I am a proud Albertan, so I love the topics discussed in this book. I wish more work of this sort was done. I appreciate the great amount of effort required to produce a book with this scope. However, the writing and editing here is horrible and lazy.
Leonardo DiCaprio’s name is twice misspelled as “De Caprio”. Rachel Notley’s name gets misspelled once as “Notely”. Danielle Smith’s name gets misspelled once as “Daniel”.
One particularly grating sentence punishes the reader with six commas: “The NDP government faces serious financial constraints, and while for the most part, these constraints are not of the government’s making, they must nonetheless deal with them, and this will constrain, at least to some extent, their policy options”.
Another sentence contains no less than three separate typos: “Unlike the Prentice, Redford, and Stelmach, governments,only three members if Notley’s new caucus had experience in the legislature, and none had been in government” (sic throughout). The very next sentence states that the NDP government had a twelve member “caucus”, when it should read “cabinet” (the Notley cabinet initially had 12 members, while the full NDP caucus was much larger). Still in the same paragraph, the last sentence reads “familiarity of” instead of “familiarity with”.
If this isn’t enough evidence of a 7th-grade-essay writing style, at another point a single paragraph contains two different sentences that both start with “Interestingly,”.
Even though the book is presented as a dispassionate “guide to Alberta politics”, one section on former Premier Notley devolves into a fawning gush of compliments befitting a campaign ad (“she continues to be unpretentious, down to earth and the antithesis of elitist”). This makes a mockery of objective analysis.
There are countless other minor annoyances, such as when “Pembina Pipelines” is mistyped as “Pembina pipelines”, or when Suncor Energy is referred to as “homegrown” (in fact, it’s origin is as the subsidiary of American company Sun Oil). There is a frustrating amount of repetition throughout; it is clear the different chapter authors did not spend much time reading each other’s contributions.
I was disappointed to see that this book was funded by taxpayers (Alberta Media Fund and Canadian Council for the Arts). Perhaps us taxpayers can collectively fund a second edition that fixes some of the spelling and grammar errors.