The dead girl had walked for many miles to bring her chill message to Dan Brady—a message with the vital clue that could finally lead him to the end of his unholy quest against the horrifying secret power of Arachne...
The clue is Magondathog... a place in the north. The place where the final act of evil will occur, the Awakening—where the dark forces called Arachne will triumph after centuries of waiting... the place where civilisation will end... The Labyrinth.
After a year of searching Brady has at last found his wife–but the nightmare still continues. And time is running out for Brady... for his missing children... for the entire world.
At last, The Labyrinth (1987), the final novel in the Night Hunter series (#6) begun in 1983. So, by some writing standards, reaching the conclusion with the sixth book after four years isn’t too bad. Some series feature a specific character who has unrelated adventures; other series are motivated by a quest initiated in the first book and continued through the remainder, with in passing, resolutions of some plot issues, but still no answer to the initial problem. Night Hunter falls into this second category, and benefits from a finite length.
For Daniel Brady, the problem was that followers of the entity Arachne invaded his home, left him for dead and abducted his wife, daughter and son to use for their obscure esoteric purposes. Gradually, through the different books, Dan (recovered and driven) learns a little more about Arachne and meets other individuals who are fighting the same evil. Along the way, there are casualties.
Now, contacted by a ghost of a character from the third book, Dan is given a clue to the whereabouts of at least one of his children. It’s near Hadrian’s Wall. A small village there has been plagued by unaccountable deaths and tragedy for forty years – and seemingly they could be linked, if only somebody would make the connection.
Dan witnesses the bizarre death of the town’s priest and suspects there are a number of people in the village hell-bent on helping Arachne. Yet he elicits help from surprising quarters, and in the process uncovers a poignant history of the builder of the labyrinth, a man who only seeks freedom from Arachne, but at what cost to him?
There are neat shifts in time, past, and parallel present, and enough tense moments throughout this finale to keep the reader turning the pages. Faulcon writes some clever prose twists that suggest something that is not the case in a late cliff-hanger. There is heroism and sacrifice, and happily several threads are finally tied together, evolving into a satisfying end to a finite series.
It’s taken me thirty years to get round to reading these books on my bookshelves, and I’m pleased I finally found the time.
An excellent finale to the series that leans more and more to his Mythago ideas than the rest of the books and ties in the ancient Greek myth of the labyrinth and ties up loose ends from the start of the story such as the mysterious man who taught Dominick and the secret friend he had on his island where he was imprisoned. The scarag and the fetch that appear, the wooden figurines marked with mud. Classic Holdstock tells. I was really glad I read all the books now that have added an extra dimension to his writing for me.
This entire review has been hidden because of spoilers.