Any book that opens with an awkward sex scene is good in my book, and Fish Cough gets better from there on in. I feel like books like this are hard to pull off – it's about a relationship falling apart and most of the action takes place in the couple’s apartment, so you could say it’s minimal? Except stylistically it’s pretty vivid and the language is lush. Sorry for using that word, maybe I should say the language is rich, but that also sounds cliche. What I’m trying to say is that books like this are hard to get right because without some sort of subterranean force energizing the action they fall flat. But this doesn’t suffer from any form of flatness whatsoever. In fact it’s very multi-shaped and emotionally and surreally dynamic. Like a dodohyderondon or whatever those ten-sided beasts are called. The forces that energise the story from beneath (and above) are the most powerful forces of the universe – time and matter and all that big deal stuff. In the book this is represented by a piece of meteor rock that Thom, the main character, finds in a tree after a meteor shower. The presence of the rock fucks shit up. The couple’s love life unravels, and Thom’s insanity does too. I loved this book from the jump but I REALLY loved it when a squirrel called Gordito turned up, who seemed to have the power to communicate through telepathy. The novel is at its best when it’s at its most unhinged, but it's also at its best in the small observed moments. I loved the way Thom watched and kind of spied on the trendy couple next door, and I love anything that plots the slow and confusing downfall of a relationship, because we’ve all been there and we’ve all struggled to make sense of it, and Fish Cough is an ambitious novel that grapples with some pretty massive and confusing issues like love and the universe and sentient squirrels.
Wait, aren’t all squirrels sentient? Whatever. I like the way that sounds.