I've read quite a few reviews of "Oh, What a Slaughter" and I have to say that I'm surprised that most reviewers seem to have missed what this book is really about (my humble opinion, of course).
"Oh, What a Slaughter" is not a popular pulp book about the Old West, nor is it your standard military or political history. If it was, McMurtry would have talked more about the famous individuals that were involved in these incidents, and/or he would have written more about how these events changed the course of American history.
But he basically ignores both of those prospectives and we find instead a much different analysis, principally a focus on the intimate circumstances that allowed the massacres to occur.
Oh What A Slaughter is, in other words, a study of Violence. But not the professional violence of organized armies that meet on a field, nor the personal sort of violence that erupts when two people come to blows. But rather the sort of violence that can emerge when small groups are overcome by fear and stress.
McMurtry asks what happens to men that they can get so worked up that they act out of character to what they profess as their standards. How it is that ‘normal’ men can find themselves in a state of mind where murdering unarmed women and little children is acceptable. And where skinning the 'enemy' and wearing their private parts as a hatband or using them a tobacco pouch becomes a symbol of pride.
McMurtry examines these questions and builds a case that connects these violent episodes to what scientists now know about human physiology and psychology.
The most interestingly aspect of this book for me was McMurtry's arguments that related to exaggerated historical records. I'm sure you know what I mean if you are at all acquainted with ancient or medieval sources. There are simply circumstances where otherwise reliable individuals quote figures that are just unbelievable -- be it the numbers of ships launched, or the numbers of opponents met. McMurtry argues that the exaggeration is perfectly understandable if you take into account what modern science knows about human biology and physiology.
If you take the problem of body counts as an example, McMurtry would say that inaccuracies stem from two effects. The first being the actual physical difficulty of counting people who have been thoroughly dismembered. And the second being that adrenaline serves to alter how events are perceived.
To conclude, I'd say that if this type of approach to history interests you at all, that you pick up this little volume. It's a quick read and one that illuminated some aspects of warfare that I hadn't considered before.
Talking Points:::
Oh, What a Slaughter is an astute study of fear and violence and how these two emotions work to affect the perception of historical events. It's a thought provoking book that focuses on the psychological, physiological, and cultural elements that make massacres possible.
The book is a quick read and has many interesting old photos.
McMurtry makes quite a few smart observations that are worth applying to other historical contexts. [A point made more or less in the introduction where McMurtry points out similarities between events in the 1800's and more recent events in Rwanda and the United States (9/11/01).:]
It should be noted that while the author outlines the events of different massacres, his focus is not on historical details. Or to put it a bit differently: Students of humanity and war-in-the-abstract will probably find the book of interest. Readers expecting a detailed history will probably go away unfulfilled.
Recommended to students of history.
Here are the Chapter Headings:
The Meat Shop
The Vulnerable Pioneer
The Big Massacres and Some Others
The Moral Taint
Did Kit Regret?
Counts
Images, Heroes, Stars
The Sacrament River Massacre, Spring 1846
The Mountain Meadows Massacre, September 11, 1857
Mountain Meadows (II)
Sand Creek, November 29, 1864
The Marias River Massacre, January 23, 1870
The Camp Grant Massacre, April 30, 1871
The Broken Hoop: 1871-1890
Wounded Knee, December 29, 1890
Wounded Knee (II)
Wounded Knee (III)
The Waning Moon
Bibliographical Note
Index