleshed out the biography further. Though I recommend e Flamini's book over Fitzgeralds.