I finally sat down and read this cursed and blessed book, a signed copy(!) my father apparently ordered off the internet when it first came out. amazon tells me this was a self-published book for only friends and family, and I guess a few fans willing to buy it for the collectability?? I don't really know, but I do know I am damn grateful to have this in my household. It's going in my dowry, I guess. Something like that.
Here's the thing: he's a pretty decent poet. Someone should tell him about your/you're, and it's/its, but aside from that (which, let's be honest, many of us struggle with anyway), there is such a brilliant variety of genre and form here. There's prose poetry; ballads, like sad little urban legends about druggies and convicts, both of which he is/was; love poems, albeit many of them ending in murder or suicide or other kind of death (but again, in a weird Clint Eastwood kinda way, where it's more the culture to blame than the man himself); nonsense poetry, political poetry, anti-war poetry; honestly, everything you wouldn't expect from Charles Sheen (since that's how his name is spelled in the book itself) and everything you have sort of read before, but not really.
I would 100% read more poetry by Charlie Sheen. This book is as old as I am, and is, in its own wild, Martian way, a work of genius. Hit me up Charlie! Let's write poems together! But see, as soon as I write that I more or less take it back: a truly horrifying experience it would probably be, but also one of a kind, once in a lifetime. I don't know.
To sum up: we don't judge Jack Kerouac's writing only as the drug-fueled gobbedly-gook of his brain, we treat it as classic. This is Sheen's way of one-upping that, for good or for bad, and it's frankly hypocritical of us to dismiss this book with the same passion as we uplift Kerouac's work.