Centred on environments – human, insect and animal – some experienced personally, some observed, some imagined. Though strictly contemporary in her concerns, she reaches back in her poetry to childhood, and beyond that in her imagination to cultural figures of the past – John Donne, Edward Elgar, Ralph Vaughan Williams, bringing them lucidly and vividly to life. There is a strong sense of compassion and fair play in her poems, reflecting Duffy’s lifelong support for progressive social and political movements, and a beautiful lyricism and technical skill derived from her love of the classical world and Old and Mediaeval English. As so often in her work, London past and present provides the backdrop to her real and imagined life of love and loss, forebears and friends, the humorous and sometimes painful experiences of old age.
Maureen Patricia Duffy (born 21 October 1933) is a contemporary British novelist, poet, playwright, nonfiction author and activist.
Duffy's work often uses Freudian ideas and Greek mythology as frameworks.[1] Her writing is distinctive for its use of contrasting voices, or streams of consciousness, often including the perspectives of outsiders. Her novels have been linked to a European tradition of literature which explores reality through the use of language and questioning, rather than through traditional linear narrative.[2] James Joyce in particular, and Modernism in general, are significant influences on her fiction, as is Joyce Cary.[3] "Duffy has inspired many other writers and proved that the English novel need not be realistic and domestic, but can be fantastical, experimental and political."[1] Her writing in all forms is noted for her 'eye for detail and ear for language'[4] and "powerful intense imagery".[5]