First published in 1986, this book sets Kipling firmly in the historical context not only of contemporary India but of prior Anglo-Indian writers about India. Despite his enthusiastic reception in England as ‘revealer of the East’, in India he seems to have been regarded as just one more Anglo-Indian writer. The author demonstrates the traditionalism of Kipling’s use of the themes of Anglo-Indian fiction – themes such as the ‘White Man’s grave’, domestic instability, frustration and loneliness. In particular, Kipling is shown to be writing in a strongly conservative idiom, concentrating on the role of the British hierarchy as the determining factor in a response to India, on British insecurity and fears of a repeat of the 1857 mutiny, and regarding Indian institutions only in so far as they represented a threat to British rule. Conservative critiques of liberalism are also discussed.
Bart Jason Moore-Gilbert was Professor of Postcolonial Studies and English at Goldsmiths, University of London. He was the author of Postcolonial Theory: Contexts, Practices and Politics, Kipling and “Orientalism”, and editor of Literature and Imperialism, Cultural Revolution? The Challenge of the Arts in the 1960s, The Arts in the 1970s: Cultural Closure?, Writing India: British Representations of India 1857-1990 and Postcolonial Theory: A Reader.